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The portrayal of women in literature
Portrayal of women in literature
John Keats - analysis of his poems
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La Belle Dame sans Merci According to Jerome J. McGann “for every work of art is the product of an interaction between the artist, on the one hand, and a variety of social determinants on the other, even the simplest textual problem establishing a work’s linguistic correctness-can involve other problems that are quite literally, insoluble”. ((Rice Philip&Waugh Patrcia, Modern Literature Theory, Bloomsbury Academic, (ed) 2011, p 294).
As known in our course that social determinants highly interfere in one’s poetry. Keats’s Bella Dame, is opted to as it fully represents what Jerome said above. It is, in my opinion, one of the best examples embodying such a significant role of external situation that considerably affects the way the
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He symbolized the hero image for Fanny in the original copy, but in the second version he substituted Wight for Knight-at-arms. I think he deliberately used Wight, the name of island, because the island and he had much in common. He found himself cut off from people like the island in which he shortly lived. They both were abandoned, fragile and lonely. They are as a very fertile ground as for poetry. In other words, poets merely exploited the island for poetry as Fanny did to enjoy Keats’s poetry. The poets never lived in the island as a homeland and Fanny never loved Keats as a fiancé. The charm of island ,as deemed by the poets, lied in its an unspoiled land; no any artists treaded its land, bar the poets, and this is very similar to the status of Keats as his poem never enjoyed and addressed by/to anyone, except Fanny. The island rendered all facilities, relief and peace of mind to such poets so as to compose their poetry just as Keats’s poetry did to Fanny. She was worming herself into his affection without his ever suspecting she only did it for satisfying her ego in his poetry. In addition to this, Fanny's detached behaviors during his illness triggered his painful and unforgettable memories, including his brother torment by the incurable disease. Such memories, therefore, considerably crept in during the poem
Williams claims that errors of grammar and usage are the most complex topics, which have been easily misunderstood by many people in our world today. Whether the grammar has to do specifically with literature or not, it has always obtained errors. William notably supports his claim by giving specific examples of professionals who have stated grammatical errors according to what they think is “right.” William also provided some personal experience and textual evidence to express credibility and accuracy of his argument. William’s argument is effective because the main points he focused on with evidence were powerful and stood out to the audience. The real life examples that William demonstrated to the audience gave a strong base to his argument because he showed how grammar errors actually exist in our society. He made it evident that the audience had their eyes opened to topic that had been ignored in the past. William achieved his argument by providing real life situations and by looking at various researches that analyzed the existence of errors in grammar. However, the ways that William could have made his argument more effective is by not having comments that seemed too self- indulgencing. Also he could have taken out evidence like the graphs that didn’t make
“Victorian poets illustrated the changeable nature of attitudes and values within their world and explored the experiences of humanity through these shifts.”
Womanhood in The Eve of St. Agnes and La Belle Dame Sans Merci and Mariana by Keats
Keats, John. “The Eve of St. Agnes”. The Norton Anthology of English Literature: The Romantic
Readers of Keats’ poetry have long spoken of the enchanting power of his language, and in one of his most famous works, “The Eve of St. Agnes”; the reader is positively enchanted by the protagonist, Madeline. She’s pure, virginal, positively otherworldly, and “seem’d a splendid angel, newly drest” (Keats 77). Madeline also displays trappings of religious symbols throughout the work. She is called a “Mission’d spirit and a “seraph fair” (Keats 72-3). The reader could scarcely read the poem without immediately associating Madeline with the most divine cherubs in Heaven. Her virginity is repeatedly mentioned and referenced; even her room, or the maiden’s chamber, is “silken, hush’d, and chaste” (Keats 76). Young Porphyro with “heart on fire” for Madeline simply couldn’t resist this angel (Keats 71). One might connect that, similarly, young John Keats could not resist his own angel, Fanny Brawne. At the time of the composition of “The Eve of St. Agnes” Keats was heavy in the thralls of his engagement to Fanny. In her book, John Keats: The Making of a Poet, Aileen Ward proclaims “The Eve of St. Agnes” to be "the first confident flush of [Keats's] love for Fanny Brawne" (Ward 310). However, if Madeline is meant to be a manifestation of Fanny Brawne, Keats must not think of his fiancé as merely an angel, but something more.
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Much the same argument applies to elements of social criticism in The Naked and the Dead. The existence of such elements is obvious: the criticism of the army as an institution that informs every incident in the novel; the attack on totalitarianism that emerges from the discussions between General Cummings and his aide, Lieutenant Hearn; the grim portrait of American society developed through the I and R platoon, especially in the "Time Machine" biographies of eight enlisted men and two officers (Cummings and Hearn). Yet we must still ask how these features function in the novel as a whole.
Deep-seated in these practices is added universal investigative and enquiring of acquainted conflicts between philosophy and the art of speaking and/or effective writing. Most often we see the figurative and rhetorical elements of a text as purely complementary and marginal to the basic reasoning of its debate, closer exploration often exposes that metaphor and rhetoric play an important role in the readers understanding of a piece of literary art. Usually the figural and metaphorical foundations strongly back or it can destabilize the reasoning of the texts. Deconstruction however does not indicate that all works are meaningless, but rather that they are spilling over with numerous and sometimes contradictory meanings. Derrida, having his roots in philosophy brings up the question, “what is the meaning of the meaning?”
There are different philosophers argue on the functions of art and language serve on two different functions, or that they are the same function basically. Tolstoy claims that art and language are two separate activities with different functions. On the other hand, Collingwood states that art and language are more or less the same. In this essay, I will argue that both philosophers’’ theories are invalid, that art and language are two separate activities with different functions. Tolstoy, and Collingwood both make valid points throughout their theories but Tolstoy’s theory had a stronger position with my thought process. I am currently a marketing major that understands the language is one entity, while art is another. It must trigger some
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
The notion of the author has often been disputed when it comes to critical literary studies. The argument centers around one basic question: Should the author be considered when looking at a text? There are numerous reasons given as to why the author is important or why the ...
It has been acknowledged by many scholars that Yeats' study of Blake greatly influenced his poetic expression. This gives rise to the widely held assertion that Yeats is indebted to Blake. While I concur with this assertion, I feel that the perhaps greater debt is Blake's.
Imagery and symbolism merged to express his imagination, he became a unique poet in an evolving world where Romanticism was quickly expanding globally, not into a movement, but a way of thinking. Keats’ mother and brother, and eventually he too, passed away of tuberculosis. At the time of his brother 's passing, he developed ‘La Belle Dame sans Merci’. ‘La Belle’ expressed Keats’ intellect and creativity, although at the same time he himself expressed his angst and depression for the loss of his brother. His poem ‘Bright Star’ was written in a part of his life in which a woman had influenced Keats’ greatly, so much in fact that he was driven to write ‘Bright Star’ in appreciation and celebration of the love of his life. These poems reflect Keats’ intellect, originality, creativity, and his ability to merge the contextual aspects of his life and his imagination with the ideals and concepts of Romanticism to create powerful
-Wasserman, Earl. "Chapter Two: Discussions of Particular Poems "The Ode to a Grecian Urn"." Twentieth Century Views Keats A Collection of Critical Essays. Ed. Walter Jackson Bate. New Jersey:
In their essay, ‘The Intentional Fallacy’ (1946), William K. Wimsatt Jr. and Monroe C. Beardsley, two of the most eminent figures of the New Criticism school of thought of Literary Criticism, argue that the ‘intention’ of the author is not a necessary factor in the reading of a text.