Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The medieval period
Stories of kings and queens have captivated readers for centuries, and arguably, the tales of King Arthur and Guinevere are among the most enchanting. Arthur ruled the kingdom of Camelot, and Guinevere was his queen. But were they real people or fictional characters? The debate has continued for centuries. Though many scholars have found evidence that the legendary Arthur was, at the very least, based on a real person who lived in Britain roughly between 450 and 1[Marker for question 1] 500 CE. They continue to search for the historical identity of Guinevere.
Guinevere first appeared as King Arthur’s queen in one of the most widely-studied works of Arthurian literature, 2[Marker for question 2] The History of the Kings of Britain. This book
was written by Geoffrey of Monmouth around 1135 CE. Geoffrey’s historical treatment of the legend is often 3[Marker for question 3] sited as evidence that the queen of Camelot existed, as the book chronicles the lives of a number of historical rulers. Guinevere is identified by Geoffrey as a noblewoman of Roman descent who met King Arthur in the court of Duke Cador of Cornwall, where she lived as a ward. 4[Marker for question 4] In Malory’s portrayal, Guinevere had no real power as a monarch but served as a kind of spiritual leader, providing guidance and moral support to the knights in their roles as defenders of the kingdom. Le Morte d’Arthur was also one of the first works to reference Guinevere’s romance with the knight, Sir Lancelot. As many Arthurian scholars know, the distinction between history and literature was blurred in the Middle Ages. Consequently, the true identity of Guinevere may never be known with certainty. Yet regardless of whether Guinevere was real or fictional, her story 5[Marker for question 5] had endured centuries—and through each retelling, she continues to live on in the imaginations of people around the world.
In the Arthurian romance genre, Guinevere plays various roles; the purpose of her role depends on the story that she is in. In three separate stories, written by different poets, specifically Sir Gawain and the Green Knight, Morte Darthur, and The Wife of Bath’s Tale, Guinevere is used to achieve different goals. In Sir Gawain and the Green Knight, Guinevere is the catalyst of all of the stories events. The burning desire of Morgan le Fay to destroy Guinevere through dismantling the Round Table is what spurs the arrival of the Green Knight in Arthur’s court and the subsequent quest that Gawain goes on that tests his character and allows him to learn more about himself. The Guinevere in Sir Gawain and the Green Knight is the reason that Arthur’s
The Arthurian cycle shows a sporadic awareness of the impossibility of mere humans fulfilling all the ideals that Arthur and his court represent. The story of Lancelot and Guenevere, Merlin's imprisonment by Nimu‘, and numerous other instances testify to the recognition of this tension between the real and the unrealistic.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
Who was King Arthur? Most people would tell of a great King; a devoted circle of heroic knights; mighty castles and mightier deeds; a time of chivalry and courtly love; of Lancelot and Guinevere; of triumph and death. Historians and archaeologists, especially Leslie Alcock, point to shadowy evidence of a man who is not a king, but a commander of an army, who lived during the late fifth to early sixth century who may perhaps be the basis for Arthur. By looking at the context in which the stories of King Arthur survived, and the evidence pertaining to his castle Camelot and the Battle of Badon Hill, we can begin to see that Arthur is probably not a king as the legend holds.
In Malory’s famous account of the King Arthur legend, the most notable example of woman as destructive sexual temptation is, of course, Queen Guinevere. Sir Lancelot’s affair wi...
When all the courtly love elements that flow through The Knight of the Cart are composed, in addition to a tale of love affair between Queen Guinevere and Lancelot of the Lake, a document revealing the enchanting history of the Twelfth Century Renaissance is created. Troyes, our powerful storyteller, was able to do this by taking us on a journey with Lancelot, not only though his exciting battles to Guinevere but, through his passionate and enamored thoughts and behaviors that yearns for his beloved.
The Court of King Arthur in the Tales of Lanval and Sir Gawain the Green Knight
The Epic of Gilgamesh has many similarities to The Legend of King Arthur. Although Gilgamesh and King Arthur have comparison they also have differences. The main difference is that one is an Epic and the other is a Legend. To compare and contrast The Epic of Gilgamesh and The Legend of King Arthor, one must first know what the words, "Epic" and "Legend" mean. Primarily, "epic" is a long narrative poem about the deeds of a semi-god, also known as a superhuman hero who's actions are depended on as the fate of a nation, tribe or a human race. This usually consists of an adventure filled plot and is concerned with timeless human problems such as honour, jealousy, war and hatred. These contain gods and goddesses and the setting is fixed in a far distant place at a time long past. Epics are based on legends and myths.
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
Sir Gawain and the Green Knight. Trans. Brian Stone. The Middle Ages, Volume 1A. Eds. Christopher Baswell and Anne Howland Schotter. The Longman Anthology of British Literature. Fourth ed. Gen.eds David Damrosch, and Kevin J. H. Dettmar. New York: Pearson-Longman, 2010. 222-77. Print.
Malory, Thomas, and Keith Baines.Malory's Le morte d'Arthur: King Arthur and the legends of the Round Table. 1962. Reprint, New York: New American Library, 2010.
Another source of exceptional information about Arthurian Legends is "The Camelot Project" at http://www.lib.rochester.edu/camelot/cphome.stm, which is a comprehensive reference site offering original texts, images, bibliographies and basic information. The Main Menu lists Arthurian characters, symbols, and sites. Students may move from any of the highlighted elements to a sub-menu of basic information, complete texts, images, and a bibliography about that subject. For example, choosing the highlighted word “Gawain” will lead the viewer to a list of texts written about Sir Gawain such as: "The Wedding of Sir Gawain and Dame Ragnelle," Sir Gawain and the Green Knight, and many more.
Brewer, Derek. The Presentation of the Character of Lancelot. Lancelot and Guinevere, A Casebook. Ed. Lori J. Walters. New York: Garland, 1996. 3-27
Camelot evokes images of King Arthur. President John F. Kennedy’s political career was like a modern day camelot. The reason I believe this is because of the traits that Kennedy and King Arthur had in common.
Guinevere is almost as ubiquitous to the Arthurian legends as Arthur himself, although much less ink has been spilt characterizing her than her king. Where Arthur is always the prefect king for his era, some mix of wise and fair, just and war-like, usually with golden hair, Guinevere is must less consistent, with many fewer character traits. She is always beautiful, is usually Arthur’s true love, is rarely true to him, and is always blamed for the fall of Camelot, no matter how little or how much she had to do with it. The specifics of Guinevere’s part of the tale vary from retelling to retelling, throwing the changes each author in each time period makes into sharp relief because there is so little about her to begin with.