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Antigone's character development
Character analysis in Antigone
Greek Tragedy Plays
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How does the Social Structure founded within a society ultimately lead to the defiance of human law and divine law by the people within it? Anouilh’s reimagined version of Antigone and Sophocles original Antigone and because of this, both texts emphasize the topic of Defiance of Law and Rebellion within the Social Structure by showing how flaws within it can cause its people to defy and rebel against human and divine laws. First, Antigone’s selfish determination to her guiding ideology places her in opposition to the governing male authority within a patriarchal society. Second, Creon’s selfish pride of consumption with the value of his own authority causes him to reject alternate perspectives by the people of his society. …show more content…
Throughout both versions of “Antigone” by Sophocles and Anouilh, defiance and rebellion of the law - both human and divine law is prevalent by both characters as Creon and Antigone rebel against the governing ideologies that are set up in society and consequently find themselves alone with their values. This isolation and rebellion against the societal norms and expectations in society result in their deterioration throughout the plot.
Antigone’s selfish determination and rigid adherence to her guiding ideology place her in opposition to the governing male authority within a patriarchal society. She is not afraid to defy the law or the lawmaker if she believes the decree is wrong; this is shown when Antigone defies the decree made by Creon in the topic of burying her own brother, “You overrule
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Creon’s self-righteous attitude as stated through the quote, “Whatever you say, you will not change my will.” (Sophocles, 20) causes him to believe he is superior to all as he is King and thus does not listen to anyone. As spoken through the quote, Creon’s excessive pride causes him to be selfish and ignorant as he determines that no one can change his mind as he is “all-knowing” since he is King. This excessive pride showcased by Creon leads to his downfall and defiance of the divine law as he completely disregards and tries to justify his actions against the divine law (law created and planted in society by the gods) which become devalued each time he tries to justify his actions. In Anouilh’s version, it is again Creon’s selfishness and excessive pride that leads to his downfall. Creon’s super-ego stops him from listening to anyone as Creon becomes too “power-hungry”; this is shown through the following quote, “Curse you! Find the love for your outlet down there. No women while I live shall govern me.” (Anouilh, 66) This quote shows how Creon himself does not have the power to listen to others as he values his position in society more than the people in society. After talking to Teiresias, Creon doesn’t believe that Antigone could be right and that he could be wrong as his self-righteous just won’t allow him to listen, a characteristic
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
In the play Antigone by Sophocles, the differences in Creon’s and Antigone’s passions and responsibilities helped illustrate both characters central flaws. By doing so, the play was also able to imply that in order to achieve a sense of inner peace and political stability; one has to be able to balance the two powers equally. Antigone and Creon are both very determined, zealous characters who were unable to achieve the stability because they were both unwilling to compromise. Often times, personal events or emotions can cause people to overlook moral or civil laws.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
It is generally held that the tragic essence of Antigone lies in the state’s brutal suppression of individual emotions and humanity. However, it is not only individual emotions and humanity, but also family honor and responsibilities that Antigone tries to defend and fulfill. So it is not completely true that what Antigone stands for is timeless and universal justice. The tragic conflict of the play consists in the extremist attitude Creon and Antigone hold towards the state law and the family honor. The fundamentalist ideas of the state ...
Antigone is not a tragic play. Rather it is a theological debate spawned by Sophocles, a debate that is still raging today, the debate of who holds the higher law, the Gods or the State. While this debate has slowly twisted into Church versus State, which is a very different argument, the highest questions still remain the same: Which one is held higher in men’s (and women’s) hearts? Antigone answers this question with shocking clarity in her admission of guilt to Creon, “ I should have praise and honor for what I have
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
In the ancient Greek play Antigone by Sophocles is a timeless piece of literature that has a powerful impact on civil disobedience. The play itself shows how the main character Antigone is looking at problems in a different perspective. As king Creon is the protagonist and is a man of the law is seeing how justice is made by the law and he respects it. King Creon is explaining how the law works and basically how Antigone is not following it. Civil disobedience is combined with the play because Antigone believes that what she did was a correct thing to do but at the same time Creon believes that the law must be the law and nothing but the law. There are many themes in this play but the one that is shown the most is
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
“…a mere mortal, could override the gods, the great unwritten, unshakable traditions…These laws I was not about to break them… and face retribution of the gods.”(505-513) This provides a basis for Antigone’s hubris, her belief in God, standing for what is right, defying man’s rule. As the play progresses Antigone’s hubris becomes more apparent as she claims, “Give me glory! What greater could I win than to give my own brother a decent burial?”(562-563). This pride in committing a moral and God-willed deed reaches a point where Antigone thinks that it is
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
In Sophocles’ Antigone, the most prominent theme is the concept of divine law versus human law. The play opens with the debate between the sisters Antigone and Ismene concerning which law comes first- the devout obligations of citizens, or civic duty. Antigone requests for Ismene to assist her in burying their brother Polyneices, though the new king Creon, has prohibited burial on pain of death. It can be argued that Creon’s edict, which deprived Polyneices of his funeral rites, is understandable. The young man had been killed perpetrating the most atrocious crime of which a citizen could be guilty, and Creon, as the responsible head of state, naturally supposed that exemplary punishment was the culprit’s right...
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
The gods cause Creon's destruction, acting in a just and logical way to the blasphemous deeds he committed. His destruction is very much in his own hands, despite the many warnings he receives from advisors such as Tiresias ("you have no business with the dead"), Haemon ("I see my father offending justice - wrong") and the Chorus ("could this possibly the work of the gods?" "good advice, Creon, take it now, you must"). He drives head long into it, ignoring those who counsel him. His inability to listen to others is very critical to his downfall, as we see in his rebukes to the Sentry for example ("Still talking? You talk too much!"). This is a fundamental weakness within his character. His stubbornness, as Tiresias, "brands you for stupidity". What appears in Creon's own eyes to be stern control ove...