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Film analysis the beautiful
The graduate film analysis
Film analysis the beautiful
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Morgan Robertson
Thea 336: History of Theatre II
Essay #1: Film Comparison: Singin’ in the Rain, dir Stanley Donen with Sunset Boulevard, dir Billy Wilder
In the years of 1952 and 1950, Hollywood released two incredible films; both films incorporate many of the same elements, just shown to different sides. Both films surround the shift in film technology from silent films to talkies. The first, Singin’ in the Rain, surrounds a film studio thrown into the midst of talking films. Stanley Donen created a lighthearted musical which showed how the transition was not as easy as it seemed. The film industry was not only about looks and actions anymore, it became about voice and its usage on-screen. This shift led to the downfall of certain actors and actresses who could no longer hold their own. The second, Sunset Boulevard, presented the idea of what happens to these actors, or in the case of this film, actresses, who were proven to not hold their own. Surrounding a young writer and a washed up silent film actress, the film showed the madness of an actress who believed her career ended much too early.
Singin’ in the Rain begins with a madness of a movie première. At this première we meet an actor, Don Lockwood, and an actress, Lina Lamont; these two, we come to learn, are superstars of the silent film world. When new technology, the talkie films, premieres at a competitor studio, they must rise to the challenge of the talkie film. When the lead actress (Lamont) proves to have a horrific voice, they must find a way to hide this. A few musical numbers and a budding romance between Lockwood and another actress (Kathy Seldon) later, they come to a solution; using the recording tools in the studio, they could record ...
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In both films, the female acting is very large and is incredibly emphasized, especially with Lina Lamont and Norma Desmond. These are both; parts of the character, and acting of the time period. The male acting in both is not quite as large; once again, this is going with the acting style of the time period. Females have been accepted as more dramatic, that is seen as part of their human characteristics; whereas the men have the need to be more subtle and relaxed.
Singin’ in the Rain and Sunset Boulevard are both incredible films; showing the transition from silent film to talkies and its impact on Hollywood’s leading ladies in a perspective that is hard to understand anymore. The styles of story-telling were original and made the films classic relics of the time when Hollywood was a glamorous dream with parties and swimming pools.
Sunset Boulevard is a hollywood classic film that digs into the aftermath of the sound era caused. Sunset blvd came out on August 10, 1950. The film was directed by Billy Wilder, produced by Charles Brackett, and starred William Holden and Gloria Swanson. Sunset blvd shows us the aftermath of Norma Desmond and how she is stuck in the past of silent hollywood. The darkness and bitterness that many silent movie experienced after they were kicked to the curb once sound came. The film is has a classic dark drama/comedy that is one of the most acclaimed films in film noir history. The film touches on the loneliness and narcissism that silent legends were enduring. The mood of the film is immediately established as decadent and decaying by the narrator of a dead man floating face down in a swimming pool in Beverly Hills.
Wise. Dreamtime. Elder. Violence. Isolation. Addiction. These words represent some of the features of Aboriginal culture for the past two hundred years. Good evening everyone and it is an honour to commence an Australian Film representing Aboriginal culture and how both film interpret Aboriginal culture. Warwick Thornton Samson and Delilah, which was released in 2009 and Henri Safran Storm Boy, released in 1976, both invite their audience to view, how both movie represent Aboriginal culture in their own way. Exploiting the dramatic component of the Aboriginal cultural class, the director acquaint the gathering of people with youthful characters that represents the Aboriginal culture for as far back as two hundred years. Samson and Delilah are two Aboriginal adolescents who battle and take a stab at living harsh condition, as the director portrayed some of the negative side of Aboriginal culture. On the other hand, Storm Boy, is a film where the director depicts the Aboriginal individual and their way of life in positive point of view, for example, the wisdom and traditional culture of the old day. These two motion pictures together speaks to
During the mid-1900`s, mental illnesses were rarely discussed in mainstream media due to negative stigma surrounding mental illnesses. As a result, characters in film rarely had mental disorders because of the directors` worries of audiences` reactions to how the illnesses were portrayed. Director, Edward Dmytryk, however, attempted to diminish the stigma through his film Raintree County (1957) with Susanna Drake Shawnessy`s mental instability. Elizabeth Taylor`s portrayal of Susanna, however, heightened the stigma surrounding mental illness as Susanna constantly acted immature and childlike.
Even the Rain (also known as También la lluvia) is a 2010 Spanish film about a director Sebastian and executive producer Costa who travel to Cochabamba, Bolivia to shoot a movie about the exploration and exploitation of Christopher Columbus in the New World. Sebastian and Costa find themselves in a moral crisis when their key native actor, Daniel, persistently leads the escalating Cochabamba Water War. As the shoot progresses in and around the city of Cochabamba, a real battle is brewing. The government has privatized the entire water supply and sold it to a British and American multinational. The price of water jumps by 300 percent, leading to remonstrations and riots in the streets of Cochabamba. The protest is calm at first, but things become aggressive when the government fights back, and Daniel's participation almost disturbs the shooting schedule. As Sebastian and Costa struggle with their film, the violence in the community increases daily, until the entire city erupts into the infamous Cochabamba Water War. This film takes on significant questions of everyday life, as well as moral and human responsibility.
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene from a long shot (a dead body is found floating in a pool), this narrative throughout the film establishes a formalist film.
Singin' in the Rain is now regarded as the greatest film musical ever made. Gene Kelly starred as Don Lockwood, the famous silent movie star, dancer, and stuntman. He went on to not only star in musicals, but directed them as well. Eugene Curran Kelly, or Gene Kelly was a dancer in the 1940's and 50's. Mr. Kelly was one of five children in a dancing, musical household. On the opposing side, Martha Graham was also a fantastic dancer, but Gene Kelly was better. Gene Kelly was a fantastic dancer and actor. He was perseverant, won many awards, and starred in some of the most iconic film musicals.
The Jazz Singer was the film that really set off the prosperous time period with its inclusion of sound in the first ever “talkie”. The films in the golden age of Hollywood all had a particular outline, dubbed later the “classic Hollywood style”, consisting of a clear beginning, middle, and end. Films during this time were heavily focused on mankind. A classic Hollywood narrative is usually centered on a couple of characters and their drive and psychological motivation to their actions which eventually leads to their desired goal somewhere around the end of the
The genre i have studied is musicals. A musical is a film which has musical performances from the actors to express their feelings. The films from this genre that i studied are 'Singin' In The Rain' (Gene Kelly and Stanley Donen, 1952), 'Grease' (Randall Kleiser, 1978) and 'Hairspray'(Adam Shankman, 2007). I studied two characteristics of the musical genre (Breaking Into Song And Dance and The Grande Finale) that are shown in the films studied. The identifying characteristics of 'Breaking Into Song And Dance' and 'The Grande Finale" are always seen in musicals. These characteristics are expected to be in a musical by the audience and ultimately make a musical what we predict it to be, a film that expresses characters feelings through song while
Enhancing and progressing the histrionic narrative, Oz superbly fuses the action of the plot with the film’s musical numbers. “Follow the Yellow Brick Road,” “If I Only Had a Brain,” and the enduring immortality of “Somewhere Over the Rainbow” are songs almost everyone is familiar with and are fundamental to the film’s standing as a major work of art.
In this essay the following will be discussed; the change from the age of classical Hollywood film making to the new Hollywood era, the influence of European film making in American films from Martin Scorsese and how the film Taxi Driver shows the innovative and fresh techniques of this ‘New Hollywood Cinema’.
If I had a children in my class with an exceptionality I would keep it
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.