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Throughout all of Shakespeare's literary masterpieces, he works to capture and frame human emotion and its vast complexity. Two of the best known Shakespeare works; Romeo and Juliet and Othello both perfectly encapsulate a common theme of his literature; love and it's painful decay and eventual loss; yet both have a distinct difference in what truly drove them to this state. Othello, suspicious of Desdemona’s love and susceptible to the manipulation of Iago (motivated by an uncontrolled desire for Desdemona) ends up taking his lovers life; followed by his own. Jealousy is the culprit here, while in Romeo and Juliet the cruel ending can be attest to a mad, almost corrupt desire which drives the lovers to kill themselves rather than enduring …show more content…
Obsession corrupts people minds, narrowing vision into tunnel views of whatee the subject is; For Othello it is Desdemona. From the start of the story, Othello's strong willed and passionate personality is explicit to the viewer. “II fetch my life from men of royal siege” (2.1 25-26). He has confidence in his marriage, as does Desdemona. “My heart's subdued even to the very quality of my lord” (1.3 253-254). Their love is solid, trusting and seemingly impenetrable until Iago begins to corrupt Othello’s minds with falices surrounding his marriage. Convincing Emilia to steal Desdemona's handkerchief and staging Michael Cassio to lose his reputation with the general all in an effort to deceive him. Iago pledges his brotherhood to Othello, while simultaneously playing him against himself. Slowly, Iago begins to turn Othello’s mindset; and alter his perception of the people around him. His trust in Desdemona falters, marking the true slip and tumble to the worst. “Excellent wretch! Perdition catch my soul But do I love thee!” (3.3 90-91). Shakespeare illustrates his descent into madness with imagery of the “green eyed monster” (3.3 166), and even himself acknowledges that jealousy is overtaking him “jealousy so strong that judgment cannot cure” (2.1 225-227). Despite logic and Desdemona pleading for his trust in her; jealousy completely blinds and overtakes Othello. Up until her murder, he is incapable of being able to shake the feeling that Desdemona is playing him for a fool. All of his favorable traits such as his mental stability, confidence and calming dissipated disappeared. Immediately after her unjust murder Othello immensely falls into intense grief and condemns himself until he is unable to manage the sadness and ends his
At the time when Othello is about to kill Desdemona his heart is tried to find a reason not to. Othello cried, “O balmy breath, that dost almost persuade/ justice to break her sword, one more, one more!/ Be thus when thou art dead, and I will kill thee,/ and love thee after. One more, and that’s the last!/ So sweet was ne’er so fatal. I must weep,/ but they are cruel tears. This sorrow's heavenly;/ it strikes where, it doth love (Act 5: 2; lines 16-22). Even though his hatred for Desdemona was strong, his love for her was even stronger and sweeter than ever before. For almost half of the play, Othello had grown a deep hatred for his newly wed Desdemona but exactly at the moment when he was about to kill her, his weak heart did not have the courage to commit his heroic duty. This shows how unbalanced his emotions are and how he cannot seem to get his mind straight. Even after his spouse’s death, Othello would still continue to reveal his darkest
In the beginning Othello is seen as a calm collected man when put into an awkward situation, such as being ridiculed by his wife’s father in thinking that Othello has used some sort of magic to gain Desdemona 's infection. Othello’s calm collected ways start to deteriorate after he is convinced by Iago, a deceiving evil man that Desdemona has slept with Cassio. Othello’s self control no longer exist once he is fully convinced that it is in fact true that Desdemona has been unfaithful. His sense of what is real and what is not real is thrown out the window. Othello starts to become extremely jealous of his used to be beloved Cassio, and after considering giving back his spot as liternuanat he denies him that. He starts to become cold and distant towards his wife, and starts to call her out of her name. As Othello continues to lose control the people around him start to doubt his abilities of being able to protect Cyprus, and even his wife starts to doubt him, and agree with her father. No one knows who this man is anymore, he has started to act in an insanely matter. He can longer be his true self and take on the responsibilities of being general as he starts to crack. With Othello being faced with evil, him being calm is no longer an option for him because he can’t face the fact that the person he loves so dearly is cheating on him. Going back the they handkerchief, the symbol of his love for her. Othello seeing Cassio with Desdemona’s handkerchief sets him over the edge becoming truly convinced that his wife has betrayed him. Even when Desdemona and her maid Emila, Iago’s wife, has told him countless times that she has not been unfaithful, he is so far gone from reality that he does not believe either one of them. With the state of mind he’s in he cannot bear the thought of another man touching his wife. Othello and Iago plan to kill Cassio and Desdemona. After he
...ituation Iago is finding ways to twist the innocent actions of Desdemona and Cassio to make it seem as if they are flirting and carrying on this affair for almost everyone to see. Enraged and eventually consumed by his emotions Othello’s takes Desdemona’s life due to the manipulation of this so called friend and confidant. A ‘friend and confidant’ who has been to battle with Othello and fought side by side, yet Iago is the one who ultimately uses and betrays Othello.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Through his suggestion to Cassio, Iago can now be certain that Cassio will entreat Desdemona to petition for him with Othello. Cassio does implore Desdemona and she responds, “Be thou assured, good Cassio, I will do all my abilities in thy behalf” (Act III Scene III). Iago manages to obtain the handkerchief that Othello gave to Desdemona that had strawberry patterns on it form Bianca. He then tells Othello to ask for the handkerchief and if she doesn’t produce it, than she must be cheating on him. Iago also manipulates the undeserving devotion of Emilia. We learn at the end of the play that Iago “begg’d of me to steal it” of Emilia. Like Desdemona’s good nature, Iago exploits his own wife for his malicious revenge. The handkerchief was the final straw for
Othello’s own problems lead him to murder Desdemona. He has insecurity issues with himself. In the beginning of the play, Othello is confident. Iago speaks of Othello in a lowly manner oftentimes. He even calls him an “old black ram” and describes him as “tupping your white ewe” (1.1.9) when he wakens Brabantio with news of Desdemona’s marriage to Othello. Othello starts to degrade himself by saying “rude am I in speech” (1.3.96). This loss of confidence puts a dent in his relationship with Desdemona, laying the pavement for her later death. He is gullible for allowing Iago’s remarks to affect him. Therefore, Othello’s own personal conflicts lead to Desdemona’s demise.
Iago feels that he is superior and therefore manipulates people to caring about ones feelings. And all of the characters in the play slowly become entwined in his plan and one by one they all die with the exception of Cassio. Emilia who in the beginning of the play trusts her husband enough to hand him the handkerchief that was dropped by Desdemona eventually realises what a monster he truly is and dies asking Othello to “lay her by her mistresses side.” Desdemona is an innocent character as even though she knows that Othello is going to murder her she does not do anything but instead accepts her fate. After Desdemona dies Othello curses himself for allowing the “green-eyed monster” to ensnare his “body and soul”.
Othello doesn’t want to be a man who was easily jealous but as noble and great. Othello shows the act of jealousy through Desdemona as his fatal
Both his easiness to trust and his own insecurities led to his downfall; envy. While it seemed that he loved Desdemona, it wasn’t enough. His transition from a loving husband to a jealous husband depicted the consequences of envy. In the past, Othello was just a guy who fell for it, but now that social life has changed it shows how easy he was to
Othello, the reader can infer that since jealousy is an emotion that every one shares, and it ends up consuming each of the characters lives. The play opens up as Othello, the main character, is secretly marrying a younger woman named Desdemona. Jealousy is immediately shown to the reader in Act One when the man that is
Iago is Othello’s ambitious friend who turns against him for promoting Michael Cassio to a personal lieutenant instead of him. Othello elopes with Desdemona without her father’s blessing, since they are so in love. Othello becomes jealous and suspicious of Desdemona and Cassio because Iago has been planting seeds in his head about Desdemona being unfaithful to him. He confides in Iago that he plans to poison Desdemona for an adulterous act. The two of them plan out the murder of innocent Desdemona, where Othello eventually smothers her to death.