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Literary devices of literature
Literary devices english12
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The Ancient Mariner V.S. Frankenstein
In The Rime of The Ancient Mariner, the form structure of the poem is made simple by giving the reader a distinct amount of information. Its frame depicts a story- within a story, by allowing the speaker of the poem to be the narrator and direct the action to another character. First there is the story of The Mariner and the wedding guest, then The Mariner telling his own tale to the wedding guest about his voyage. The reader has a limited amount of information regarding the thoughts of both characters and is only receiving information from The Mariner.
In Mary Shelley’s Frankenstein, the same type of frame structure used by Coleridge was also used by Shelley, but in a more complex way. Mary Shelley begins
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with Walton writing letters to his sister, to Frankenstein telling his story to Walton, then to the Monster telling his story to Frankenstein, and returns to Walton and Frankenstein once more. Although Coleridge and Shelley both use a different approach with their frame structure, both works reflect the theme of knowledge; either giving, seeking, or both. “To give”, means to “impart or communicate”. Therefore, by giving knowledge, information is being passed along by communicating a message. “To seek”, means, “to go in search of” and searching, or questioning can acquire knowledge. While The Mariner is giving knowledge, the characters in Frankenstein are giving and seeking it as well. The Mariner is the only character that gives knowledge to the wedding guest. The wedding guest seems to be controlled by The Mariners “Glittering Eye” which in turn, gives The Mariner complete control over the wedding guest. The reader is the mirror of the wedding guest in the way that the reader is also forced into hearing The Mariner tell his tale. Along with the wedding guest, the reader only has the voyage from The Mariners perspective. Because of this, the reader can only draw conclusions and feeling from the knowledge that’s being given by The Mariner. At the start of Shelley’s work, Walton writes in Letter 2 to his sister, complaining about not having any friends, and wanting someone to talk to. “I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathize with me, whose eyes would reply to mine.”(Page 48) Right away Shelley is showing the importance of having someone else to communicate, and compare notes with. Even though Walton has no true friends aboard the ship, he seeks and gives knowledge continuously through his sister. Like Frankenstein, Walton desperately seeks knowledge and recognition for his discoveries.
When Frankenstein comes into contact with Walton, he tells his story to Walton as a cautionary tale. ”You seek for knowledge and wisdom as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been.”(Page 57) Frankenstein goes on to tell Walton that its better to stick to the basic understanding of life, and he would be happier even if he just went back to the smaller inventions and discoveries that science has to offer. “Seek happiness in tranquility and avoid ambition, even if it be only the apparently innocent one of shining in science and discoveries.”(Page 240) He is attempting to persuade Walton to return home instead of continuing his quest for knowledge to the North Pole. By giving knowledge to Walton as to why he is distraught, and the burdens he carries because of the consequences of his own desire for knowledge, he is able to save Walton from being the creator of his own …show more content…
demise. The Monster, in my opinion, gives and seeks knowledge in the best way possible. He seeks knowledge for survival. By giving knowledge, he provides Frankenstein, as well as the reader, with a better understanding of his own feelings, emotions and thoughts after being created, and abandoned. . “By degree…I distinguished several other words”(Page 137-138) In order to survive, The Monster realizes he must learn from other people, he comes across the DeLacey family and is able to learn how to speak, and read, by watching them. In Chapter 6, “It was your journal…compassion or friendship?” (Page 155) The Monster describes finding Frankenstein’s journal that showed how the monster was created. The Monster also expresses his search for answers as to why Frankenstein could make such a creature that even he is disgusted by. He realizes the world he was created in, deems him ugly and hideous. It is only through knowledge; he feels he can survive. The complexity of Shelley’s work is the Key difference compared to The Rime of The Ancient Mariner.
Having different characters perspectives, gives the reader insight from the point of view of each person. The reader can draw their own conclusions and feelings about each character along with the events that have taken place. Without The Monsters account, the reader would have been lead to believe the monster truly was an evil being, but The Monsters perspective allows the reader to feel empathy towards him instead. Had Frankenstein been the only storyteller like The Mariner, we would have been forced to believe only his words and account of the situation. Shelley draws the reader in like a scientist, looking at the events from all sides, and leaving the reader to make their own conclusion; that we are not born evil, but made evil by society and knowledge is always the basis of
survival.
Mary Shelley’s Frankenstein was written with the theme of the desire for knowledge at the heart of the book. Many of the character in the book are searching for knowledge, whether it is the knowledge of how to break the cycle of life, or the ability to read and understand, or even knowing what is at the North Pole. Robert Walton is one of the characters that falls victim to this thirst for knowledge. Robert Walton’s search for knowledge in Frankenstein leads him to not only discover the perils that come from his hunt for knowledge, but also learns a lesson about his own limits.
Since the original novel Frankenstein by Mary Shelley, to the multiple movie adaptations, the monster is almost always predicted as the monster of the story. It may be his physical appearance, from his tall, broad frame, to the signature screws in his neck. It may also be his unnatural upbringing and interpreted evil characteristics. We have grown to fear the monster, which ultimately, has masked the true monster, Dr. Frankenstein. With each coming movie, the good side of the monster is brought to light, while the real monster shows his true colors.
It is in the complex structure of the novel that Mary Shelley creates sympathy. We shift from Robert Walton to Victor Frankenstein to the monster and finally back to Walton. With each shift of perspective, the reader gains new information about both the facts of the story and the reliability of the narrator. Each perspective adds pieces of information that only they knows: Walton explains the circumstances of Victor’s last days, Victor explains his creation of the monster, the monster explains his turn to evil. This impact of the change of narration gives us a better understanding of each person, and we see that the monster is not such a monster at all.
Walton's letters play an important role for the reader may find many foreshadowed themes. As the novel progresses, the reader will realize how Walton and Victor Frankenstein share similar views on their life's roles. Both men are driven by an excessive ambition, as they desire to accomplish great things for the humankind. Walton is an explorer who wants to discover a new passage to the Pacific and therefore conjures "inestimable benefit on all mankind to the last generation" (16). Victor's purpose is to "pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation" (49). These explorers will demonstrate that such pursuit can prove to be very dangerous in quest for knowledge. Walton's ship becomes stuck in the ice and Victor's creation finally kills everyone dear to him. However, this parallel is not the only one: we can easily compare Walton's search for a friend ("I have no friend, Margaret" (19)) with the monster's request for a female because he feels alone ("I desired love and fellowship" (224)). This similarity between man and monster suggests that the monster perhaps is more similar to men than what we may perceive. If it is assumed that Shelley also shared this view when she wrote the novel, maybe she meant that the real monster manifests itself differently tha...
He understands exactly what he is getting into and he chooses to continue anyway. George Levine states in his critical essay, ? Frankenstein and the Tradition of Realism,? that Walton is ? isolated from the rest of mankind by his ambition ??
Many authors have different ways of building characters and how they look. It is up to the reader to build their perspective from the descriptions given by the author in order to understand books. Mary Shelley, the author of Frankenstein, sculpts the readers’ perspective of her monster through powerful diction and emotional syntax. After Dr. Frankenstein finally accomplishes his goal of re-animating a lifeless human, Shelley uses her strong word choice to fully express the extent of horror that Frankenstein had felt, describing his monster as a “demonical corpse to which I had so miserably given life.” (Shelley 45). Frankenstein’s horror is shared with the reader simply from a well descripted sentence. The detail Shelley put into Victor Frankenstein’s perspective is gradually shaping our own, as the reader’s, perspective. Furthermore, the diction being used adds a more definitive appearance to the monster. It helps us imagine what the monster looks like and additionally, how Frankenstein feels about his success.
...the downfall of Frankenstein and the monster. Frankenstein found the secret to life, though he applies his gained knowledge and ambition to his own selfish goals, which wind up destroying him and those closest to him. Walton has something in common with Frankenstein; his ambition to achieve something that no man has ever accomplished before. The difference between Victor and Walton is tat Walton decides to turn back. The monster on the other hand never wanted any fame or glory; his ambition was motivated by the thirst for revenge. Ultimately even Frankenstein, on his deathbed, realized the harsh consequences of his actions. Victor states, "Seek happiness in tranquility, and avoid ambition..." (Shelley 229).
During the first four letters of Frankenstein, Walton's ambitions are revealed. He is on a journey and takes himself and his crew through treacherous conditions, and yet, he continues. His ambition causes him to disregard the possibility of death and the danger he is putting himself and others in in order to reach his goal. Unlike Victor though, Walton is able to save himself, all thanks to Victor himself. After spending some time with Walton on the ship, Victor realizes that Walton shares his ambitious nature. He asks him, “Unhappy man! Do you share my madness? Have you drunk also from the intoxicating draught? Hear me; let me reveal my tale, and you will dash the cup from your lips!” After telling him about the dangers of ambition, Victor tells Walton, “Farewell, Walton! Seek happiness and tranquility and avoid ambition, even it it be only the apparently innocent one of distinguishing yourself in science and
...are more complex such as the monster, some such as the old man are put in to make a point, and some such as Elizabeth are created in a way that augments the imperfections of others. Each of the characters in Frankenstein has a role or purpose in the story and is created in a way that adds to the story line and the novel in general. By creating each character and shaping them to a specific likeness, Shelley has creates a complex story and one of English literature's greatest classics.
In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's sympathy for the monster greatly increases.
... is misrepresentation of the entire story based on whose point of view it is being told from. Despite Frankenstein and his monster being the core of the story, they are tainted by their own emotions as well as their own backstories. Through their animosity towards one another, they skew the story and are not capable of showing the tale in a light that is completely unbiased. Therefore they cannot encompass all of the themes of the novel because they are not able to show the truth of their own narrations. Walton on the other hand, is only there to bring to light the true themes of the novel therefore making him the most reliable of the three. He shows Shelley’s themes of religion, science, and nature all too well by retelling the story which Victor dies telling him and his lack of previous knowledge to the situation at hand makes him the least skewed of all three.
The novel “Frankenstein” by Mary Shelley involves the complex issues with the creation of life through an inanimate life. Shelley uses these character archetypes of the monster, the scientist, and the anti-father and developed a deeper meaning of the characters intentions. Shelley does an excellent job at allowing the reader to have a peak at the characters inner thoughts and feelings. The archetypes presented in Frankenstein allow readers to identify with the character's role and purpose and allow the characters to become three-dimensional.
In order to achieve his goals, Frankenstein put his life and the lives of others in jeopardy. He could have died at the hands of the monster and people he loved did die because of the monster. Frankenstein would have believed that Walton should have moved forward and done whatever it takes in order to achieve his goal because he risked everything in order to bring the monster to life. On the other hand, Shelley would view Walton as not being obedient to following his goal. In Frankenstein, the characters are “…killed by their very obedience to the role prescribed for them by the male patriarchal society, which robs them of any ability to save themselves” (Hermann, Baderoon, & Steenkamp, 123). If Walton achieved his goal of reaching the North Pole, he would have been killed. But, he was not obedient to his goal and turned around. This lead to Walton having the ability to save
...ry. The loneliness of Frankenstein and the monster drove them miserable for most their lives, and in the end, to death. Walton on the other had, turns back to civilization, perhaps learning something from the story of Victor Frankenstein. In the book Frankenstein, there were many moments of glory for Victor Frankenstein, but in the end he only ending up destroying many of his family, himself, and the monster after suffering through loneliness and grief for a big part of his life.
...s father’s dismissal of his study into the alchemists that spurred him on, in Walton’s case he went against his father’s “dying injunction” (Shelley, 1998, p, 17) by going to sea. It is also true to say that “Walton is a solitary like Frankenstein and his obsession with the pole answers to Frankenstein’s obsession with life” (Joseph, 1998, p, ix).