Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Folktales and gender
Introduction to nationalism
Importance of nationalism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Folktales and gender
There are hundreds of German tales that denote active collaboration. This defines the culture as tight-knit and collaborative in all their efforts. There is, “The Bremen Town Musicians”, “The Seven Ravens”, the “Six Who Made Their Way”, “The Three Little Gnomes in the Forest” and the famous seven dwarfs from “Snow White”. There are tons of examples on how the culture is one of collaboration, where the community helps each other out in the worse of all conditions, and where participation is almost a given. We have forgotten one small fact here, though. The collaboration often happens among men.
There are rarely depictions of women also participating in the acts of bravery, humanity or even secular efforts. Women are left as the supportive alliance that bond the men together in their efforts to triumph. Nevertheless, their actions are not symbolic. While there is the occasional depiction of a wise woman, evil woman, servant woman, and of course, the runaway; there is little expression of womanhood as a heroine, a brave soul, a leader in the battle against evil and so on. The heroine of the Grimm’s is fully on her own, Snow White is on her own, almost all tales where there is a manly participation, the woman is left to the side on her own to handle her business and accommodate the business of men in her schedule. This is what makes her the heroine in the story, not her actions.
The basis for national identity in Europe has always been one of ethnicity and not gender. There are, of course, exceptions to this rule in some tales common to the world. That would include Snow White as she is depicted in terms of her gender and her ethnicity in the film. The folk tale, based on a German woman who cares for dwarfed men, is depicted in ...
... middle of paper ...
...sehold role that is even attached to film and literature.
Works Cited
Bettelheim, Bruno. The uses of enchantment: The meaning and importance of fairy tales. Random House LLC, 2010.
Charles, Nickie, and Helen Hintjens. "Gender, ethnicity and cultural identity: women’s ‘places’." Gender, ethnicity and political ideologies (1998): 1-27.
Dekker, Grudrun Anne. Schneewittchen: Blonde Tochter Einer Adligen Aus Ostfriesland. BoD–Books on Demand, 2013.
Girardot, Norman J. "Initiation and Meaning in the Tale of Snow White and the Seven Dwarfs." Journal of American Folklore (1977): 274-300.
Powell, Martin. Snow White. Capstone Classroom, 2009.
Tautz, Birgit. "A Fairy Tale Reality?: Elfriede Jelinek's Snow White, Sleeping Beauty, and the Mythologization of Contemporary Society." Women in German Yearbook: Feminist Studies in German Literature & Culture 24.1 (2008): 165-184.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Presently, many books and fairytales are converted movies and often, producers alters the original tales to grasp the attention of a large audience. However, some of these interpretations hide the primary interpretation. The original interpretations of the Disney classics Snow White and Sleeping Beauty are greatly reinvented from the original fairytales Sun, Moon, and Talia and Snow White and the Seven Dwarfs because of the brutal nature of the treatment women in these original forms. Although there are differences in certain aspects from the original tales to the movies, there are many issues that are influential to the young girls who are still watching the Disney version. I realize this when my youngest niece, Anella asks me, “Why can’t I be beautiful and fall asleep and suddenly wake up to finally find my prince?” This is true in all cases of the four different translations of the fairytales. Every single girl in these stories are in a “beautiful” state of half-death who wake to find a prince who if eager to carry them off. This can lead to negative psychological effects on young girls as they are growing up, creating a large amount of pressure and low self-esteem due to the beauty that these stories portray and maintaining restrictions that these women experience in the stories. While it is true that Sleeping Beauty and Snow White and the Seven Dwarves are considered Disney classics that entertain children and provide meaningful role models, it is evident that the true, vulgar nature of these tales are hidden; these stories are about women who are thrown away.
Bettelheim, Bruno. The Uses of Enchantment: The Meaning and Importance of Fairy Tales. New York: Vintage, 2010. Print.
When analyzing a classic fairytale such as, Snow White, by the Brothers Grimm through a feminist lens, it is clear that it is a phallocentric fairytale that includes stereotypes, gender roles, the male gaze, and paternalism.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
read through the article I had to pick out ten important facts about the fairy tale genre and its origins. Collecting my facts was difficult because there were many writers that changed the audience for fairy tales. I didn’t want to just write down 10 authors and their works t...
Women in these fairy tales are young and beautiful. In all reality not every girl in this world is truly considered beautiful by our society’s terms. In today’s society the term beautiful is often used to describe a women who is a size 0, tall, flawless skin, and dressed nicely. Haven’t you ever seen princesses that are in all these fairy tales, our society’s description of beautiful describes every single one of these princesses?
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Over the years, Snow White’s story has been told in numerous different versions then its original version in 1812 by the Grimm Brothers. The main basis of the story has remained the same. Only a few minor tweaks to the story have changed. The three versions of the story that are going to be analyzed are the original story “Little Snow White” by the Brothers Grimm, “Snow White and the Seven Dwarfs” by Disney, and “Mirror, Mirror” by Disney also. They each were created in very different times and the original story has changed over the years to appeal to the audience of that time. No matter how many versions there are Snow White is considered, one of the most cherished fairy tales of all time. They each use different methods to get their story across by using different colors, word usage, and scenes.
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.