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On May 25th, 1977, the world was introduced to Star Wars. Star Wars: A New Hope is a scientific fantasy film written and directed by George Lucas. This movie was the first of its kind, due to the inclusion of extensive special effects and the captivating realm it was set in. No other movie had expressed such creativity in the way that George Lucas did in the first installment of the Star Wars franchise. With such a variety of intriguing creatures, from Wookies to droids, the film became an extreme success.
The movie follows the adventure of Luke Skywalker, a farm boy from the planet of Tatooine, after he and his newly assembled group of companions go on a journey to save Princess Leia, the leader of a rebel group, during a Galactic Civil
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War. Luke Skywalker becomes a hero in a quest bestowed by Princess Leia and his new master, Obi-Wan Kenobi, as he faces the challenges necessary to defeat the evil Empire and destroy the most dangerous weapon in the galaxy, the Death Star. Luke Skywalker’s actions are explained by a literary process called the Hero’s Journey.
The Hero’s Journey is a ten-step adventure, created by Joseph Campbell, that a heroic character must embark on a quest that employs a selection of archetypes. Carl Jung, a highly acclaimed psychologist, defined archetypes as universal patterns in all stories and mythologies regardless of culture or historical period. There are three categories of archetypes: character, symbolic, and situational. In these categories are multiple specific archetypes, which Star Wars depicts and easily explains. George Lucas’ film, Star Wars: A New Hope, uses an assortment of archetypes to illustrate and emphasize the threats Luke Skywalker must overcome while completing the Hero’s …show more content…
Journey. Taking place during a Galactic War between the Empire and the rebel alliance, Luke Skywalker, a young boy living on the desolate planet of Tatooine, begins his journey in the conscious realm, a state of mind and being where the hero has yet to be challenged; the first step in the Hero’s Journey. His state of safety and consciousness are present while he is on land, especially while on his home planet. It is when he receives the call, defined as the invitation to begin a quest, that leads him to delve into the unconscious realm. In this episode, there are four different events that take place before Luke Skywalker accepts the call. One is C-3PO’s mention of the rebellion, which sparks Skywalker’s interest. C-3PO is a droid from the rebellion who has traveled to Tatooine with another droid, R2-D2. The second, is a hologram of Princess Leia asking for help. This hologram is received inadvertently by Skywalker through R2-D2, though it was intended for Obi-Wan Kenobi, a Jedi. A Jedi is a person trained to guard peace and justice in the universe with a mystical power known as the force. The third event occurs after Skywalker meets the Jedi knight, Kenobi. Kenobi invites Skywalker to travel to Alderaan with him, for that is the planet on which they will find help for Princess Leia. At this time, Skywalker declines to travel with Kenobi, for he does not want to abandon his guardians; his aunt and uncle, who are the only known family members he has. At this point in time, Skywalker is not ready to undertake the quest yet. The final event of the call, the one that convinces Skywalker to accept the quest, is the death of his aunt and uncle. Skywalker is thus introduced as The Hero, a protagonist whose life is a series of well-marked adventures and one who has unusual circumstances regarding his birth. This event is known as the Unhealable Wound, in this case a psychological wound that cannot be fully healed. Without his family or home, Skywalker decides he has no reason to stay on Tatooine. Therefore, a distressed Skywalker leaves with Kenobi, C-3PO, and R2-D2 to travel to Mos Eisley, a city where Skywalker, Kenobi, and the droids hope to find transportation to Alderaan. Once arriving in Mos Eisley, Kenobi and Skywalker set off in search of a pilot.
In what is known as the “pirate city”, Kenobi warns Skywalker that he must be careful, for the city is full of vile creatures. Obi-Wan Kenobi is developing into Skywalker’s mentor, an older and wiser figure who teachers their pupil how to survive. In this dangerous city, Kenobi heads to a place he knows will have a pilot, Mos Eisley Cantina. Once again, Kenobi warns Skywalker to be cautious, for Mos Eisley Cantina is a dangerous place. Not without violence, Kenobi and Skywalker manage to find a pilot, a smuggler named Han Solo who has a Wookie for a co-pilot. Wookies are intelligent, yet aggressive, bipeds that are characterized by being extremely tall and hairy. Solo tells Kenobi and Skywalker to meet him in Docking Bay 94 as soon as they are ready to leave. Since Skywalker and Kenobi are prepared to leave, they exit Mos Eisley Cantina and begin to make their way to the docking
bays. Later, Skywalker and his hunting group of companions; an archetype described as a group of loyal companions willing to face hardship and ordeal in order to stay together, arrive at Docking Bay 94. There, Han Solo is waiting with his ship, the Millennium Falcon. This ship is the threshold, a gateway to a new world which the hero must enter to change and grow. To enter the threshold, the hero, Luke Skywalker, must defeat the threshold guardians. Which, at this time, is a group of Stormtroopers, the loyal minions of the Empire with orders to capture and detain Kenobi, Skywalker, and the droids. Skywalker proves himself worthy of passage by defeating the Stormtroopers and boarding the Millennium Falcon. Once Skywalker has entered the ship, he has crossed the Threshold; the fifth step in the Hero’s Journey. Aboard the ship, Skywalker prepares to leave Tatooine, the only home he’s ever known. He is about to depart; the fourth step in the Hero’s Journey, which is the act of leaving one’s safe surroundings to face the challenges that have been bestowed upon the hero. As soon as Skywalker leaves Tatooine, he will be in space. This transition illustrates the departure from land to space, yet also the passage from the Conscious Realm to Unconscious Realm. The Unconscious Realm is a state where one is faced with obstacles outside of the safety of their home or haven where they learn to grow intellectually, emotionally, and physically. These challenges take place in the sixth step of the Hero’s Journey; Task, Trials, and Tribulations. To begin with, Skywalker must face tasks, or endeavors that must be completed. A few examples would be discovering a way to deliver the Death Star’s blueprints to the rebels, how to escape the Death Star, and how to save Princess Leia from the Empire. Once overcoming these tasks, Skywalker will face many trials, which are more daunting tasks. For instance, this would be Skywalker’s desire to destroy the Death Star. Lastly, Skywalker must face a tribulation, which is an emotional or physical blow that one must overcome to finish their quest. Luke Skywalker’s tribulation would be the death of his mentor, Obi-Wan Kenobi. Kenobi was murdered by Darth Vader, who had once been a Jedi until he was seduced by the dark side, while seeking a way to escape the Death Star. Darth Vader is the devil figure, or a person who is evil incarnate. Yet, Darth Vader can also be described as the shadow; a worthy opponent with whom the hero must struggle with in a fight to the end. Through these harsh events, Luke Skywalker becomes emotionally and physically stronger. He experiences a Transformation of Consciousness; the seventh step in the Hero’s Journey. The Transformation of Consciousness is when one develops the ability to use new mental capabilities by acquiring new skills and mastery over their mind and body. Skywalker is able to complete this by understanding the ways of the force. This is shown once the rebels have received and analyzed the plans to the Death Star and when the rebels have devised a plan to attack. They created a scheme that involved pilots flying in one-person ships, and then shooting a missile down one of the Death Star’s main shafts. After an abundance of attempts made by other pilots, it finally comes down to Skywalker. Skywalker must make the shot or all hope is lost. While aligning his weapon and preparing to shoot, he hears the voice of Obi-Wan Kenobi, “trust in the force.” This is an example of supernatural intervention; spiritual beings intervening on the side of the hero, because Skywalker is receiving aid from the spirit of Kenobi. Skywalker puts away all of the equipment he had planned to use and opens his senses, then fired. Skywalker destroys the Death Star by using and trusting in the force to guide the missile into the shaft. The destruction of the Death Star is the eighth step in the Hero’s Journey, the Ritual. The Ritual is what the hero must perform or accomplish before they can return to the Conscious Realm. After completing the task, the nearly superhuman feat the Hero must perform in order to accomplish the quest, Luke Skywalker travels from space to a rebel base on the planet Yavin. Once Skywalker is on a planet again, he is back in the Conscious Realm. This is called the Return, the ninth step in the Hero’s Journey. This is transition from Unconscious Realm to the Conscious Realm. Ultimately, Luke Skywalker completes the final step in the Hero’s Journey, Sharing, by taking part in a medal ceremony. Princess Leia awards Skywalker with a medal for his bravery and courage. She is depicted as the White Goddess in this scene; the White Goddess is a good, beautiful maiden. Leia is cloaked in an all white, flowing dress. The color white portrays purity and innocence. Leia is not the only character to always wear white. Luke Skywalker wears an all white or beige outfit. This is indicating the true light and goodness he has. However, on the other hand, there is Darth Vader. Vader wears all black, and it shows the darkness and evil that is in him. These colors visually show the situational archetype, the Battle Between Good and Evil; this is a battle between two primal forces. Throughout the movie, it is the rebels versus the Empire and Luke Skywalker versus Darth Vader. In the end, the rebels persevered and triumphed over the Empire. With this victory, he has fulfilled the Quest. He brought a new hope to the universe. Throughout the film, Luke Skywalker goes through many hardships in order to complete his Hero’s Journey. He loses his home, his mentor, and ultimately, his former identity. Yet, he also vanquishes the evil villain, is rewarded, and is “resurrected” into a better, stronger man than he was. With the assistance of a variety of archetypes, George Lucas was able to create an engrossing story that captured the heart of viewers by illustrating the journey of a young boy into adulthood. Star Wars: A New Hope is a film that employs archetypes to demonstrate and explain the perils Luke Skywalker must conquer while traversing the Hero’s Journey.
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
Luke’s eventual departure is set in motion by the purchase of two androids that were previously involved in the rebellion. Luke receives a call to aid in the form of a prerecorded message stored in one of the android’s memory. Luke finds a traveling companion and a teacher in Obi-wan Kenobi. Luke is hesitant to leave his home planet until the empire kills his Aunt and Uncle, leaving him no option but to fight. Luke’s next step is initiation.
The “Star Wars” franchise is familiar to most, and may be the easiest in which to discover the hero’s journey. In “Star Wars,” we find young Luke Skywalker, a rebellious youth, living on a farm on the isolated planet of Tatooine, taken in by his aunt and uncle following the death of his mother and father. Luke grows up with dreams of flying through the stars, only dreams until his chance meeting with Ben Kenobi. Kenobi informs Luke of his real past: that his father was a Jedi knight and that Luke was destined to become great. Though Kenobi’s guidance and Luke own adventurous spirit, he finds himself pushed into an intergalactic quest to become a valiant Jedi in a galaxy controlled by the evil Empire.
Luke is willing to sacrifice his own life to rescue Princess Leia. Skywalker finds Obi-Wan Kenobi and together they take R2-D2 to Alderaan, like the princess instructed. After they find a pilot, they
Heroes are often perceived as characters who leap great distances in a single bound. However, they actually have three distinct stages where they develop into the character we grow to love. In George Lucas` “StarWars IV: A New Hope.” Luke Skywalker is a quintessence of of an archetypal hero because he goes through initiation stage through distinct phases of separation, transformation and the return stage. Luke Skywalker begins his journey as farmer boy on a remote planet and becomes the hero of the galaxy. However, this process the not happen quickly. Rather, it is a difficult journey where is is faced with multiple tests and obstacles and pushes his endurance to the limit.
The Hero’s Journey is a basic template utilized by writers everywhere. Joseph Campbell, an American scholar, analyzed an abundance of myths and literature and decided that almost all of them followed a template that has around twelve steps. He would call these steps the Hero’s Journey. The steps to the Hero’s Journey are a hero is born into ordinary circumstances, call to adventure/action, refusal of call, a push to go on the journey, aid by mentor, a crossing of the threshold, the hero is tested, defeat of a villain, possible prize, hero goes home. The Hero’s Journey is more or less the same journey every time. It is a circular pattern used in stories or myths.
The Hero’s Journey is a pattern created by the American mythologist Joseph Campbell and is a path that every hero must take in order for them to pursue their personal legend as Paulo Coelho describes in The Alchemist, a hero can be a human, animal or a magical creature. The Merriam-Webster dictionary defines “archetype as the original pattern or model of which all things of the same type are representations or copies” (“archetype”). During this path, the hero will encounter different obstacles that will prevent him/her from achieving their destiny. Coco is a movie that talks about a Mexican tradition that celebrates dead called Dia de Los Muertos. The movie Coco follows the Hero’s Journey pattern Miguel character must face the Departure, Initiation, and Return. In the movie Coco, Miguel Rivera dreamed of becoming a musician and the importance of continuing with a tradition that honor the death follows the step pattern of the Hero Journey.
Far off in a distant galaxy an infamous story would begin, A New Hope. This episode is the one that began it all and lead to one of the most influential sagas of all time. Opening with the beautiful rebel leader Princess Leia, her ship undergoes direct attack from the known and feared villain, Darth Vader. He orders his troops to look about for important documents, meanwhile Leia says her famous message into R2-D2, a droid unit “Hel...
Star Wars: Episode IV - A New Hope. Screenplay & Dir. George Lucas. Lucasfilm & Twentieth Century Fox, 1977. Film
Star Wars: A New Hope. Dir. George Lucas. Perf. Mark Hamill, Harrison Ford Carrie Fisher. DVD. Twentieth Century Fox, 2006.
The constant theme throughout this movie is the battle between good and evil, right and wrong, and light and dark. Anakin Skywalker is the main protagonist throughout this film. There is an internal fight going on within him concerning what side of the force he should follow. The light side means he would have to allow Padme, his wife, to die. The dark side would allow him to save her or at least have the fear of losing her. He slowly starts to turn to the dark side with guidance from Darth Sidious (Chancellor Palpatine). Anakin believes he is doing the right thing which in turn will save Padme from dying in childbirth.
In just these same ways, Obi-Wan Kenobi serves as a mentor to the young Luke Skywalker, leading him in the direction of heroism, teaching him the ways of The Force, and guiding him through peril. Luke’s turmoil begins after purchasing the droids C3P0 and R2-D2 from local Jawas. The R2 unit runs off, forcing Luke to chase after, and find it. While in the deserts of Tatooine, Luke is attacked by Sandpeople, who are quick in tossing Luke to the side.
Luke is followed by the death star back to the rebel alliance. After the fleet sent to destroy the death star suffers many losses it is up to Luke with the help of the supernatural assistance of his mentor to destroy the death star. This follows the Hero’s Journey stage 5, the final conflict just like Star Wars VII. In this act Rey is able to tap into the force to temporally defeat Kylo Ren. Now able to piece together the map at the centre of the quest, Rey returns to Luke where he has been on his own for many years and gives him his lightsabre. In the other film, Star Wars IV, Luke has now matured and is rewarded as a
The Star Wars franchise is ingrained in American pop culture as is evident from its mainstay status in homes and movie theaters since 1977. The saga started with Star Wars (later titled A New Hope) and since has spawned many more movies, TV shows, comics, novels, board games, and video games. The most recent iteration of Star Wars is titled The Force Awakens (TFA). The movie follows a woman named Rey who, after being orphaned on a desert planet at a young age, awaits the return of her family. Meanwhile, she finds belonging in the galaxy within the Rebel Alliance who are fighting an evil organization called The First Order. Along with Rey, TFA tracks the progression of Finn, who is a storm trooper, the would-be henchmen of The First Order, turned
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.