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Symbolism a streetcar named desire
Symbolism a streetcar named desire
Symbolism a streetcar named desire
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The cause of Blanche’s mental breakdown is Stanley. Stanley’s character traits display signs of Darwinism. Darwinism is a belief that the strongest or fittest should survive and flourish in society, while the weak and unfit should be allowed to die. (Herbert) Stanley is considered to be over-powering and has animal-like characteristics. One can see his physical masculinity and power right from the start of the play. It is conveyed through scene one when Stanley ‘heaves the package of raw meat carelessly at Stella. It is not proper edict to throw meat at a woman. Throughout the play, Stanley and Blanche collide with each other over, while Stella tries to mediate. Eventually, Stanley is the victor, raping Blanche and sending her into a completely …show more content…
“Her appearance is incongruous to this setting. She is dressed in a white suit with a fluffy bodice, necklace and earrings of pearl, white gloves and hat, looking as if she were arriving at a summer tea or cocktail party in the garden district” (Williams). Williams express’ this to the audience to pronounce the importance of her attire. The way she is dressed symbolizes the element of illusion. He feels threated because Blanche wears material assets to create the illusions that she is clean and pure. Blanche cannot cope with reality, which she is promiscuous and dirty therefore creates this illusion. Throughout the play one can see how Blanches she relies on illusion to maintain mental stability. She creates the illusion that she is “better” than …show more content…
She is very submissive toward Stanley, but always defends her sister. From the very beginning, Stella defends her sister due to loyalty, and guilt for leaving her sister at Belle Reve alone. When Stanley asks Stella about the papers for Belle Reve, Stella replies “there weren’t any papers, she didn’t show any papers, I don’t care about papers” (Williams). Stanley doesn’t let go of the fact that Blanche is hiding something. Stella also says ” “Lately you have been doing all you can think of to rub her the wrong way, Stanley, and Blanche is sensitive and you’ve got to realize that Blanche and I grew up under very different circumstance than you did” (Williams). Stella is deceived by her lies, but Stanley’s desire to exercise dominance will reveal all of Blanches
He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeated Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity. Similarly opposites are found in "Cat on a Hot Tin Roof."
McGlinn addresses the third dialectic taking hold of Blanche: illusion versus reality. McGlinn points out that, like all the women in Williams’s plays between 1940 and 1950, Blanche “refuses to accept the reality of her life and attempts to live under illusion.” [Tharpe, 513]. Although McGlinn is accurate in noting Blanche’s conflict between gentility and promiscuity, the result of which is “self-defeat instead of survival” [Tharpe, 513], she fails to see that Blanche lives in both illusion and reality simultaneously, and it is this dialectic that is the slow poison which destroys her. This death-instinct gives us the fourth and last dialectic in Blanche: her struggle between death and desire.”
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
She is introduced as a fragile woman, who the readers begin to feel sympathy for her. She had been asked to leave her job, and she lost the family estate. The readers also learn that Blanche is conflicted with her past; she tries to hide who she was.... ... middle of paper ...
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
When Blanche is stood up by Mitch and given a bus ticket to leave from Stanley, she begins to drink as she packs. Then, “a mood of hysterical exhilaration came into her and she has decked herself out in a somewhat soiled and crumpled white satin evening gown and a pair of scuffed silver slippers with brilliants set in their heels. Now she is placing the rhinestone tiara on her head,” (Williams 151). Blanche’s “soiled and crumpled white satin evening gown” and her “scuffed silver slippers” may look nice from far away, but as someone gets closer, the imperfections are revealed, just like Blanche with her looks and her lies. She places the tiara on her head to distract from the mess occurring elsewhere, similar to how Blanche lies to conceal her true, corrupt
The writer, Tennesse Williams uses symbolism and imagery to help convey the idea that Blanche is deceptive, egotistical and seductive. We can clearly discover how deceptive Blanche is by the symbolism that Williams uses throughout the play. One can note how Blanche continually wears white dresses or a red kimono when she is being especially flirtatious, so that she makes people think that she is innocent and pure. In Scene Five Blanche's white dress, a symbol of purity is stained which is symbolic of the fact that Blanche if far from being pure. Blanche's world hinges on illusion and deception as can be seen when Blanche pours her heart out to Stella in scene five, "soft people... have got to be seductive... make a little - temporary magic". Blanche feels that she must trick and deceive in order to survive in a world where she is "fading now!" and her looks are leaving her. We are introduced to Blanche as a "delicate beauty" that "must avoid strong light". Williams, portrays Blanche as an uncertain character who hides behind the veneer of outer beauty and who when is placed under the spotlight, fails to live up to the person she would like people to think that she is. Williams also provides strong imagery of her as a moth, as she is dressed in white clothes and is fluttering. This imagery of Blanche as a moth is further emphasised when Blanche herself later states, "put on soft colours, the colours of butterfly wings and glow".
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
The conflict between Stanley and Stella climaxes in scene ten. In this scene Stanley openly takes Blanche apart piece by piece he begins with unenthusiastic comments such as "Swine huh?
Stella and Stanley’s relationship is one based purely on, as Blanche describes it, “brutal desire – just – Desire!” (81). They treat one another without respect, with Stella calling her husband offensive slurs like Pollack and him beating her. However, because of their deep desire for each other, Stella quickly forgives Stanley for his wrong doings, growing his power over her. When his desire for power builds and he is sure that Stella is dependent on him, he rapes Blanche. When Stella hears her sisters story she calls for Blanche to be institutionalized. While it is clear to the reader through her hesitation in sending Blanche away that Stella knows Stanley really did rape her sister, she cannot bring herself give up Stanley and acknowledge the truth. In this action, she has ruined any trust that Blanche had in her and forever destroyed their relationship because of her selfish desire for Stanley.