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Steinbeck techniques in mice and men
Critiques of john steinbecks of mice and men
Critiques of john steinbecks of mice and men
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Although John Steinbeck was known to be personally irreligious (), Of Mice and Men is still underscored by Judeo-Christian and Biblical allusions, mores, and ideas. With the irreligious nature of Steinbeck in mind, these allusions in Of Mice and Men can be understood as Steinbeck creating a familiar framework to explore the issues of moral decay and societal dissolution in the era of the Great Depression. This idea of religious allusion as a vehicle for exploring modern day issues is supported by Steinbeck himself, who explicitly stated in his 1962 Nobel Prize banquet speech that “The ancient commission of the writer has not changed. He is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.” (). Thus, Steinbeck chiefly uses Biblical allusions to explore the devaluing of virtue and morality in the Depression Era.
Steinbeck frequently alludes to the archetype of Christ in Of Mice and Men, with the most clear references being those contained in the character of George. In fact, upon comparison, George’s story very much meshes with the Biblical account of Christ. For example, as he was dying, Jesus said “Father, forgive them, for they don’t know what they are doing” (New International Version, Luke 33:34), absolving those who crucified him. In much the same way, George tells Lennie as he is about to shoot him, “No, Lennie. I ain’t mad, I never been mad, an’ I ain’t now. That’s a thing I want you to know.” (Steinbeck 101), thus ultimately forgiving Lennie for all that he had done, even forcing George to shoot him and destroy their dream. Critically, this allusion to the archetype of Christ is followed up by a social and moral comm...
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...usions and ideas, however, are not a mere regurgitation of Judeo-Christian values and mores, but rather a powerful commentary about the time following the Great Depression that sees the collapse of traditional social structures in the face of economic hardship. Specifically, through the character of George, his relationship to Lennie and the salient allusions to Christ, Steinbeck reevaluates the classic ideas of brotherhood and sacrifice and notes how these ideals have become underappreciated in the era of Of Mice and Men. Additionally, Steinbeck’s allusions to heaven through the rabbit dream are a literary manifestation in his belief in the power of hope and compassion in a cruel world. Thus, Of Mice and Men, built on its’ framework of Biblical allusions, is ultimately both a celebration of “gallantry in defeat” () and a criticism of the judgments of man’s peers.
John Steinbeck, an American novelist, is well-known for his familiar themes of depression and loneliness. He uses these themes throughout a majority of his novels. These themes come from his childhood and growing up during the stock market crash. A reader can see his depiction of his childhood era. In Of Mice and Men, Steinbeck shows the prominent themes of loneliness, the need for relationships, and the loss of dreams in the 1930s through the novels’ character.
A popular literary technique that can be found in a number of literary works is the biblical allusion. John Steinbeck perfects this technique in his novel The Grapes of Wrath by introducing a character who is symbolic of Jesus Christ. This character, Jim Casy, not only shares initials with this biblical figure, but he also grows thoughout the novel as a speaker, a mediator, an organizer, and, most remarkably, a martyr.
John Steinbeck, the author of the novel Of Mice and Men uses many stylistic devices and description in chapter one to give the reader a deeper understanding of what may occur throughout the novel. Firstly, the name of the city the two protagonists, Lennie and George, are heading to is called “Soledad,” which means loneliness in Spanish; this is symbolism and foreshadowing because it can mean that as they get closer to the city, their relationship as friends may deteriorate and they may end up alone towards the end. Furthermore, this could also mean that there can be major problems in further chapters because of Lennie’s unpredictable behaviour due to his mental disabilities. In relation to Robert Burns’s poem, “To a Mouse,” the author may be
Imagery is shown through two hallucinations that Lennie has before the end of the book. He has just escaped the ranch because of the accidentally killing of Curley's wife. Lennie also realizes that George will not let him tend rabbits on a farm, which was the desire that he wanted the most. After all George said, "But you ain't gonna get in no trouble, because if you do, I won't let you tend the rabbits" (65). Constantly throughout the book, Lennie pesters George about taking care of rabbits on a farm of their own; tending rabbits was Lennie's dream. As he hides near the river where he and George stayed the night before going to the ranch, Lennie begins seeing his Aunt Clara. But Aunt Clara was speaking in Lennie's voice. She begins to blame
Biblical Allusions and Imagery in Steinbeck's The Grapes of Wrath. & nbsp; & nbsp ; John Steinbeck always makes it a point to know about his subjects. first hand. His stories always have some factual basis behind them.
The theme of conflict looms over the entire plot in Of Mice and Men, beginning in the first scene, and persisting until the end. The conflict ranges from the captivating way Steinbeck makes man fight with his inner animalistic behaviour to the ever imminent conflict between George and Lennie with their drastically different personalities, appearances and understanding of their ideal, the American Dream. The Great Depression forms the backbone of Steinbeck’s novella, with events such as the stock market crash to the recovery from the First World War, allowing him to keep the realism of the conflicting events but still leave room for the intriguing, deeper side to each of the characters. Steinbeck manages to mask conflict within the novella by not simply stating the conflict, but using language and literary techniques he subtly implies it.
The quote that inspired John Steinbeck was the best laid schemes often go off track can be seen in the novel of Mice and Men. When Curley's wife met a man in her childhood that offered her to be an actress but the chance went away and she later died. Then Curley wanted to be a professional boxer but the dream never happened and he became a farmer then got his hand broken for trying to be tough. George and Lennie were going to buy a farm to live off the fat of the land then Lennie had to get in trouble and George had to give up the dream and kill Lennie for what he had done.
Of Mice and Men, by John Steinbeck, portrays the hard–done-by life of two California labours, who form an unlikely bond and cling together in the face of alienation. The Novel exhibits the idea of the thirst for companionship when cast into the abyss of loneliness, while unveiling the horrors and strife that the labours of the south endured during the 1930’s. Throughout the plot, one of the protagonist, George, continuously carries through with several decisions that define him as a character and subsequently, as a human being. For example, at the beginning of the story, Geo...
When you’re first introduced to a character you can depict their role within the story, but sometimes they can portray a much larger meaning. Many characters in numerous stories can be considered allegories due to author trying to show a bigger picture. Such as the story Of Mice and Men. This John Steinbeck novella can be viewed as an allegory due to the characters being able to embody certain groups in society. Three characters that symbolize a particular group are Curley’s wife, George, and Lennie.
In the novel Of Mice and Men, John Steinbeck brings out the themes of Lonliness and companionship, and strengths and weaknesses through the actions, and quotations of the characters. Irony and foreshadowing play a large roll on how the story ends. Lennie and his habit of killing things not on purpose, but he is a victim of his own strength. George trying to pretend that his feelings for Lennie mean nothing. The entire novel is repetitive in themes and expressed views.
Even from the very start of John Steinbeck’s novel, Of Mice and Men, the uniqueness of George, as a character, is already noticeable. He is described as “small and quick, dark of face, with restless eyes and sharp strong features” and has an obvious dominance over the relationship between Lennie and himself. This lets the reader know from a very early stage in the book that George is different, and probably the essential character. George’s character seems to be used by Steinbeck to reflect the major themes of the novel: loneliness, prejudice, the importance of companionship, the danger of devoted companionships, and the harshness of Californian ranch life.
In John Steinbeck’s Of Mice and Men, the reader can be left conflicted as to whether mercy killing is can ever be right. Of Mice and Men is a novella written by John Steinbeck about two men on a ranch, George and Lennie, published in 1937. The book depicts the life of a mentally challenged man, Lennie, and his friend George as they drift from one town into a ranch in Soledad, California during the Great Depression. They come to the typical ranch of the time, but with the Boss’s son, Curley, being a pugnacious former boxer who seeks conflict with Lennie. Eventually, both a dog and a person are killed for what is thought to be for their own good, which may lead the reader to believe that the practice of doing this is heartless when it is very much justified in the context of the plot.
In the great work, Of Mice and Men, Steinbeck makes clear that George is faced with many struggles. Steinbeck writes of a character that has many internal and external conflicts. Yet, through those conflicts, the reader learns the purpose of the novel; what the true meaning of friendship
Peter Lisca’s analysis on “Motif and Pattern in Of Mice and Men” clarifies that Steinbeck’s misunderstood usage of symbols, actions, and language convey motifs and patterns that connects the beginning of the book to the end. Lisca implies that the first and primary usage of symbolism was the area near the river where the story initiated and ended. He insinuates that the cave that Lennie mentioned twice and the river George ordered Lennie to visit when in danger symbolizes as “a safe place” and innocence while becoming “translated into terms possible in the real world” (Lisca 1). In addition, Lisca also advocates that the rabbits serve as symbols to dramatize Lennie’s devotion for his safe place, but also to “define the basis of what desire on a very low level” (Lisca 2).
The theme of power in prevalent in John Steinbeck’s ‘Of Mice And Men’ and is presented and developed in many different ways. Power is first established in the title, which introduces the recurring wrath of fate implying that men, like beast, are helplessly fated to live a disempowered and isolated life. Some however seek comfort in their powerful dreams, and companionship in their romanticised fraternal bonds, most notably that of Lennie and George, whose unconditional love for another leaves the reader with questions regarding their own morality. Steinbeck’s powerful prose, a strong single plot line over a short time span drives the tragic events forward, and his depiction of the foreshadowing natural world gives the novella a certain aspect of duality.