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Perception of women in christianity and islam essay
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Born in an androcentric world, Sor Juana is left to fend for herself from the wrath
of the superior gender that is man. Fallen victim to the poison that is the bishop’s
betrayal, Sor Juana is forced into a corner beaten down and devastated. She then
collectively plans and retaliates against the bishop and the church with Response to the
Most Illustrious Poetess Sor Filotea de la Cruz. This response recognized and praised
the bishop for his kind and loving gestures, yet is saturated with Sor Juana’s disgust
and fury for him, all the while targeting and challenging the inequality between man and
the lowly creature that is woman. Sor Juana’s response is bursting with sarcasm and
irony supported by her witty jokes, displays
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This is
targeting the bishop. Here the bishop talks to Sor Juana through an alternate name, Sor
Filotea de la Cruz, a female. Sor Juana bashes on the fact that he who despises women
and looks down on them is impersonating one himself, degrading himself. Sor Juana
sees this and plays along, sarcastically thanking the bishop of Puebla for publishing her
letter. She then goes on to discuss the irony of speaking about not speaking or
understanding, silence. As Sor Juana states, “I know nothing I can say that is worthy of
you,” she tells the bishop that she cannot say anything good about him, for there is
nothing good to be said at all.
Sor Juana further taunts the bishop by quoting an excerpt from the bible, where
Moses asks god to “shew me thy face” (qtd in Cruz 7). Here she challenges the bishop
to reveal himself, knowing that he will not reveal himself. Sor Juana continues on to
question him and asks how it is that he can favor her, and yet publish her works without
her acknowledgement. Sor Juana then continues on saying that because of his
benevolence, she will spend more time on religious study and less on her
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To support this she brings up the great women who had impacts on their
communities in the past. She mentions Minerva, the goddess of science, Debbora, who
governed over men, Pola Argentaria, who helped her husband to write Pharsalia, the
daughter of the divine Tiresias who learned more than her father, and Aspasia of
Miletus who taught philosophy. This was only a few among many that Sor Juana had
mentioned. She is trying to prove that there have been innumerable accounts where
women had mastered knowledge to not only benefit themselves, but to improve their
surroundings.
To support her fight for equality, Sor Juana brings in the son of God, Jesus
Christ. Christ was abhorred for his divine beauty as the God-man and punished for his
miracle-working. Relating herself to that of Jesus Christ, the savior of humanity. She
explains that what they are doing to her is comparable to how the romans treated
Christ. Showing that riches and power strike at reason, for few will allow that
Cleofilas, must endure the hard labor of her husband’s temper and if she doesn’t take on both gender roles for example: housework, caring for her children, and the outside duties of the home, she suffers the consequences of her husband and the beatings. Juan Pedro, Cleofilas husband is just like society in this situation, he doesn’t think twice about laying a hand on his wife. Whereas, in Cleofilas situation, society doesn’t want to get involved and will place the incident “under the rug” they don’t want to be asked questions, by the husband or the
Sor Juana de la Cruz is born into a wealthy family in 1648 that lived near Mexico City, Mexico. After being a part of the Viceregal court and a lady in waiting, Cruz begins her spiritual journey and joins the convent. Here, Cruz explores both secular and non-secular studies. She is an exceptionally talented writer with a passion for reading, learning, and writing. She is scolded for the information she writes and is told to focus exclusively on religious dogma. Soon after the Bishop of Pubela reads one of her letters, he publishes it (without her knowing), and she responds with a respectful yet sarcastic letter (Lawall and Chinua 155-156). Cruz’s “Reply to Sor Filotea de la Cruz” was written during the period of Enlightenment of Europe (1660- 1770). This era in Europe casted an opaque shadow over women’s rights to educate themselves and self-expression. Sor Juana’s piece however is both inspirational and empoweri...
...Marina, Cortes Translator." Women in World History : MODULE 6. Roy Rosenzweig Center for History and New Media, n.d. Web. 3 Mar. 2014. .
torturing, abusing, and treating her as someone at a status even lower than the servants.
Ana Castillo’s So Far from God (1993), begins its tale by immediately immersing the reader in the full drama that is typical of a Spanish soap opera describing the lives of five Hispanic women. The oldest daughter, Esperanza, wants to make a name for herself and succeeds in doing so by leaving Tome. Fe wants a normal life that she will never be able to have in Sofia’s household. Caridad is a simple soul that would have been content with her high school sweetheart had he not cheated on her. The youngest daughter, La Loca Santa, dies at age three and is resurrected to pray for the people. Lastly, Sofia turns out to be the strongest of the women in the novel by taking a stand for what she believes is right. Castillo uses Sofia and her four daughters to express her negative and distrustful view of patriarchy and oppression of women through class, gender and sexuality.
God is Florence. Florence is a friend who is constantly questioning the priest and God. He does
Kumaraswami (2007) identifies that the females presented are stereotypical in their nature; this is to say that they either exist in the domestic atmosphere or that they have lost their purity due to being forced into the revolution. Although Camila and Pintada are complete opposites, the similarity lays in the fact that they both fit different parts of society at that time: “En combinación, forman una síntesis de dos extremos irreconciliables que se le presentan a la mujer mexicana y entre los cuales tiene que escoger” (Clark, 1980). In this sense, the mexican women were in two different situations, those who wished to remain traditionalistic and those who sought self-advancement through the likes of previously considered male characteristics. One can see the traditional character through Camila, Azuela has ensured that initially Camila would fit the traditional role of the female, caring, weak, and doting to the men’s needs. Thus Camila seems to be a flat stereotypical character that is expected to appear in novels of this era if women were to appear at all. Nevertheless, the character of Camila becomes more dynamic as Los de Abajo develops, thus she becomes more of an indication as to how women involved in the revolution did not remain ‘sana y buena’. On the contrary, the almost paradoxical characteristics of Pintada seem to confuse Azuela. Pintada is an emasculated character but only in the sense of
is very upset and think that they are the cause of her "death". Also, the Friar
Rosado starts out in his first chapter saying that one cannot question women related to the church unless one has a correct understanding of how one perceives God. The Bible clearly shows that in order to know God one must get to know Jesus Christ, because He shows humanity God’s true and loving character. In addition, Rosado points out that the way one was raised ultimately affects one’s picture of God. In addition, the judgments and experiences of present-day Christians are based on the culture of today, which affects their interpretation of Bible passages.
In order to find a copy of the newspaper to use as a clue in his investigation, Professor Laurana goes to visit the rector at Santa Anna. Towards the end of their conversation, Laurana and the rector speak about the rector’s decision to become a priest...
From a young age Reyita experienced discrimination. Her own mother discriminated against her because of the color of her skin. She was the only black daughter her mother had out of four. Reyita stated “I always felt the difference between us, because she didn’t have as much affection for me as she did for my sisters.” (Reyita, 21). She was kept from attending fiestas and forbidden to take strolls with other girls because she was of dark complexion. Also, Reyita described how blacks would have specific jobs in the white man’s home. They would have their hair cut off because of the texture and what the whites thought it represented. She had to deal with the society of Cuba discriminating against her because her darker skin, but she could not even find freedom in her own home because her own mother discriminated against her.
As a woman, she was shunned for doing these things but she had powerful connections to protect her. Sor Juana was always interested in studying but as a woman, she was not allowed to achieve those dreams. Fortunately, the Viceroy noticed her skills and took her in, enabling her to do the things that she loved without being constantly shunned. As she grew older, she became a nun but was sometimes judged and criticized for following her passion. With support and her own debating skills, she proved her worth. Eventually she was forced to stop writing because their skills were confined to by a powerful bishop and she had no one to support her. This is an example of why single stories are issues because Sor Juana was basically prevented from contributing to society because she was a woman. I believe that Sor Juana’s story best shows why single story is a problematic because she was more directly affected by a single story than the other two. She wanted to have knowledge and express her views in the world but her identity as a woman prevented her to do so. Sor Juana was very lucky, as there were people out there to help her. Although, her situation before the Viceroy found her is very real and in some places in the world, still exists. Her story shows how difficult it was for woman to make a name for themselves in Latin
Her vulnerability begins, after Emilano passes as Jesusa joins the Mexican Revolution. At fifteen, she forcibly marries Pedro Aguilar, a young abusive cavalry officer. Pedro's limitations, wherein his resentfulness and bitterness push Jesusa to detest him. Jesusa, has contempt, not shame for abused women, as she believes her rage during the abuse kept her sane as a Las Solderias. Unfortunately, Jesusa becomes burdened by civilization wherein women are invisible. In Jesusa's world, destitution and cruelty are dominated by Jesusa's justice and hope. Jesusa portrays an individual women's life throughout and afterwards of the Mexican Revolution. Jesusa, presents a feministic account through oppression of Mexican societal genderization in early twentieth century Mexico. Furthermore, the Mirabal sisters manage to overcome the psychological disturbances Trujillo places within his
believes in Christ; however Vianne is not the least bit afraid of showing her very
Pope sides with the ghost in the poem and criticizes her family and society for her death. In line thirty he states clearly his great dislike for the uncle who he labels as “Thou, mean deserter of thy brother’s blood!” This is an apparent line drawn between what Pope believed should have occurred and w...