Many people go through a point in their life where it feels like they are at an all-time low. Everyone will hold on to a certain memory, whether it's in a physical or mental way. In The House on Mango Street, a 13-year-old Hispanic girl named Esperanza goes through many ups and downs. She feels ashamed of her house and neighborhood and wants to do something better with her life. A similar book is The Goldfinch written by Donna Tartt. A young boy named Theodore Decker struggles with addiction and depression after the tragic death of his mother. His mom dies in a New York museum during a bombing. During the chaos, he grabs a painting called The Goldfinch and keeps it without knowing what he is going to do with it. Both Esperanza and Theodore feel like outsiders, they reached a low point that leads them to find themselves, their parents are absent from their lives and both hold on to a special memory that made them who they are. This all leads to the theme of struggling to find their identity.
To begin with, Esperanza feels
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different from the rest of her family. Esperanza describes her siblings as being beautiful and perfect, but she describes her hair as “lazy...never obeys barrettes or bands” (Cisneros 6). This conveys that Esperanza doubts herself and is different from her family. Furthermore, she feels like she sticks out but can’t do anything about it when she says, “I am a red balloon, a balloon tied to an anchor” (Cisneros 9). On the other hand, Theodore lost his mother in a bombing and was never the same since. He was a troubled kid in school and “was blind to the future” (Tartt 13). This shows that Theo never thought about consequences for his actions and stood out in a bad way. Theo and his friend Boris spend all their time drinking and doing drugs and Theo says “sometimes we want what we want even if we know it's going to kill us” (Tartt 770). This furthermore explains how he always feels like an outsider and does drugs because he became an addict thinking from all the trauma. Both characters go through points in their life where they feel different from others because of where they live or what they’ve been through. In addition, Both characters from the novels reach a low point that leads them to finding themselves.
In The Goldfinch, Theo was much more like his father, during a shooting Theo shoots and kills a man. He's built up anxiety over the next few days and tries to commit suicide. Boris goes to Theo and says “this is the rewards money!” (Tartt 738). This proves that although he reached a low point in his life good came around and helped him. In the novel, The House on Mango Street Esperanza has always been ashamed of where she lived. Her whole life has always had a negative factor. Growing up in a Hispanic neighborhood she always wanted to leave and do something other than being forced to marry a man. Esperanza finally realizes that her situation isn’t that bad when she finds “a pretty box with flowers painted on it” in a junk store (Cisneros 20). This shows a bright thing in such a dark place where Esperanza only saw embarrassment and
dirty. Next, Esperanza and Theo hold on to a memory a certain way. At the end, Esperanza finally leaves the neighborhood she's wanted to leave her whole life. After talking to Alicia, Esperanza says “they will not know I have gone away to come back” (Cisneros 110). This is when Esperanza holds onto all the memories she had on Mango Street and realizes that is who she is. Whereas, Theo takes the painting from the museum during the bombing. To him, it had no meaning but it let him hold on to the memory of his mother. When he looked at the small bright painting it made him “think of pictures… of his mother when she was small: a dark-capped finch with steady eyes” (Tartt 27). This proves that the painting had a sentimental value to him that made him think of his mother so he took it during all the chaos. It became a memory of his mother but he heard people were being arrested for stealing the paintings so rented a storage locker and kept the painting in there. This also shows that even if Theo didn't have the painting in his possession, he still liked the thought of having it somewhere safe. Finally, Theodore's parents are scarce from his life. His mother died during the bombing when he was young. His father was a drug addict and was “killed in a car accident that might have been intentional” (Tartt 467). This shows that he grew up without parents and was in and out of foster homes. Esperanza relates to this because her dad works all the time and her mother is busy with other things. Esperanza describes her mom as safe and warm and says “mama’s hair smells like bread” (Cisneros 7). This shows that both her parents are not a huge part of her life but she will always have a love for Mama. Both characters parents had a part in their lives but were never there due to death or being too busy. In conclusion, Esperanza and Theo go through many tough times in their lives. They both feel like outsiders, they struggle to find themselves, they hold on to a memory, and their parents are not the main figure in their lives. This all ties into the theme of struggling to find their identity. Everyday people should stay true to who they are, even if they have struggled in their life. People shouldn’t take the bad and turn it into something worse m=but they should make themselves stronger.
Esperanza, the main character of The House on Mango Street, a novella written by Sandra Cisneros in 1984, has always felt like she didn’t belong. Esperanza sought a different life than the ones that people around her were living. She wanted to be in control of her life, and not be taken away by men as so many others around her had. Esperanza wanted to move away from Mango Street and find the house, and life she had always looked for. Through the use of repetition, Sandra Cisneros conveys a sense of not belonging, that can make a person strong enough to aspire to a better life.
Reading is similar to looking into a mirror: audiences recognize themselves in the experiences and characters on the pages. They see the good, the bad, and are brought back to experiences they had overlooked to learn something more about themselves. Some characters touch readers so intimately that they inspire readers to be better than they already are. House on Mango Street, by Sandra Cisneros, follows a young girl named Esperanza and her experiences while living on Mango Street. She is introduced with her desperate wish to escape her poor mostly-Latino neighborhood and live in a house of her own. Esperanza compares herself to her family, innocently knowing what she wants from a young ages. She is observant and holds insights into the lives of others, learning lessons from each person she encounters. While
Modern society believes in the difficult yet essential nature of coming of age. Adolescents must face difficult obstacles in life, whether it be familial, academic, or fiscal obstacles. In the House on Mango Street, Esperanza longs for a life where she will no longer be chained to Mango Street and aspires to escape. As Esperanza grows up on Mango Street, she witnesses the effect of poverty, violence, and loss of dreams on her friends and family, leading her to feel confused and broken, clinging to the dream of leaving Mango Street. Cisneros uses a reflective tone to argue that a change in one’s identity is inevitable, but ultimately for the worst.
In the poor slums of Chicago, a family living in poverty struggles to get by. In the book, House on Mango Street by Sandra Cisneros, Esperanza is a twelve year old girl who lives with her family in the Windy City. She lives with her three siblings and both parents on Mango Street. Esperanza has no control over her life and family’s poverty. People who have no control over their life desperately seek change. Esperanza seeks to change her name, her home, and her destiny as a way to control her life.
Gabriela Quintanilla Mrs. Allen A.P English 12 12 March 2014 The House on Mango Street Sandra Cisneros once said “'Hispanic' is English for a person of Latino origin who wants to be accepted by the white status quo. ’ Latino' is the word we have always used for ourselves.” In the novel I read, The House on Mango Street, by Sandra Cisneros, the main character, a twelve-year-old Chicana (Mexican-American girl), Esperanza, saw self-definition as a struggle, this was a major theme in the novel through Esperanza’s actions and the ones around her. Esperanza tries to find identity in herself as a woman as well as an artist throughout the novel through her encounters.
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
In The House on Mango Street, Cisneroz agitates the theme of diversity through her use of characters and setting. Cisneroz paints a multitude of events that follow a young girl named Esperanza growing up in the diverse section of Chicago. She is dealing with searching for a release from the low expectations that the Latino communities often put women whether young or old are put against. Cisneroz often draws from her life growing up that she was able to base Esperanza's life experiences on and portray an accurate view on Latino societies today. Cisneroz used the chapter “Boys and Girls” and “Beautiful and cruel” to portray Esperanzas growth from a young curious girl to a wise woman. She came into her own personal awareness and her actions that she has to now be held accountable for.
In the short story “The House on Mango Street” by Sandra Cisneros, make Esperanza the main character. Esperanza expresses herself in traditional words, her own feelings about life. The image of the The House on Mango Street is located in a poor neighborhood, where this young girl and her family present emotions becoming into a hope of a better life. These feelings led Esperanza convert the idea to own a beautiful house into an obsession. The image of Esperanza and her House becomes a symbol of different ideas such as shame, fantasy, independence, confidence and hope.
Life as a kid is effortless, where the only motive is to have fun. Some people never want to have responsibility and complexity that comes with being an adult as they realize they must take accountability sometime. Likewise in "The House on Mango Street" by Sandra Cisneros, Esperanza tries her best to avoid is renegade against the normal expectations of women on Mango Street. Esperanza's only way to avoid having to become part of the adult world around her, is by entering The Monkey Garden where she gets to be a kid. Esperanza's depiction of the serene and carefree descriptions of the garden contrast the confused and disturbed attitude Esperanza has towards Sally and the boys' game. As she finally realizes she cannot remain a kid forever, Esperanza feel alienated and alone.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
The House on Mango Street is the tale about a young girl named Esperanza who is maturing throughout the text. In it Esperanza documents the events and people who make up Mango Street. It is through this community that Esperanza’s ideas and concepts of the relationships between men and women are shaped. She provides detailed accounts about the oppression of women at not only the hands of men who make up Mango Street but also how the community contributes to this oppression. As the young girls and women of Mango Street try to navigate the world they must deal with a patriarchal society that seeks to keep them confined. By growing up in this environment where women are confined Esperanza seeks desperately to depart from Mango Street for fear
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
... They didn’t seem to be my feet anymore. And the garden that had been such a good place to play didn’t seem mine either” (Cisneros 98). The play place that was once so innocent and is now a junkyard that reciprocates Esperanza’s innocence that slowly turns into reality. She is growing up. Additionally, she gains enough confidence and maturity to make her own life decisions. This is shown when she makes the important decision of where she wants her life to take her. “I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (Cisneros 88). This shows Esperanza’s maturity to make her own life choices by herself. She is finally confident and independent enough to know where she wants her life to take her. Esperanza finally completes her evolution from young and immature to adult-like and confident.
At the beginning of the book, Esperanza is shameful of the financial status of her street and house. She showed this when she said “I knew I had to have a house. A
" They always told me that one day we would move into a real house, that would be ours. A house with trees, a white picket fence, real stairs and running water. The house on Mango Street isn't it. " (Cisneros, 4). This quote gives the reader a better understanding on why Esperanza is so frustrated with her poverty. Esperanza is constantly being let down because her poverty gets in the way. Her parents make all these promises to her that they cannot keep, because they do not have the money. Esperanza is still young and so far her life has been full of disappointment. When Esperanza's family moved into The House on Mango Street Esperanza's was excited, she expected to be moving into her dream house. Yet, once again her family's poverty gets in the way and they move into a shabby house. Esperanza's constant disappointment causes her a great deal of emotional pain, and all this pain leads back to her family's