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Gender representation in some like it hot
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It is common knowledge that the most important parts of any film are the beginning and the ending. The beginning of a film usually introduces the characters and establishes some sort of introduction to the plot, if not the plot itself, and establishes the theme of the film. The ending of a film, almost always, resolves any conflict from the plot. “Some Like It Hot,” “Citizen Kane,” and “An Occurrence on Owl Creek Bridge,” are no exception, the theme is established for all three films in the beginning and then resolved in the endings. Billy Wilder’s “Some Like It Hot,” is established from the beginning of the film as a farce. This establishment begins even before the first scene appears. The title credits at the beginning of the film begin rolling along with what is considered sensual music. The kind of music you would associate with sex symbols like Marylin Monroe. The first song goes into a fast paced song that is later known as the song “Running Wild,” which is also another running theme for the film. The title credits suddenly cut into what looks like a film noir. There is a big shootout between gangsters and the police, this is quickly followed by a cut to a casket leaking liquor. In this entire scene, the genre of a farce is established by these quick cuts to …show more content…
We are taken on a journey of his hanging where at the drop of his plank his rope snaps. The viewer is then shown the man running home to a woman who is presumed to be his wife. The film has a quick cut to the guy hanging on the bridge as if the rope never snapped. This then allows the viewer to know that this was all in the mind of the man being
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The film begins with the song “Finger Poppin Time” by Hank Ballard and the Midnighters. I believe this is one of the best ever introduction
Works Cited Ayer, D. (Director). a. The adage of the adage of End of watch [Motion picture].
noose is placed around his neck and the boards on the bridge begin to be kicked aside
Identify specific elements of a motion picture that film studios look for in a successful movie.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
The classic gangster film focusing on a host of norms defined by some of the first gangster films. This genre originated as an escapism from the negative depression era. People would flock to see the gangsters go from rags to riches with their glitzy lifestyle and beautiful women. As Shadoian puts it, “The gangster’s fizzy spirits, classy lifestyle, and amoral daring were something like Alka-Seltzer for the headaches of the depression” (Shadoin 29). Not all this came easily for the gangsters though, bloodshed is defined as a part of business with guns a constant motif. Despite these negative outcomes, it’s easy to see how this genre was such a great elusion from the everyday where the American Dream seemed like it might not even exist anymore.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
Gender and the portrayal of gender roles in a film is an intriguing topic. It is interesting to uncover the way women have been idealized in our films, which mirrors the sentiments of the society of that period in time. Consequently, the thesis of this essay is a feminist approach that seeks to compare and contrast the gender roles of two films. The selected films are A few Good Men and Some Like it Hot.
The film begins with a title card sequence upon a static backdrop of shrubbery, mountains and distant clouds; a lingering sight that doesn’t truthfully establish forthcoming events in Vienna’s saloon. Her saloon may be quiet, but it is always occupied, and whilst the opening sequence, in which we are introduced to Johnny Guitar, is filled with a bravado of horns and orchestral accompaniment, the saloon itself is inversely populated by the sound of wind, tumbleweed, and stark silences - something perhaps more associated with the western expanse in which the story takes place. Yet for this dichotomy in sound, the initial visuals after the credit sequence foreshadow the destruction of locale, and the audience takes the place ...
People can feel better about themselves after watching these types of movies. Using these elements together, it makes the movie better, but not only that, but each element helps each other out in the scene to make it a very good movie
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
The opening moment of a film is of critical importance to filmmakers and it is often used to set the tone for the rest of the film. In a film with as much to prove as Five Easy Pieces did, the first film produced by BBS under their agreement with Columbia. David Cook, author of “Auteurs Manque and Maudit,” Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 called Five Easy Pieces “an off-beat character study in the form of a road movie but with the pacing of a European art film” and later adds, “It nearly perfectly fulfilled the BBS mission to inspire a “Hollywood New Wave’ whose métier would be artistically ambitious, low-budget films involving new talent” (109). In the opening moments of Five Easy Pieces, Director Bob Rafelson (one of the Bs in BBS Productions) spear fronts the test of the BBS style and in those first frames of the film he aggressively depicts America as a man and machine, yet, he does so with a decidedly French
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...