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Racial Discrimination in the Movies
Representation of woman star wars
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The 1970s was a time where the film industry began to strive of the usage of television and its ability to presell films while reducing the possibility of losing tons of money on films. Producers began to shift genres and venture outside of the box. This set up George Lucas’s Star Wars Episode IV: A New Hope to be a huge blockbuster. It took the audience’s desire and passion for technology and heroism to the next level. A shift from the traditional American West to the galaxy and beyond, “Americans were no longer willing to follow the lone cowboy” (Quart 122). The old traditional Hollywood had seemed to be long gone, especially in the 1960s, however in the 1970s, Hollywood still had the ability and resources to create worlds that paralleled …show more content…
First, topic we see right off the bat in this film is slavery and segregation. The droids are the first characters seen in the film. Even though they are not actually people, they display obvious signs of sentience, emotion, intelligence, and self-awareness. We see that they are second class citizens in this universe. They are slaves to their owners and subject to segregation. This is a remarkably deep subject matter which forms the backdrop of the first few minutes of the film. This is not merely a throwaway part of the story, as R2D2's escape from his new slave masters is a key plot point and the pointed words of the bartender in Mos Eisley toward the droids that he doesn't serve "their kind" is meant to draw attention to the subject without making it the overriding subject of the film. Very quickly you understand that this universe is filled with a great deal of immorality and just as much moral ambiguity. Second theme seen in this movie is a strong female role. Even today, gender issues are still a problem in Hollywood, but Star Wars had no problem having a female character who could be on her own. Typically, movies have to rescue the princess who is usually a damsel in distress. In Star Wars, this is also a fact, although rescuing Princess Leia allows to help return to fighting the rebellion and lead it. She proves to be a hero of her own, a fighter, and a political
... The Web. 18 Nov. 2011. Dirks, Tim. A. The "Film History of the 1970s.
With the loss of its centralized structure, the film industry produced filmmakers with radical new ideas. The unique nature of these films was a product of the loss of unified identity.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Elsaesser, Robert. "The Pathos of Failure: American Films in the 1970s" The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Ed. Thomas Elsaesser, Alexander Horwath, Noel King. Amsterdam: Amsterdam University Press, 2004. 279-292. Print.
The portrayal of women in this film gives the impression that women are fighters and not just people who need saving, Princess Leia’s image is not defined by the other men in her party (Hans Solo and Luke Skywalker), but by her own merit. In relation the image portrayed by the men in this film, Princess Leia also possess’ some of their qualities. The governance system in the Star Wars universe, called the Empire, can easily be seen as a dominant patriarchal figure in the movie, with a predominantly male presence especially in the higher rungs (people in higher command). More women are represented in the Rebel Alliance and it is in this population that Princess Leia’s image as a feminist icon really stands out and has meaning. Not only is she a prominent figure ...
McCrisken, T. B., & Pepper, A. (2005). American History and Contemporary Hollywood Film. New Brunswick, New Jersey: Rutgers University Press.
George Lucas is a proclaimed god in the film industry. His experience spans decades and his movies span generations. He is one of the most known celebrities in the world. With a flashy net worth of over $4.2 billion, one wonders how a mere writer could acquire such wealth. To understand this, one must delve deep into Lucas’ past and analyze his first success and his early failures.
The first idea I will be looking at is that Star Wars is a type of
The constant theme throughout this movie is the battle between good and evil, right and wrong, and light and dark. Anakin Skywalker is the main protagonist throughout this film. There is an internal fight going on within him concerning what side of the force he should follow. The light side means he would have to allow Padme, his wife, to die. The dark side would allow him to save her or at least have the fear of losing her. He slowly starts to turn to the dark side with guidance from Darth Sidious (Chancellor Palpatine). Anakin believes he is doing the right thing which in turn will save Padme from dying in childbirth.
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
'The broken globe'; by Henry Kreisel tells the story of a father and a son torn apart by their differing views of the world. Another story which I feel parallels this story in certain aspects is the 1977 classic 'Star Wars'; by George Lucas. In Star Wars, Luke Skywalker, a young farmboy on a backwater world, receives a lightsabre from Obi Wan Kenobi, this inspires an urge to leave his world and learn to be a Jedi. One of the conflicts Luke must face is his Uncle Owen who wishes him to stay on his world and be a farmer. When Luke finally does leave he becomes very successful.
Star Wars (1977) is one of the world’s most successful films of all time. It has made a terrific impact on popular culture since its release. Furthermore, Star Wars changed the narrative and aesthetic style of future Hollywood films. Star Wars Episode IV: A New Hope, illustrates how cinema has evolved since Fred Ott’s Sneeze (1894). Ultimately, this essay will explain the set up of Star Wars and how it connects to cinema history, in the point of views of the: narrative and cinematic style, genre, auteur theory and the global film industry.
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
... ed (BFI, 1990) we read … “contrary to all trendy journalism about the ‘New Hollywood’ and the imagined rise of artistic freedom in American films, the ‘New Hollywood’ remains as crass and commercial as the old…”
"Klatuu verita nicto!" These are the words spoken to turn away the robot that would destroy the earth in the movie The Day the Earth Stood Still. Hollywood has portrayed the robot as both a friend and an enemy. In many instances, such as in The Day the Earth Stood Still, they can be controlled, but if one gets loose it will cause great destruction. In the Star Wars trilogy their are three robotic characters that play large roles. Two of the robots, C3PO and R2D2, are friendly and harmless. They are both on the side of good. However, they are contrasted by Darth Vader, who being partially man, but mostly robot, is portrayed as the antagonist of all that is good. Not only Hollywood, but also science fiction literature has helped to produce certain expectations concerning what a robot should look like and how it should act. The result of these expectations has not always been good for the field of robotics.