The sculpture by Donatello can be viewed as the “re-birth” of the classical forms and the classical aesthetics through many ways. The sculpture of St. Mark is genetic and has a more naturalistic look, which is noticed by the roman drill work used in order to create the locks in his beard and hair. St. Mark was created standing in contropposto, a famous position for the classical period and gives off an inner and outer calm due to the fact that his face does not display any form of affection. The chiaroscuro in the draperies depicts their being a body underneath and the folds of the draperies seem to follow the pose of the body. This sculpture of St. Mark also incorporates new realism because this sculpture is forming eye contact with the
After reading the passage, “Clover”, by Billy Lombardo, a reader is able to describe a particular character’s interactions and analyze descriptions of this individual. In the passage, “Clover”, is a teacher, Graham. He, in his classroom, shares something that had occurred that morning. In this passage, the author, Billy Lombardo, describes interaction, responses, and unique characteristics and traits of the key character, Graham.
“Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.”
The Merode Altarpiece is a triptych painting that represents the Annunciation of the Virgin Mary. This work displays the main characteristics of the Northern Late Gothic period. There is so much detail in this work of art. Campin utilizes many symbols in this altarpiec. The setting of the painting is in a Flemish middle class house. The Annunciation theme is being depicted in the central panel. A scene of Saint Joseph at work as a carpenter occupies the right-hand panel. The portraits of the donors are depicted in the left hand panel. Campin failed to understand the scientific perspective. To illustrate, there is no focal point in the painting and the table looks tilted. Campin used no aerial perspective. To illustrate, the background is still very crisp when seen from a distance. The most important aspect of the painting is the symbolism. For example, the lilies represent Mary's purity, the candle represents the Holy Spirit, even the mouse traps represent trapping evil. Campin also made use of bright, rich colors. In the central panel, the drapery of the figures are filled with colors of red and white. Campin has also made a good use of illusion of the space by making the town seem to be far away by distance by making them appear blurry. Furthermore, Campin has created figures that are not in proper proportion. To illustrate, the figure’s head is small and the bodies are big and it seems that if they get will hit their head if they get up. They look very unrealistic. Although they are not in proportion, the figures seem to have very sharp edges. The figures also look very stiff and rigid. In Merode Altarpiece, the light is arbitrary and the figures do not cast any...
All towns, cities, and areas have their own specific traits. Small towns tend to be more like a family, while big cities tend to be more passive. Then there are the small areas where people do not make much money and struggle to get by. These areas tend to be more violent and more influenced by drugs and alcohol. This is the area that Andre Dubus III grew up in, in his memoir Townie. His parents were divorced and neither of them made much money so he and his two sisters and brother ended up moving from one small crummy neighborhood to another. In these neighborhoods he would get involved in the wrong crowds and end up doing drugs, drinking, and fighting. This became a way to show power. The most powerful people were strong and always came out on top in fights, had all the drugs and alcohol, and therefore all the power. This drove many people to fight so that they could move up this chain of command. No one wanted to be the bottom because that was the position of the most abused people of the neighborhood. This need and fear is what drove Andre to fight and the understanding of this fear is what drove him away from fighting.
When I was little I remember driving across country, going to Florida, and past neighborhoods that were anything but mine. They had old houses that looked like they were going to fall down any minute, real trashy looking. In Colorado, my house was nice and always kept up. I sat in the car wondering what kind of people lived in those run down places and what they were like. The answers came to me years later when I read the book, Famous All Over Town, by Danny Santiago. The main character, Chato, is a young Hispanic boy living in a neighborhood like the ones I saw when I was little. After reading the book, although I never thought I would have anything in common with people who lived like that, I learned that Chato and I have do have similarities, but we have more differences.
The setting in the short story “Shiloh” by Bobbie Ann Mason works well to accentuate the theme of the story. The theme portrayed by Mason is that most people change along with their environment, with the exception of the few who are unwilling to adapt making it difficult for things such as marriage to work out successfully. These difficulties are apparent in Norma Jean and Leroy’s marriage. As Norma Jean advances herself, their marriage ultimately collapses due to Leroy’s unwillingness to adapt with her and the changing environment.
In the two different depictions of the scene Betrayal of Christ, Duccio and Giotto show their different styles on how they compose their paintings. The first decision into the composure of the painting would be the comparison of the size of surface they chose to paint on. Duccio in comparison to Giotto chooses to work on a wooden panel no wider than a foot, and Giotto went with a plaster surface with a width of ten feet. This detail alone lets the viewer know that Giotto’s artwork is embedded in detail and visual consumption. The size difference is the factor between who see’s it and what they see; the fine details and symbolism of the narrative will be better understood if the viewer can see every detail.
The novel Saint Maybe by Anne Tyler is a beautifully thought out book that follows the complicated life of seventeen-year-old Ian Bedloe as he seeks forgiveness for his sins both from himself and from God. Ian blamed himself for causing his older brother, Danny’s suicide and his guilt slowly ate away at him until he was drawn into the Church of Second Chance. By this time, Ian was in college and both Danny’s daughter and step-children were orphaned and being taken care of by his elderly parents. So Reverend Emmett, the pastor of Ian’s newfound church, decided that the only way Ian could find forgiveness from God and from himself was to quit college and offer up all his time to raise Danny’s children. The plot spans the time frame of about 25 years, in which time Ian and the three children slowly mature and become very developed, intricate characters, and the story takes place in the city of Baltimore through the years 1965 to 1990. Anne Tyler spins a very believable tale, using a writing style that easily reminds the reader how quickly life goes by.
Sherman Alexie writes in his story, What You Pawn I Will Redeem about a homeless Salish Indian named Jackson Jackson. Alexie takes readers on Jackson’s journey to acquire enough money to purchase back his grandmother’s stolen powwow regalia. Throughout the story, Jackson’s relationships with other charters ultimately define his own character. Alexie, a well know Native American author tells an all too common tale of poverty and substance abuse in the Native American community through his character Jackson. The major character flaw of Jackson is his kindness, which ultimately becomes his greatest asset when fate allows him to purchase back his grandmother’s powwow regalia from a pawn broker for only five dollars.
The artists of the Baroque had a remarkably different style than artists of the Renaissance due to their different approach to form, space, and composition. This extreme differentiation in style resulted in a very different treatment of narrative. Perhaps this drastic stylistic difference between the Renaissance and Baroque in their treatment of form, space, and composition and how these characteristics effect the narrative of a painting cannot be seen more than in comparing Perugino’s Christ Delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio’s Conversion of St. Paul from the Baroque.Perugino was one of the greatest masters of the Early Renaissance whose style ischaracterized by the Renaissance ideals of purity, simplicity, and exceptional symmetry of composition. His approach to form in Christ Delivering the Keys of the Kingdom to St.Peter was very linear. He outlined all the figures with a black line giving them a sense of stability, permanence, and power in their environment, but restricting the figures’ sense of movement. In fact, the figures seem to not move at all, but rather are merely locked at a specific moment in time by their rigid outline. Perugino’s approach to the figures’themselves is extremely humanistic and classical. He shines light on the figures in a clear, even way, keeping with the rational and uncluttered meaning of the work. His figures are all locked in a contrapposto pose engaging in intellectual conversation with their neighbor, giving a strong sense of classical rationality. The figures are repeated over and over such as this to convey a rational response and to show the viewer clarity. Perugino’s approach to space was also very rational and simple. He organizes space along three simple planes: foreground, middle ground, and background. Christ and Saint Peter occupy the center foreground and solemn choruses of saints and citizens occupy the rest of the foreground. The middle distance is filled with miscellaneous figures, which complement the front group, emphasizing its density and order, by their scattered arrangement. Buildings from the Renaissance and triumphal arches from Roman antiquity occupy the background, reinforcing the overall classical message to the
The decursio sides are representations of Antoninus Pius’ deification and funerary rites. The depiction consists of the cavalry circling the standing figures, two of whom carry military standards, while the rest are wearing their cuirass. These scenes represent the ceremony that is essential for the deification of the imperial members. The style that is used within these sides is in relief form, yet they also break from the traditional Classical style. The variation of the Classical style is prominent by depicting stocky human forms and using two types of perspective within a single space. The figures also lack the gracefulness of other works during this time that follow the Classical style. The perspective of the piece is unclear where the figures seem to be suspended in space for what seems to be an overhead view while at the same time using a single perspective. Despite the deviation of the Classical style this p...
Donatello's career may be divided into three periods. The first and formative period comprised the years before 1425, when his work is marked by the influence of Gothic sculpture but also shows classical and realistic tendencies. Among his sculpture of this period are the statues St. Mark, St. George (Bergello, Florence), John the Evangelist (Opera del Duomo, Florence), and Joshua (campanile of the cathedral, Florence).
Interestingly, he also refers to Donatello as a ‘craftsman’. The correlation between the artist or sculptor and craftsman is an important aspect in Italian Renaissance art. The craftsman was something more than just an artist. This person was talented and considered by others in Italian Renaissance society as exceptional or as Vasari’s title suggests, ‘the most excellent’. They were also tradespeople rather than just artists. This is because they created works for other people, which often meant they expressed other people’s ideas. Through an analysis of Vasari’s biography on Donatello, this essay will explore the importance of culture in Renaissance Italian society, an examination of Vasari’s biography of Donatello as a historical document and the ways in which Vasari portrays Donatello, which ultimately was significant for future Renaissance craftsmen. This paper will analyze the life of Donatello through Vasari’s The Lives of the Most Excellent Painters, Sculptors and Architects to show the importance of Donatello not only as an artist but also as a
The masculine and idealized form of the human body is an ever-present characteristic of Michelangelo’s sculpture. Many people over the years have speculated why this may be, but there has never been a definitive answer, and probably never will be. Through all of his sculpture there is a distinct classical influence, with both his subject matter and his inclination to artistically create something beautiful. In most cases, for Michelangelo, this means the idealized human figure, seeping with contraposto. This revival of classical influences is common for a Renaissance artisan, but the new, exaggerated form of the human body is new and unique to Michelangelo’s artistic style.
Additionally, the styles changed; from Rococo, which was meant to represent the aristocratic power and the “style that (…) and ignored the lower classes” (Cullen), to Neoclassicism, which had a special emphasis on the Roman civilization’s virtues, and also to Romanticism, which performs a celebration of the individual and of freedom. Obviously, also the subject matter that inspired the paintings has changed as wel...