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The idea of paternalism
The idea of paternalism
The idea of paternalism
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Singaporean Mentality Exposed
Film critics and audiences have dubbed I Not Stupid an excellent commentary on the education system and government paternalism. The movie stars three school children who have been channelled into the undesirable EM3 stream, and shows the trials and tribulation of these children and their parents. I Not Stupid has been described as a "coming of age movie"1 for its rare ability to criticise the government and its policies and bring pertinent issues to light, so much so that many are surprised that it managed to get past the not-too-kind local board of censors. This presents us with an interesting question - with its explicit references to the government and its blatant criticisms of government policies, how did this political satire get past the censorship board? Was it a case of the censors deciding that this sort of criticism was acceptable once in a while? Or perhaps the censors just saw the movie differently. At first mention, the latter might sound very unlikely. However, if we ask ourselves what the real butt of the satire is, we might begin to realise that there is a possibility that this movie is not intended to be a political satire at all. In fact, it is my contention that the butt of the satire in this movie is the Singaporean mentality, and not the government.
However, before we can begin to examine the real target of the movie's satire, it is first necessary to have an understanding of the movie and its characters. The movie stars three students, Terry Khoo, Liu Kok Pin and Ang Boon Hock who are in the EM3 stream. Terry Khoo, who is also the narrator in the movie, is portrayed as a chubby and clumsy spoilt brat, whose mother is overly paternalistic. Mrs. Khoo, who is decked in white for most of the movie to no doubt show a similarity between her and the PAP government who also have a white uniform, makes all the decisions for her children, and believes that they should be lucky to have such a responsible mother. While Terry is happy to accept this situation, his elder sister Selena is more rebellious and repeatedly demands her freedom. Liu Kok Pin is a student whose ability in English and Maths is weak. His mother, Mrs. Liu takes it upon herself to discipline Kok Pin to ensure that he scores well in his tests in school, while brushing aside his natural talent in art.
Life is not always easy, at some point, people struggle in their life. People who are in the lower class have to struggle for a job every day and people who are in upper class also have their own problems to deal with. These ideas are very clear in Mary Oliver’s “Singapore”, Philip Schultz’s “Greed” and Philip Levine “What Work Is”. In "Singapore" a woman is likely lower class because she works at the airport and her job is to clean the bathroom. In both “Greed” and “What Work Is”, the speakers make the same conclusion about the struggle in the lower class. “Greed” furthermore discusses how Hispanics get a job first before whites and blacks because they take lower wages. All three poems deal with class in term of the society. The shared idea
...sents some discrepancies in how people value their family history. To some, family does not mean much at all but others are very much aware of their ancestors and the traits that they share in common. Some people use this self-awareness to better themselves while others find ways of exploiting it to satisfy their superficial needs. Dee is the type of individual that misuses her heritage. She is using it to fit in and attract the new religious group with which she has begun to associate. Maggie just seems oblivious, although the story does not allow the reader to know what she is thinking. The truth is that Maggie and her mother are living their heritage. This is the lesson that Dee's mother is trying to teach her; to accept and embrace who she is rather than continuously search for something she is not. She could search for her entire life and never be fulfilled.
In the novel Paradise of the Blind, Doung Thu Huong explores the effect the Communist regime has had upon Vietnamese cultural gender roles. During the rule of the Communist Viet Minh, a paradigm shift occurred within which many of the old Vietnamese traditions were dismantled or altered. Dounh Thu Huong uses the three prominent female characters – Hang, Que and Aunt Tam – to represent the changing responsibilities of women in Vietnamese culture. Que, Hang’s mother, represents a conservative, orthodox Vietnamese woman, who has a proverb-driven commitment to sustaining her manipulative brother, Chinh. Aunt Tam embodies a capitalistic
Maggie is a major character in Everyday Use. Because Maggie is quite and withdrawn, she is hardly recognized. “She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since that house burned the other house to the ground”(316). While Maggie loved that house abundantly, Dee despised it. Although she became attached to her previous house, she portrays that materialism is not as important as remembering spiritual values. She has a true, un-superficial sense of family, or heritage, as she tells her mother that Dee may have the quilts because she "can 'member Grandma Dee without the quilts" (321). Maggie comprehends that she can recall her spiritual values without material possessions, unlike Dee. Dee becomes more concerned
There are four motivational factors that may lie behind a censor’s actions. Those factors are family values, religion, political views, and minority rights. On the basis of family values, the censor is usually threatened ...
Censorship is a great temptation, particularly when we see something that offends or frightens us. At such times, our best defense is to remember what J. M. Coetzee writes in Giving Offense: Essays on Censorship. "By their very nature, censors wound their own vision when they restrict what others can see. The one who pronounces the ban ... becomes, in effect, the blind one, the one at the center of the ring in the game of blind man's bluff."
Walker, Alice. "Everyday Use." Literature: A Pocket Anthology. Ed. R. S. Gwynn. New York: Longman, 2002. 462-470.
Maggie is introduced as someone who was shy and walked like “a lame animal” sidling up to someone who “was ignorant enough to be kind” (156). This is partly because of her self-consciousness of the scar scattering her arms and legs. Dee, by comparison, is the picture of confidence. She walks and speaks as if the world owes her everything she ever asks for. She feels powerful for getting away from what she saw as a prison. While Maggie is humble and kind, Dee will not hesitate to demand things and is ruthless in her pursuit. At least, Dee is ruthless in her pursuits, in Mama’...
Walker, Alice. “Everyday Use.” Robert DiYanni, ed. Literature: Reading Fiction, Poetry, and Drama. 6th ed. Boston: McGraw-Hill, 2007.
Without the history of Censorship, what type of things would children be watching? Without the unique methods of Censorship, what kinds of films would be being released into the public? Throughout this essay I will be explaining the steps taken to achieve the level of Censorship, that we have now.
Today I will be interviewing Baumeister, Gilligan, and Piaget who are some of the most influential psychologists in the field of moral development. I will be interviewing these three so and I have three critical questions in the field of moral development that I would like each to answer. I will then conclude with a brief summary of the similarities and differences between the psychologists I have interviewed.
This article emphasizes the point that censors go too far when they attempt to not only ban a book for their own children but want to remove it altogether from a school library, so that other students cannot read it.
Idiocracy is a satirical film about a future in which humankind has significantly dumbed down. Unlike many other films, Idiocracy’s political message is bold and clear. It blames corporatism for a lot of problems that countries like America face today. Many critics suggest that this was the reason for which Fox decided not to advertise and promote this film at all. The Economist refers to Idiocracy as,” One of the most unjustly neglected films of the past years.”
Comparative advantage means that an industry, firm, country or individual are able to produce goods and services at a lower opportunity cost than others which are also producing the same goods and services. Also, in order to be profitable, the number in exports must be higher than the number in import. From the diagram we seen above, Singapore is seen to have a comparative advantage in some services. The services are Transport, Financial, business management, maintenance & Repair and Advertising & Market Research, etc. These export services to other countries improve the balance of payment. On the other side, Singapore is seen to have a comparative disadvantage in some services. The services are Travel, Telecommunications, Computer & Information,
Bhomwik, Someswar. "Politics of Film Censorship: Limits of Tolerance." Economic and Political Weekly 37.35 (2002): 3574 - 3577. Web. 1 Mar. 2014.