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John Milton’s bee simile in Book Two of Paradise Lost, is rooted in the epic tradition. Homer, Vergil and Dante look to the nature of bees in order to understand the human condition and an ideal society. Bees are described by these poets as unified, loyal to their king and hive, hard workers, untainted by carnal desires, and righteous in their ability to love. Milton alludes to the characteristics given by the poets before him in a complex simile that explains the beginning of Satan’s Pandemonium. Homer’s The Iliad first presents a bee simile in Book II where Nestor, The King of Pylos, leads an army of Achaeans to an assembly to discuss the war against the Trojans:
Just as tribes of swarming bees emerge from some hollow rock, constantly
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Each tribe comes from their ship like a “cluster” of bees comes from one flower and another “cluster” comes from another. Milton uses the same word, “clusters”, to describe the army of devils that awake from their fall and begin to rise as an army: “In clusters: they among fresh dews and flowers”. By claiming that the devils are in clusters, Milton is alluding to Homer’s use of the word to signify the coming together of individuals. To explain the individuality of the devils, Milton also portrays them as bees coming from various flowers in the spring, just as Homer does to show the Achaean tribes coming from their various ships. While the bees in both The Iliad and Paradise Lost may choose to fly in different clusters around flowers, they eventually come together in a large swarm. Homer’s bees are coming together as a unified body to attend an assembly: “marched out in companies their many tribes to the place of assembly”. At the assembly, the soldiers will no longer be divided into their tribes, and instead unified under the rule of Agamemnon. So too will the devils be united together as they make an assembly to, “…expatiate and confer/Their state affairs.” The devils were once individual angels who have fallen from heaven, but are now a structured …show more content…
A Trojan soldier, Asius, explains to his company that the Achaean’s retreat inside their city walls will only make them stronger because they have a powerful loyalty to home:
But they, like wasps of nimble waist or bees that have made their nest in a rugged path and leave not their hollow home, but remain, and in defence of their young ward off hunters, so these men, though they are but two, are not minded to give ground from the gate till they either slay or are slain.
Homer attributes the virtue of loyalty to the nature of bees, and by explaining that the Achaeans are like bees in their loyalty to home, he is explaining that they have a quality of devotion. Not only are the bees loyal to their hive, but loyal to a hive that rests “in a rugged path” where abandonment may be an easier course of action than defense. Yet the bees remain despite the difficulty of defending the hive. The Achaeans are under attack, and such an attack is their “rugged path” but they will not yield to the enemy. The devil’s in Paradise Lost establish their “straw-built citadel” in a place of chaos, and so they are like Homer’s bees who have placed their hive in an unfavorable spot. By describing the citadel as “straw-built” there is a sense of frailty that makes it seem as if it could bee easily destroyed. But the devils choose to have their assembly and carry out their duties in such a location, even if it may be better to
Disobedience causes disaster, not only for those involved but for all of humanity in Paradise Lost. While Adam and Eve are cast out of The Garden of Eden, their penalty extends to subsequent generations. In book 10, line 274, Milton employs an epic simile to convey this to the reader.
The bees symbolize Lily’s unspoken guides throughout the novel. Kidd’s constant reference to the bees indicate that Lily eventually understands the importance of female power in the bee community, which she connects to her own life. When Lily initially sees the bees in her room, Rosaleen warns her that they can sting her if she tries to catch them, but Lily ignores her and continues to trap them, thus asserting her determination. Later, the bees reveal the message to Lily that she should leave her father. Kidd notes that one bee landed on Lily’s state map that she kept tacked on the wall, foreshadowing Lily and Rosaleen’s journey to Tiburon (10). The bees also symbolize the secret life that Lily lives as she hides her secret of running away from home. The hive represents society while the bees represent all of the humans inside. August tells Lily about the hives and announces, “Most people don’t have any idea about all the complicated life going on inside a hive. Bees have a secret life we don’t know anything about” (Kidd 148). The beehive cannot sur...
William Golding’s, ‘Lord of the Flies’, is a powerful piece of literature that teaches important perspectives on the human nature and mind. In the story, the boys plane is shot down by the the military in which it lands on a deserted island. After this event, the boys’ decide to create a civilization on the island until they’re rescued. Golding paints a realistic image of evil, hope, and order expressed through the three items: the Lord of the Flies, the fire, and the conch during World War 2. The boys believe these items will assist them, however, they end up all tearing them apart in the end: the symbols all appear to be beneficial to the situation but eventually lead to their demise. Golding effectively uses the literary device symbolism to develop the theme in the novel that chaos and destruction can occur in the most peaceful places.
William Golding’s Lord of the Flies offers an in depth exploration of the mind in terms of savagery and civilization. The Bible’s story of the Garden of Eden shows just how easily people can be deceived. Golding’s novel uses religious allegory from the Biblical story. In terms of imagery, characterization, and the overall themes, the novel and the Biblical story can easily be compared, and Lord of the Flies can be interpreted to reveal a hidden meaning for the Garden.
In many classic novels, authors use biblical allusions to highlight a certain character or situation. By using biblical allusions, authors can help the reader better understand what it is that they want to convey through their literary work. In William Golding’s Lord of the Flies, Golding utilizes symbolism of places and characters to allude to the Bible. Out of the many references, four significant biblical allusions – title of the novel, Simon, beast, and the island itself – emphasize Golding’s theme inherent sin and evil in mankind.
Throughout the Odyssey, there are many relationships that represent love between two people. These relationships show loyalty, compassion, and the wanting to be near one another. Two of these kinds of relationships are between Odysseus and Telemakhos, and Odysseus and Penelope.
Thucydides expresses how a combination of fear and greed escalates in the rhetoric of two opposing camps to divide a nation through his focus on personalities. As an example, Thucydides provides the case of the Athenians' ally Corcyra, when civil war broke out during the Peloponnesian War. This precedent acts as a model of foreshadowing for the Athenians between Nicias and Alcibiades, as they attempt to sway the crowd using negative and positive examples about whether they should go to war with Sicily.
Throughout literature, especially in Milton’s time, the gender disparity between men and women has been unfairly defined: men are reasonable and therefore should lead, while women are passionate and thus should be led. However, these roles have often been misinterpreted, and have resulted in the idea that only men are reason manifest, while only women are passion incarnate. For example, in The Life and Loves of a She-Devil, Bobbo is rational in his approach to solving problems – count everything in monetary value – while Ruth often cries and evokes great emotion when facing struggles (Weldon, 20-24). However, Milton does not support this conventional idea of gender roles, as oftentimes Eve takes on Adam’s role as the voice of reason in sustaining the Garden of Eden, and vice versa. In Paradise Lost, Milton refutes the hieratical construct of gender inequality, by reversing the roles of Adam and Eve in terms of reason and passion, and instead prop...
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
To begin, to understand Paradise Lost the explanation of things before the Garden of Eden. Before the Garden of Eden Satan and his arch angels were all living in Heaven. Satan and his followers wanted to overthrow God and revolt. God is all knowing so he was already prepared for the plan of Satan, but Satan underestimated the strength, power, and wisdom of God. When the arch angels tried to overthrow the kingdom of God, they were thrown out of Heaven. When they were thro...
In book VIII of The Iliad, the death of a Trojan prince is juxtaposed to “a garden poppy, burst into red bloom, bends, / drooping its head to one side, weighed down / by its full seeds and a sudden spring shower” (VIII. 349-351). Just as the prince loses his glory, as well as his life, the poppy loses its beauty and life as it is weakened by a spring shower. Throughout the battle scenes in The Iliad, Homer compares great warriors to plants and natural forces using similes. The conventional way scholars interpret the use of these similes is to show that violence exists everywhere in the world (Stanley). However, I will argue that these similes of nature show glory’s existence in nature. While many warriors do achieve glory during war, their
In William Golding’s novel, The Lord of the Flies,he uses his writing to portray many hidden messages. From demonstrating how man can be self destructive, to how our society can influence the minds of young children. The book which was written out of the tension of World War II, is about a group of British school boys who end up on a deserted island after the plane crashed when it was shot down. They boys find themselves with no adults and struggling to remain civilized and have order. One of the main messages that William Golding is portraying in this novel is his political views and how he believes a democracy is a better form of governments. He does this with the conch, the two separate groups, and
another, the boys devalue the bees and wind up destroying the beehive. In the poem, Baxter uses
“The Odyssey” is an epic poem that tells the story of Odysseus and the story of his many travels and adventures. The Odyssey tells the main character’s tale of his journey home to the island of Ithaca after spending ten years fighting in the Trojan War, and his adventures when he returns home and he is reunited with his family and close friends. This literary analysis will examine the story and its characters, relationships, major events, symbols and motifs, and literary devices.
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...