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Analysis of the epic element heroism in beowulf and the dream of the rood
Analysis of the epic element heroism in beowulf and the dream of the rood
Connected anglo saxon culture with beowulf
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The influence of religion on culture often manifests itself in the literature of the time period. In The Dream of the Rood, Christian tradition is synthesized with Anglo-Saxon culture. Against a backdrop of cultural practice, The Dream of the Rood recounts the story of the crucifixion by taking into account the time-honored qualities and values of the Anglo-Saxon people. Taking place within the context of a dream and told from the perspective of the Cross, The Dream of the Rood re-configures and presents Christ as a typical Anglo-Saxon hero. Christ, adopting elements of the hero Beowulf, is shown to be a warrior for his people, manifesting the virtue of bravery and waging war against sin and death. In like manner, the character of the …show more content…
Foremost, this culture of exchange is reflected in the Cross’s service and loyalty to the “lord of mankind” (Dream of the Rood, 33). Emulating Beowulf, who circumvents Hrothgar’s inability to defeat Grendel as an act of God, since “God can easily halt these raids and harrowing attacks,” the Cross sees himself as an instrument at Christ’s right hand in the struggle for salvation (Beowulf, 478-479). The Cross, “cast by eternal decree,” supports his Lord in his voluntary witness to the passion and death of Christ (Dream of the Rood, 10). As Christ’s thane, he honors and defends his Lord in imitation of Beowulf, who “acknowledged [Hrothgar] with oaths of allegiance” and fought to uphold King Hrothgar’s honor which had been severely diminished by his own failure to protect his people from Grendel (Beowulf, 472). In obedience to the will of his sovereign, the Cross silently honors and aids Christ in the work of redemption, even though both Christ and the Cross had the upper hand: “I did not dare act against the Lord’s word bow down or fall to pieces when I felt the surface of the earth trembling. Although I might have destroyed the foes, I stood in place” (Dream of the Rood, 35-38). Like Wiglaf, who prepares to help Beowulf in his battle against the dragon, since “every man should act, be at hand when needed,” the Cross dutifully serves as a faithful attendant to Christ (Beowulf, 2708-9). This is exemplified in the paradox of the Cross’s role: the Cross acts as the loyal servant of Christ, yet in pursuance of obedience to his Lord, has to become his very executioner. Thus, the Cross upholds the plan of redemption by submitting himself to the service of his Lord and offering him, symbolically and literally, his own self – “the tree of our Savior” (Dream of the Rood,
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Although centuries distance the creation of Beowulf from The Hobbit, J. R. R. Tolkien took inspiration of different essential morals and character traits from Beowulf. In Beowulf, an epic hero Beowulf experiences significant tribulations and an ultimate battle that leads to his demise. In The Hobbit, Bilbo experiences similar tribulations, however, he gains courage and reverence throughout his journey. The nature of each book, how Bilbo experiences maturation when Beowulf experiences death, does not discredit Tolkien’s inspiration from Beowulf, it instead promotes the idea that each book was written for a different audience.
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.
A conversation between Macbeth and Beowulf would be one with great disagreements and arguments due to the fact that both portrayed the same traits in distinct ways. Both men have two different ideals and approaches to certain situations. One of the common themes between both men would be of personal growth. They would disagree on this because both of the characters’ intents are different. Also, because personal growth comes through helping others progress as well. For example, Beowulf would speak about how he grew through helping and protecting others. Beowulf, a mighty human, decides to fight a dragon that threatens his people at the expense of his death. His only wish is to only provide riches for his people, but nothing for himself. On
Throughout the story, Beowulf fights three battles against frightening monsters. Beowulf, the prince of the Geats, was a well known warrior with extreme strength who makes a promise to protect his people under any circumstance. In the poem, his strength is tested, but he uses it to save many people in battles against: Grendel, Grendel 's mother, and a dragon. Before, during, and after each of these battles Beowulf shows many similarities and differences in his actions.
Societies construct heroes that represent and embody the ideals of those who create them and read about them. Their is a stark contrast between the hero in the time of Beowulf and Hamlet’s creation and heroes created in modern times. Current literature, movies, and television portray a different kind of hero from those created in 1000 AD to 1600 AD. A hero is defined as someone who is "admired for achievements and noble qualities"," shows great courage", and in historical texts such as Beowulf and Hamlet is a "legendary figure often of divine descent endowed with great strength or ability" or an "illustrious warrior" (Merriam-Webster). Despite the popular belief that the time for heroes has passed away, based on the needs of society, today's
The epic and oral poem Beowulf illustrates a loss of community, cultural values, and tradition. Beowulf, the main character, is an ideal king and archetypal warrior. History is relevant to Beowulf; this Germanic society was being taken over by Christian missionaries who were seeking to convert this culture. The character of Beowulf is a reflection of the Germanic culture's virtues; heroism is emphasized in the text's multiple references and constant focus on heroes and what it is to be a hero. Beowulf, who is reflective of an older generation of heroes, strives for community. In contrast, Christianity's focus is on the individual. This conflict is ended once Beowulf, a figure of the past and the old world, passes on. With Beowulf, the hero dies. Hence, Beowulf's efforts to keep his culture and his ethics alive are impossible as war and Christianity conquer the Germanic land.
Beowulf blends patristic references into a pagan narrative that previously focused only on Anglo-Saxon ideals. For 12 years, king Hrothgar has suffered at the hands of the terrible monster Grendel, who no man has been able to kill. However, when the mighty monster slayer Beowulf hears of Hrothgar’s plight, he at once goes forward to put an end to Grendel. Soon after they received fervent greetings on the Danish coast, the men prepare for the night, and Beowulf realizes that “God in His wisdom must allot the victory as He thinks fit” (43). Beowulf knows that he serves God, the resolver of all problems. The monks who altered the story taught that the pagan god Wyrd does not exist but merely acts as a capability of God. By getting rid of the main pagan god, the monks show God’s almighty power and his ability to control good and evil and decide right from wrong. All evil beings exist because they battled against God and lost; and for rebel...
In The Dream of the Rood, the poet has added elements of the idealized heroic death (as exemplified in Beowulf and The Battle of Maldon) to the crucifixion. He has also eliminated details of the story that tend to render Christ as a figure of pathos, in order to further Christ's identification with the other glorious warriors Anglo-Saxon poems.
One of the first literary work studied by our class was “Beowulf,” the longest and greatest surviving Anglo-Saxon poem. The poem is packed full of Christian and Pagan elements that are constantly fighting for the dominant position. In order to understand these thematic elements portrayed throughout “Beowulf,” we must first discover
The Anglo-Saxon poem known as, The Dream of the Rood is the reverse image of the crucifixion. The Dream of the Rood is unique in describing the crucifixion from the vantage point of the Cross, and within the framework of a dream. In comparison, The York Play of the Crucifixion discusses each step in the process of tying Christ to the cross. Both representations of the crucifixion compare and contrast each other.
The image of Jesus nailed to a wooden cross by the palms of his hands and with a crown of thorns wrapped around his head is one that has transcended all time barriers. It has inclusive been replicated into figure form that is utilized in various ways but whose primary function is to serve as a constant reminder of the physical suffering endured by Jesus. In The Dream of the Rood however, the perception of Jesus Christ as not only the son of God and savior of mankind but also as a human with the capacity to feel pain, is subverted when through the perspective of a personified cross he is conveyed as a warrior in the midst of combat. The portrayal of Jesus in this way immediately evokes the image of an ideal stereotypical hero who is strong, courageous, and unrelenting in appearance. Nevertheless, it can be said that this type of hero is more inclined towards fantasy than it is based on reality because these idealized heroic figures have only ever truly existed in a fictional universe. The depiction of Jesus as a warrior thus, undermines forms of heroism that stem from explicit suffering that is not concealed but rather expressed by the individual.
Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.
The 8th century epic poem Beowulf illustrates a loss of community, cultural values and tradition. On the other hand, an elegiac passing of an extraordinary hero and the relationship between the themes of mortality and heroism are well discussed in Beowulf. Beowulf’s character exemplifies the Germanic and the Anglo-Saxon ideals of the hero: strong, fearless, bold, loyal, and stoic in the acceptance of fate. Despite his lack of humility, Beowulf was the definition of a hero in his own time by his demonstration of chivalry and his important roles in society.