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Theme of morality in hamlet
Hamlet and Family Relationships
Hamlet and Family Relationships
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Many humans desire to be at the top of social and economic ladders, in order to feel a sense of success and accomplishment. Individuals who wish to be at the top, are impelled by ambition and the hunger for power to help reach their goals. However, too much ambition and need for power blinds the individual from the world around them, and causes them to neglect the moralities of their actions. Whether they do certain things with intent or not, they usually manipulate or walk over others to get what they need. In both Hamlet and Fifth Business the theme of ambition and power is explored similarly. In Hamlet, Shakespeare shows how the intentional actions that are driven by greed, ambition and yearning for power can effect the individual. By contrast, …show more content…
Fifth Business shows the actions of what too much ambition can do to an individual who subconsciously does harm to others. Although the stories and portrayal of this theme is different in both stories, the cause and effect are similar. The characters in Fifth Business and Hamlet, who place power and personal ambition over all else prove to be self destructive, successful and show a lack of morality. Claudius and Percy Boyd Staunton both place their need for power over all else, causing them to be blinded by greed. Both Robertson Davies and Shakespeare test the idea of, all actions one does, will have a similar reaction. If one does an atrocious action, one will get an equally dreadful reaction from it. Likewise the awful things both these characters do, will eventually spring back on them. Claudius is a man of many evil intentions, as proven when he creates an evil plot to kill hamlet but the plan soon fails him. In the play, Hamlet says “The point envenom'd too! /Then, venom, to thy work.” (5.2.311-12) and “Here, thou incestuous, murderous, damned Dane/Drink off this potion.” (5.2.315-16). Claudius poisons the tip of the sword and mixes poison in to the liquor to kill Hamlet. The irony is , the evil plan he initiates will lead to his own death. Similarly, the reaction of Boy Stauntons wrongful doing results in his own death.
The premature birth of Paul Dempster and the madness of Mary Dempster were both caused by a rock in which Boy Staunton throws. The statement Magnus says at the end of the novel indicates the reason for Boy’s death perfectly, "He was killed by the usual cabal: by himself, first of all; by the woman he knew; by the woman he did not know; by the man who granted his inmost wish; and by the inevitable fifth, who was the keeper of his conscience and keeper of the stone." (Davies 256) In this quote, it refers to “by himself” which can be interpreted as the cruel acts he does to others around him. It also states “the women he did not know” which highlights, how Boy placed what he does to Mary Dempster in the back of his mind. The actions he does to others, even though he does not remember, is what causes his unfortunate death. Both these characters who do wrongful actions got an equal reaction to what they …show more content…
did. Characters who achieve personal ambition without betraying others and going against the moral code yield to being successful. The positive aspect of power and ambition is seen through both Fortinbras and Paul Dempster, as they both achieve success. Fortinbras is a man of action, his success is shown after he reaches his ambition of avenging his father’s death. Fortinbras gives a winning speech at the end of Hamlet where he states, “For me, with sorrow I embrace my fortune./I have some rights of memory in this kingdom,/Which now to claim my vantage doth invite me.” (5.2.378-380). This line is stated right after Fortinbras claims his throne; showing the readers, with hard work and determination, one will achieve their goals and dreams. In the same manner, Paul walked out of Dunstans life as a child, enlists as a circus performer and comes back a famous magician, displaying the positive aspect of placing personal ambition over all else. When Dunstan Ramsay attends a magic show at Teatro Chueca, he can truly see the growth of Paul Dempster. “This was a novelty—a poetic magician who took himself seriously. It was certainly not the role in which I had expected to re-encounter Paul Dempster. But this was Paul, without a doubt, so self-assured, so polished, so utterly unlike the circus conjurer with the mustache and beard and shabby clothes whom I had met in Le grand Cirque forain de St Vite more than fifteen years before, that it was some time before I could be sure it was he. How had he come by this new self, and where had he acquired this tasteful, beautiful entertainment?” (192) This passage shows Pauls success, from what he was before to who he is now. Both these characters prove ambition is a good thing, if one uses it in the right way. Likewise these characters did not harm others in the process of reaching their goals, they simply used ambition as a motivation. A person who puts ambition above everything in life, is willing to go through any obstacles to obtain it. Both Boy Staunton and Claudius are willing to go through any bounds even if it means doing heartless things, which shows the audience their lack of morality. The course of Claudius’ actions show enormous lack of morality for the reason being, he killed his own brother and marries his sister-in-law, in order to gain power and fulfil his goal. In these excerpts, Hamlet the king tells his son that Claudius had killed him and how Claudius manipulates his wife into marrying him.“But know, thou noble youth,/The serpent that did sting thy father’s life/Now wears his crown.” (1.5.38-40) “Ay, that incestuous, that adulterate beast,/With witchcraft of his wit, with traitorous/gift-O wicked wit and gifts, that have the power/So to seduce!-won to his shameful lust/The will of my most seeming-virtuous queen.” (1.5.42-46). These references prove the course of his immoral actions, because it is very immoral to kill a person in general, but killing ones own brother is extreme. As well as having an insentous marriage proves his lack of morality. In comparison, Boy Staunton also proves to being immoral, which is seen through the way he treats his wife. Boy Staunton treats Leola Cruikshank as if shes an object, trying to control the nature of her ways and gives her no choice but to think of death. Many characters talk about the relationship between Leola and Boy, often feeling sorry for Leola. “poor mum’ he said, ‘I guess shes better off, really”(184).
This text from the novel shows, even her child knows she lives a miserable life with her husband. “her and perse was the handsomest pair that ever got married in Deptford” (185). Boy was always in love with Leola’s Beauty rather than all of her, which indicates the immorality of their marriage. Marriage is based on love and care one has for their partner, not because the person makes a good arm candy. Not only did Boy Staunton marry Leola for her beauty and treat her badly but he also cheats on her. Any human with correct moral values know how to treat their partner, and truly love them for who they
are. Having the right amount of ambition can lead to success but when one lets ambition control their lives, it can destruct ones life by unhappiness or karma. Both the characters in Fifth Business and Hamlet show similar outcomes of those who place power and ambition over all else. In the same way, the characters become self destructive, successful and immoral when achieving power and fulfilling their ambitious goals. If ones ambition takes control of ones life, it causes the individual to be blinded by greed and power. Many known stories such as Macbeth, Hamlet, and Fifth Business show too much ambition can kill oneself and impact loved ones.
Also, Dunstan was the cause of Boy Staunton's death. For example, Dunstan says to the boy in front of Paul “It is the stone you put in the snowball you threw at Mrs. Dempster. 254” which is the cause of Paul’s being a premature baby. For this reason, Paul kills Boy and puts the stone in his mouth. However, when Lies “at the top of the balcony” during “The Brazen Head of Friar Bacon” publicly asks Paul who is the murderer of Boy Staunton, he says “the inevitable fifth, who [is] keeper of his conscience and keeper of the stone.
Many seemingly self-governed decisions a hero acts out on are usually triggered by past events. Events that have passed and outwardly been forgotten may not be apparent in the present lives of many, but can leave behind emotional tolls responsible for influencing significant decisions in the midst of being made. Following deeper into the plot of both Hamlet and Fifth Business, the stories unravel to show both heroes, and villains, have made life-altering decisions, that ultimately result in the resolution of the plot, based on previous happenings brought upon by Dunstan and Horatio, the fifth businesses. In the case of Boy Staunton, an emotionally underdeveloped millionaire, one could assume the social empire he built for himself stemmed from
People sense that they are guilty when they feel that they have done something wrong and they regret their actions. This would be considered “true guilt.” False guilt is when one feels guilty for an action that they are not responsible for. Both types of guilt have a destructive impact. However, false guilt has, if not more of a destructive (damaging?) impact upon a person. In the play Hamlet, by William Shakespeare and the book Fifth Business, by Robert Davies, the main characters both have a sense of false guilt and it causes them to go into solitude. Hamlet takes on getting the revenge of his father's death because of guilt which leads him to isolation. Dunstan also takes on the guilt
When Paul Dempster grows up and learns about his mother’s demise, he himself feels guilty. When he grows older and understands things clearer, he blamed himself for causing his mother’s illness, because he was told that his birth had caused it. His guilt is amplified when the residents in the town keep their distances from him. After his mother was caught with the tramp performing sexual acts and being discovered by the townsfolk, Paul gets taunted and teased by his schoolmates who make rude comments towards his mother.
Whether dead set on a xenophobic destruction of a race of people or trying to dole out a personal brand of justice, tragedy set in place by arrogance plays out the same. Robbed of peripheral vision, the victims of this pretension often act selfishly, failing to see the wrongs they commit around them and causing collateral grief. Hamlet’s faith in his divine quest to exact revenge made him mad with anger,
be a powerful man, has his life unravel before him as he loses his job, his
Throughout time, humans experience many positive and negative life experiences. These experiences can be categorized under various themes, ranging from; love even onto betrayal, and through these themes human emotions and experiences can be studied. “Hamlet,” by William Shakespeare, and “Death of a Salesman,” by Arthur Miller, are two well written plays, displaying a both very tragic and thematic approach. Although, they take place in two very different time periods, under two very different circumstances they share a common effect. Hamlet’s tragic story takes place in the royal castle Elsinore, Denmark, while the Loman’s story takes place in Brooklyn, Manhattan, and Boston in the late 1940s.
The play Macbeth, by William Shakespeare illustrates how greed for power and wealth can result in the destruction of oneself as well as others. The play's central character, Macbeth is not happy as a high-ranking thane - leading him to assassinate Duncan to become King, while unknowingly dooming himself. Throughout the play many examples are evident of Macbeth's unquenchable thirst for power.
In William Shakespeare’s tragic drama Hamlet, the hero, Hamlet, appears to be guilty of hubris, an overstepping of the bounds of both his and humanity’s destinies, which ultimately leads to his downfall. Reading the play with a consideration as to how Hamlet’s hubris manifests itself sheds light on why he performs certain actions, and simultaneously enlightens the reader to the dangers of attempting to overstep the confines of humanity. In this essay, I will prove that Hamlet has extreme pride, and is therefore guilty of hubris; in accordance with Harold Skulsky’s assertion in his article, ““I Know My Course”: Hamlet’s Confidence,” Hamlet is hubristic because while he believes that his own soul is impenetrable based on his external facade, he feels that he possesses the supernatural ability of knowing the internal truths of others based on their external appearances. I will illustrate how Hamlet’s pride grows throughout the play as he progressively draws more drastic conclusions about others’ inner natures based on their external actions, and how his pride ultimately leads him to make crucial mistakes that contribute to, but do not cause, his downfall.
...d leads to the deaths of many innocent characters and strips away each person’s individuality and trust, all for attaining power and recognition. Othello is not only a tragedy, but also an important reminder of how people are easily deceived to gain power and recognition. Shakespeare’s Othello stands as a warning to all generations. Some historians agree that William Shakespeare may have been one of the first psychologists in human history, since it enabled him to create a devious and Machiavellian character like Iago. Today, we study about psychopathic historic people like Adolf Hitler who annihilated millions of Jews in the name of revenge. It is in human nature to be vengeful and to attain what one desires. As said by Ghandi “An eye for an eye would make the world blind.”
In Act 1 of Shakespeare’s Hamlet, power dynamics play a prominent role between the characters introduced. The root of power struggles between characters is one’s belief in their possession of the truth. Truth and power are synonymous with one another as the ability to manipulate the truth is linked to the influence one bears. “What would he not throw overboard in order to stay ‘on top’” (Nietzsche). Powerful father figures attempt to control their children through careful manipulation of “the truth” which makes their children (Hamlet and Ophelia) vulnerable to their influence.
William Shakespeare’s tragic drama Hamlet invites various interpretations of the structure because of the play’s complexity. Let us in this essay analyze various interpretations of structure.
Appearance and reality have never been portrayed with such immense differences as they are seen in Hamlet. Deceit runs about freely the entire play and affects every character, creating torment and confusion for all. Three complex characters use treachery to their advantage as they create façade in order to carry out plans, yet their shrouded minds impede them from carrying them through. All Shakespearian tragedies are filled with delusive, spurious characters, but none are as deceitful as those in Hamlet. Claudius, Polonius, and Hamlet have distorted realities and unfortunately, each has a clouded conscious that leads them to make life-changing decisions.
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.