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Recommended: The effect of symbolism
In the poems, “Sonnet: On Being Cautioned Against Walking on an Headland Overlooking the Sea, Because It Was Frequented by a Lunatic”, “Huge Vapours Brood above the Clifted Shore”, and, “Beachy Head”, by Charlotte Smith, she explores the relationship between society and those who chose to separate themselves from society. Through use of multiplex symbolism, likening society to water and headlands to outsiders, she is able to recount and enumerate the complex aspects of their relationship, concluding that society has trouble understanding outsiders and this leads them to simply repudiate and ridicule them. Perhaps this described aloof behavior mastered by society is reflective of the lack of individuality that is able to be sustained as a result of society's strict and exclusive norms.
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The description portrays the man standing atop, “a tall cliff,” (2). To picture a man standing above the ocean, close to the edge of a headland or, “narrow piece of land that projects from a coastline into the sea,” (OED) overlooking rolling waves would be a fairly accurate perception of the setting of this poem. Through seeing this scenery and picturing the setting of this poem, it can be seen that the speaker, in the first eight lines, is standing below the man who stands on the, “tall cliff,” (2). In many ways, this imagery contradicts the language in the poem. This seems to be a constant reoccurring theme throughout the poetry of Charlotte Smith and helps in constructing advanced symbols such as this one. In this case, the fact that the speaker, who stands below or under the man, is depicted as conveying empowerment and authority over the man, despite the fact that he literally stands over or above them, reveals the complexity of this
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
Specifically, the grandfather in this poem appears to represent involvement with nature because of his decisions to garden as he “stabs his shears into earth” (line 4). However, he is also representative of urban life too as he “watched the neighborhood” from “a three-story” building (line 10). The author describes the world, which the grandfather has a small “paradise” in, apart from the elements desecrated by humans, which include “a trampled box of Cornflakes,” a “craggy mound of chips,” and “greasy / bags of takeouts” (lines 23, 17, 2, and 14-15). The passive nature of the grandfather’s watching over the neighborhood can be interpreted in a variety of different ways, most of them aligning with the positive versus negative binary created by the authors of these texts. The author wants to show the reader that, through the grandfather’s complexity of character, a man involved in both nature and more human centered ways of life, there is multifaceted relationship that man and nature share. Through the also violent descriptions of the grandfather’s methods of gardening, the connection between destructive human activities and the negative effects on nature is
Emily Dickinson, a transcendentalist author, demonstrates how settings away from society and technology are representations for virtue and individuality. In her poem Some Keep the Sabbath Going to Church she writes about how she stays home on Sundays saying, “I keep it, staying at Home/–With a Bobolink for a Chorister/–And an Orchard, for a Dome” (Some Keep the Sabbath going to Church). Dickinson uses objects of nature such as birds and flowers to convey that she loves nature so much she stays away from society. She basks in her natural haven far from a massive stone cathedral and an orthodox way of life. She is at peace in nature but more importantly she follows her own beliefs and ideas, exhibiting her independence. In Ken Kesey’s writing, one such example of a character who prospers greatly in nature is Billy Bibbit, the stuttering patient from Nurse Ratched’s ward. Throughout the first half of One Flew Over the Cuckoo’s Nest, Bibbit fails to show any genuine feelings other than fear due to the immense control the nurse has over his life. However, he finds courage on the expansive open ocean. When on the boat trip there is “a fuss as to who'd be the three that braved that [storm] without [life]jackets... Everybody was kind of surprised [when] Billy...volunteered...and helped the girl right into [his]” (252). Bibbit acts like a hero on the stormy seas, a far different
The quotation not only indicates the growing idealization of aberrations but imparts explanation to how these behaviors are a reflection of immorality. Deviating from the moors of society enlist connotations of negativity at the evasion of rules. Comparatively, Rosie’s house has a picket fence surrounding the weedy grounds.” The imagery is then supported through the parallel idea of a thin, positive coating of generality at Rosie’s personal masquerade. The struggle to identify what is intrigued as the association of normality with picket fences is unclosing unkemptness, demonstrating Rosie’s absence of general care of her weeds, or symbolized troubles feeding from her surroundings like a weed, and other’s implied wrong doings occupying her schedule. Furthermore, the children “knew that Rosie was evil, not evil like a witch, but evil in other ways.” Through simile Anaya conveys that children’s elementary vision of sin and which creatures are deviants of so and it's relationship of the public’s perception of Rosie’s house. A
Throughout Stevens' poem, he uses connotation to get his point across to the reader. When he speaks of people, With socks of lace and beaded ceintures, he is describing the physical appearance of normal, dull, people of society who are the ones who dream of boring, black and white images. He contrasts this with the sailor's shabby appearance, drunk and asleep in his boots, but also dreaming of catching, tigers in red weather. This contrast sends his message with a strong, clear impression to the reader. He covers his opinion on the outward and inward appearance of both roles in society, proving his point that the outcast members of a community are the ones who actually are living the colorful, enriched lifestyle.
In Pat Mora’s “Sonrisas,” A woman tells the audience that she lives in between two worlds: her vapid office workplace and a kitchen/break-room with family members or colleagues of her same heritage. Mora includes many sensory details to enrich our understanding of the speaker’s experience in both “rooms.” The speaker is content living in the “hallway” between the two rooms because she can put on a metaphorical mask, as mentioned in Jungian psychology, which fits what is acceptable to the different social society that is in each room of her life. Adrienne Rich on the other hand, is not content with peeking her head into the doorframes of the roles she must play in order to be accepted. In her poem, “Diving into The Wreck,” she pursues, in my opinion, a form of individuation by diving into the wreck of her inner consciousness to find who she is among the wreckage of the world and its effects on her. Both Pat Mora and Adrienne Rich explore the dangers of being defined by others and the rewards of exploring different worlds.
“On Being Cautioned against Walking on an Headland Overlooking the Sea, Because it was Frequented by a Lunatic,” Charlotte Smith’s sonnet, comments on the poet’s feelings toward this lunatic and the thought process he instigates in her mind. By using different syntax to describe her two characters, Smith draws the attention of the reader to the message in the sonnet instead of the scene on the surface. The structure of the English sonnet also lends to the poem’s power, giving Smith a perfect avenue to deliver her message.
...The Sidney estate is remarkable in its humbling and simplistic nature. The social classes all live harmoniously because of respect and understanding of what each class brings. The peasants, servants, Jonson himself, Sidney’s, and the King all have differing social statuses. It is the ability to not look down upon one another that makes the social order so remarkable. In a sense it is a paradigm of a typical English society, and conversely a watered down utopia for all who knows Penshurst to be a part of. Jonson’s “To Penshurst” is a staple of country house poetry and reflects the magnificence of the natural beauty of the estate. Furthermore, Penshurst incorporated a heartwarming community that managed to capture Johnson’s attention by providing a humbling and inviting experience to all of those who inhabit the beautiful Sidney estate known as Penshurst.
This is an enjoyable sonnet that uses nature imagery, found extensively in Petrarca, that Shakespeare uses to get his point across. Not much explication is needed, aside the sustained images of nature, to fully understand its intent, but I would like to point out a peculiar allusion. When reading line 3, "the violet past prime" has made me think of Venus and Adonis. In the end, Adonis melts into the earth and a violet sprouts where his body was, which Venus then places in her heart, signifying the love she has for him. Reading this into the poem makes the few following lines more significant. Having Adonis portrayed as the handsome youth, Shakespeare is alluding to the death of youth (in general and to the young man) through the sonnet. In the next line, it is not certain if "sable" is an adjective or a noun and if "curls" is a noun, referring to hair (which is plausible) or a verb modifying "sable." Invoking the allusion to Adonis here, Shakespeare portends that if Adonis did live longer, he too would have greying hair; thus, Shakespeare sees ["behold"] an Adonis figure, the young man, past his youth.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
would be like going to sleep , that death is not the end but simply a
A sonnet is a lyric poem of fourteen lines, following one of several set of rhyme-schemes. Critics of the sonnet have recognized varying classifications, but the two characteristic sonnet types are the Italian type (Petrarchan) and the English type (Shakespearean). Shakespeare is still nowadays seen as in idol in English literature. No one can read one of his works and be left indifferent. His way of writing is truly fascinating. His sonnets, which are his most popular work, reflect several strong themes. Several arguments attempt to find the full content of those themes.
The final element of the Victorian Age that can be seen in Tennyson's poetry is a feeling of isolation that was heavily felt among the Victorians. This sense of isolation, which sparked a desire for social change, was felt for various reasons. The first is that the scientific discoveries mentioned before set younger generations apart from the previous ones. Many people feared the effects of rapid industrialization, as they often didn't fully understand technology, making them feel isolated from the modern world and nostalgic towards simpler, rural life. Another is that the spiritual doubt that came as a result of these scientific advancements also led Victorians, and in particular, Victorian artists, to feel isolated from life, love, and spirituality. This theme can be seen in The Lady of Shalott, along with the themes about women's roles. In the poem, the Lady of Shalott is completely isolated from society that it becomes harmful to her psyche and ultimately chooses death over her life of isolation. The dangers of social isolation shown in the poem emphasize the need for social change that was greatly felt in the Victorian age. It also shows the isolation of the Victorian artist, who must observe life rather than participate in it. For example, the Lady of Shalott must continue to weave her web alone, and as soon as she tries to participate in the world her web is ruined. This can be symbolic of how it was often thought that an artist's work can suffer when he tries to become more than an observer, when he breaks his isolation. A similar theme is expressed in Ulysses, where the speaker, like the Lady of Shalott, wishes to explore the world, but is resigned instead to a life of conformity: marriage, manners, a tedious job. He is r...
In Shakespeare’s sonnet 130, the speaker ponders the beauty, or the lack thereof, of his lover. Throughout the sonnet, the speaker presents his lover as an unattractive mistress with displeasing features, but in fact, the speaker is ridiculing, through the use of vivid imagery, the conventions of love poems and the way woman are portrayed through the use of false comparisons. In the end, the speaker argues that his mistress may not be perfect, but in his eyes, her beauty is equal to any woman who is abundantly admired and put through the untrue comparison.
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.