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Essay question on othello and gatsby
Essay question on othello and gatsby
Character analysis in the play othello
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The Dark Side of Love
Love is one of the most powerful forces in the world. When one experiences it, feelings of happiness, joy, and pleasure are brought to life. These feelings are incredibly powerful and tempting to many which is why it is common to find individuals dedicating their entire lives in search for love. Conversely, due to its power, love can also have grave and destructive effects on the lives of many. In the play Othello by William Shakespeare, Othello suffers greatly when he is tricked into thinking that his love was betrayed. In the novel The Great Gatsby by F. Scott Fitzgerald, Gatsby pursues love throughout the entire story only to lose it in the very end. The movie Star Wars: Episode III – Revenge of the Sith, written by
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George Lucas, shows Anakin Skywalker destroy the love of his life as he succumbs to the dark side.
In Othello by William Shakespeare, The Great Gatsby by F. Scott Fitzgerald, Star Wars: Episode III – Revenge of the Sith, written by George Lucas, character flaws and light and dark imagery emphasize how the desire for love blinds the tragic hero, ultimately resulting in tragedy and alienation from the world.
In each story, the tragic heroes’ aspiration for love exploits a unique flaw in their character that ultimately results in disconnect from others. For example, after Daisy leaves one of his Gatsby’s parties, Fitzgerald writes, “He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand” (Fitzgerald 110). Fitzgerald uses the simile of a hidden creature that is “just out of [Gatsby’s] reach” to emphasize the idea that the past cannot be recreated. The desire to repeat the past is Gatsby’s tragic flaw because his love is trapped in the past while Daisy’s love has progressed and moved on. This highlights the idea that a tragic hero’s flaw will eventually alienate them from their true ambition. Furthermore, towards the end of Act I of Othello, Iago states, “The Moor is of
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a free and open nature, / That thinks men honest that but seem to be so, / And will as tenderly be led by the nose / As asses are” (Shakespeare I.iii.381-384). Iago, in a concise simile, claims that Othello is easily manipulated “as asses are.” Iago knows this because Othello is a “Moor” who is attempting to fit into a culture where he does not belong. Iago utilizes his pliability to destroy his heroic longing for love, which is keeping him grounded in this culture, and alienate him once again. In accomplishing this task at the end of the play, Othello realizes this truth, exclaiming, “And say besides that in Aleppo once / Where a malignant and turbaned Turk / Beat a Venetian and traduced the state, / I took by th’throat the circumcisèd dog, / And smote him thus” (Shakespeare V.ii.347-352). Othello refers to himself as a “turbaned Turk,” who at the time were enemies of the Venetians. By calling himself this, he knows that he is an outsider of this world, and that his aspiration for love would never be a reality. Through the existence of a tragic flaw, a tragic hero’s desire for love will never succeed, resulting in their alienation from society. Finally, after Anakin Skywalker’s embrace of the dark side, he says, “Don't you see, we don't have to run away anymore. I have brought peace to the Republic. I am more powerful than the Chancellor. I can overthrow him, and together you and I can rule the galaxy. Make things the way we want them to be” (Lucas 01:44:54-01:45:13). Anakin, after his turn to the dark side, falls under the impression that power will strengthen his relationship with Padme. Instead, his desire for power turns him evil, ultimately destroying his quest for love and isolating him from the world. This reflects the nature of flaws to destroy a tragic hero’s valiant ambition for love. The imagery of light and dark further establish a tragic hero’s ability to be blinded by the desire for love, leading to their separation from the world.
To demonstrate, in one of Nick’s first encounters with Gatsby, Fitzgerald writes, “Involuntarily I glanced seaward—and distinguished nothing except a single green light, minute and far way, that might have been the end of a dock” (Fitzgerald 21). To Gatsby, the “green light” is a symbol of hope. He idolizes this light as it is his connection to Daisy in hope that their relationship will blossom. The symbol of light highlights the hopeful desire for love between star-crossed lovers. Yet, towards the end of the novel, Gatsby’s nature as a tragic hero is shown when he says, “I waited, and about four o’clock she came to the window and stood there for a minute and then turned out the light” (Fitzgerald 147). The intentional loss of light in this scene places Gatsby in complete darkness, estranged by the source of his love and passion. The darkness is a symbol of absence and emptiness, contrasting light, which is a symbol of hope and love. The transition from light to dark demonstrates the turn of a heroic desire for love into the tragic reality of alienation in the life of a tragic hero. In addition, right before Othello murders Desdemona, he says, “Yet she must die, else she’ll betray more men. / Put out the light, and then put out the light: / If I quench thee, thou flaming minister, / I can again thy former light restore”
(Shakespeare V.ii.6-9). Slightly different from The Great Gatsby, light is a symbol of love and passion. In saying that he will “put out the light,” Othello is ceasing his love for Desdemona. In putting out the light, he is bringing upon darkness in their relationship, which is symbolic of emptiness and loneliness. The light and dark imagery in Othello illustrates the idea that a tragic hero’s aspiration for love is eventually leads to alienation and tragedy. Finally, as Chancellor Palpatine reveals himself to be a Sith to Anakin, he states, “Only through me can you achieve a power greater than any Jedi. Learn to know the dark side of the Force, Anakin, and you will be able to save your wife from certain death” (Lucas 01:03:45-01:03:59). The dark side of the force is fueled by anger and hatred while the way of the Jedi is based around selflessness and sacrifice. Although Chancellor Palpatine tries to deceive Anakin into thinking that the dark side will save his wife, it actually drives them apart. Anakin’s embrace of anger and darkness drive him and Padme apart. This highlights the idea that a tragic hero blinded by the desire for love will find them self alone and withdrawn from the world in the end. Overall, through character flaws and light and dark imagery, a tragic hero obscured by the desire for love will ultimately be separated from the world due to the power that love has on an individual. The strength of love has proven to be insurmountable in the effect that it has on humans and society in past cultures and in modern times. As society continues to progress, how will the significance and importance of love change, or will it continue to be an overwhelming force in the world.
Love serves an ambiguous role in which Shakespeare portrays through various characters in King Lear. Lear is the prime example of an individual who struggles to attain and exhibit love. Lear attempts to equate his wealth with love, which indicates the evident lack of insight as Kent tells Lear to "see better, and let [him] still remain” by Lear’s side. Similarly, in The Great Gatsby, love is presented as a facade in which Gatsby blindly pursues. In comparison, King Lear is deceived by the false love of Goneril and Regan.
All stories have the same blueprint structure with the same type of ending whether it be good triumphs over evil, rags to riches, the voyage and the return, tragedy, or rebirth. The thing that sets these stories apart is the message they intend to in our minds. “ The power of a story to shift and show itself to anew is part of what attracts people to it, at different ages, in different moods, with different concerns” (Auxier 7). These messages are given by the characters in the story that all have their own reasoning but in the end have one meaning behind it. Some messages give specified personal messages rather than a broad stated such as the stories The Wizard of Oz and The Great Gatsby. Blinded by the ignorance of desires, the characters
I compared the Robert Fitzgerald translation with the Stanley Lombardo translation of the invocation of the muse from Homer's Odyssey. Fitzgerald describes Odysseus by saying “he saw townlands and learned the minds of many distant men”. Lombardo's also describes Odysseus saying “of the cities he saw the minds the grasped”. They both explicitly say that someone is visiting many cities and learned minds of different men. The word learned implies that it took time to understand the minds, but the word grasp means that the understanding of the minds was taken quickly. The Fitzgerald text makes Odysseus seem like a patient person willing to take time and learn his surroundings. The Lombardo text makes Odysseus seem like a strong-willed person who does not give much thought into his
Loving someone is a wondrous experience, giving life light and a sense of fulfillment. But frequently the love does not last, causing deep emotional pain and a new dullness to life. In F.Scott Fitzgerald’s novel, The Great Gatsby, Fitzgerald repeatedly uses the motif and imagery of the eyes to present how much the lack of love can affect the happiness and joy in a person’s life. When people are separated and possibly reunited, their eyes seem to show the emotional turmoil that was caused by the time apart.
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
Both protagonists, Othello and Gatsby are outsiders entering an ordered society. Othello, “the Moor”, has a very important role as a military and public servant for the Venetian Army. Othello is prone to many problems because of his race and is often criticized by others in his community. Jay Gatsby is a man of wealth and an outsider in New York society. Everyone has heard of Gatsby because of his large and extravagant parties but nobody knows who he really is. As outsiders, both characters have problems. Gatsby is a stranger trying to reunite with Daisy and Othello is a target for racism because of his complexion. Iago dislikes Othello because of his decision to make the young and handsome Cassio, lieutenant for the army. This makes Othello a target for Iago’s trickery. Othello is sent to the Duke after Iago tells Brabantio, Desdemona’s father, that “an old black ram is tupping your [his] white ewe” (Shakespeare 1.1.98) when in reality Desdemona and Othello are happily married because she truly loves him. Gatsby re-enters society in search for his lost love, Daisy, but finds that she has a new life with Tom Buchanan. Gatsby and Daisy fall in love all over agai...
that he always observed Daisy from his house but all that he could see was the green light. He could only hope and dream about having Daisy by his side. This is before Gatsby finally met Daisy. When, at last, he met Daisy in Nick’s house, it seems that “the colossal significance of that light had now vanished forever” (Fitzgerald 90). He had Daisy next by his side therefore “his count of enchanted objects had diminished by one.” (Fitzgerald 90). Not only does the green light represent Gatsby...
Throughout history, women’s place and role in society has changed. Women are often seen as a lower status and have a need to be taken care of by men. There are conflicts with the idealization of women as they are often overlooked and viewed as secondary characters. This idealization is well established in the characters of Desdemona in Othello and Daisy in The Great Gatsby. In F.Scott Fitzgerald’s novel The Great Gatsby and Shakespeare‘s play Othello, Desdemona and Daisy are both responsible for their tragedies due to the manipulation and impact of the outsiders, their loss of innocence, and their vulnerability as women.
Overall, this is how a false sense of character leads Hamlet to his tragic downfall. To the same extent, Gatsby has a sense of false This is evident when Gatsby states, “Can 't repeat the past?... Why of course you can”(cite). Gatsby implies here that the past can be repeated, in this case with Daisy. Gatsby does not realize, however, that she is now married and has a child.
When people hear the words “romantic hero,” they imagine one of those fake characters from cheesy love stories, holding roses while kneeling below the heroine`s balcony. Gatsby is no better than those fake and desperate heroes because his love is untrue and obsessive. James Gatz, who is also known as Jay Gatsby, is a poor young man who acquires wealth for the purpose of gaining the love of a rich girl named Daisy. Gatsby lives and breathes for Daisy, the “nice” girl he loves, even though she is married to Tom Buchanan. Gatsby`s love may sound dedicated, but it is more obsessive because he lives in his dreams and will literally do anything to win Daisy`s heart. In Fitzgerald's novel The Great Gatsby, Gatsby is not portrayed as being a romantic hero due to his attempts in trying to be someone he is not by faking his identity, by his selfish acts in desperation for Daisy`s love, and his fixation with wealth, proving that love is not the same as obsession.
Gatsby is obsessed with attaining the idea of a girl. His infatuation with Daisy causes him to accept her consequences as his own. As a result, he is wrongfully blamed for the death of a woman and assassinated by an ailing widower. Victor Frankenstein is less admirably obsessed with himself. His ego makes him believe that he can defy the laws of the universe. Because of his egotism, he is given extremely severe consequences by fate. Both Gatsby and Frankenstein suffer greatly because of their obsessions. The two stories teach that an obsession is unhealthy under the wrong conditions. They also illustrate that one needs some perspective when looking at a situation. Without perspective, one can go down a dark and daunting path without even knowing
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
Nick Carraway, the narrator of the novel, first sees Gatsby standing outside of his mansion, “standing with his hands in his pockets regarding the silver pepper of the stars” (20). He is standing with his arms outstretched towards a green light. Nick says “he stretched out his arms toward the dark water in a curious way, and, far as I was from him, I could have sworn he was trembling” (20). Gatsby is staring at the light on the end of Daisy’s dock as it is later revealed. Gatsby is standing there, with his arms stretched out, to welcome the love of Daisy and to give his love to her. He is reaching toward her, trembling because of the power of his love and the pain from their years of separation. The light represents how close Daisy is to him, but still so far away, in separate worlds. It could also be thought of in the sense that his love is still burning bright for Daisy. “Green is the color of hope” (Einem), and can represent “Gatsby’s hope to meet Daisy again and a chance to win her back” (Einem). Gatsby has been separated from Daisy for many years, but he still loves her deeply. When Daisy and Gatsby later reunite, they are standing in Gatsby’s bedroom, looking out across the bay. Gatsby points out the green light and says “If it wasn’t for the mist w...
In William Shakespeare’s Macbeth and F. Scott Fitzgerald’s The Great Gatsby, both Lady Macbeth and Daisy experience similar conflicts that they have to cope with. Throughout both the novel and the play both women play a part in the role of murder as well as the theme of alienation. Both characters use different ways to cope with the event that occurred.
Jay Gatsby and The Wizard of Oz both are not who they claim to be. They both wanted to look more interesting than they appeared. This is evident in both The Great Gatsby by F. Scott Fitzgerald and the film The Wizard of Oz. The difference between them is Gatsby didn’t tell the truth about his past, and Oz wanted to be seen as an almighty ruler. Gatsby’s goal was to be united with Daisy once again, and Oz didn’t want anyone to know his true identity.