Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dream of the roof symbolism
Analyze the dream of the rood
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Dream of the roof symbolism
The image of Jesus nailed to a wooden cross by the palms of his hands and with a crown of thorns wrapped around his head is one that has transcended all time barriers. It has inclusive been replicated into figure form that is utilized in various ways but whose primary function is to serve as a constant reminder of the physical suffering endured by Jesus. In The Dream of the Rood however, the perception of Jesus Christ as not only the son of God and savior of mankind but also as a human with the capacity to feel pain, is subverted when through the perspective of a personified cross he is conveyed as a warrior in the midst of combat. The portrayal of Jesus in this way immediately evokes the image of an ideal stereotypical hero who is strong, courageous, and unrelenting in appearance. Nevertheless, it can be said that this type of hero is more inclined towards fantasy than it is based on reality because these idealized heroic figures have only ever truly existed in a fictional universe. The depiction of Jesus as a warrior thus, undermines forms of heroism that stem from explicit suffering that is not concealed but rather expressed by the individual.
In the text, Jesus is made out to be a warrior in a literal manner in order to accentuate his act of heroism. Although it can be argued that Jesus was in fact a warrior, this argument is only valid if speaking in figurative terms since being a warrior and fighting in battles was not his profession. Jesus is first identified as a warrior during a particular moment when the cross observes as, “[…] the young Hero stripped himself—[…]God Almighty—strong and stouthearted. He climbed on the high gallows bold in the sight of many when he would free mankind” (28). By referring to Jesus as a “h...
... middle of paper ...
...eying these emotions. It is the expression these emotions that is mistaken for weakness. However, while it is true that warriors for the most part are viewed as heroic figures, it is not the armor or the seemingly courageous appearance that they put up in front of a crowd that defines them as heroes. The way that Jesus is presented in the bible does not make him any less of a hero when compared to the way he is portrayed in the poem. It is the action and motive behind the action that ultimately determines who is heroic.
Works Cited
• Greenblatt, Stephen, and M. H. Abrams. "The Dream of The Rood." The Norton Anthology of English Literature. 8th ed. New York: W.W. Norton, 2006. 27-29. Print.
• Mark. The Holy Bible. The New King James Version ed. Thomas Nelson, 1985. Print.
• Mathew. The Holy Bible. The New King James Version ed. Thomas Nelson, 1985. Print.
Nearly everyone is familiar with the character of Christ. While understandings of Christ as a figure of faith may vary, he is universally recognized as a historical figure. The world knows that Christ was called “Son of God,” he called people to love, and he died a painful death on the cross. He has become such an important figure that images of him show up frequently in literature. Thomas Foster, author of How to Read Literature Like a Professor, outlines a wide range of characteristics common in Christ-like figures. In his list of descriptors, Foster suggests characters might be Christ figures if they have wounds reminiscent of the crucifixion, suffer in agony, or are self-sacrificing—and this is only the beginning of his list (126). Readers repeatedly identify Christ figures in literature, both because of the well-known characteristics Foster describes in his chapter on Christ figures and because readers find them through their own understandings. In Yu Hua’s
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
Layamon. "Arthur's Dream." The Norton Anthology of English Literature. Ed. M.H.Abrams. New York: W.W.Norton & Company, Inc., 2000. 122-124.
Immediately below the head of that man is the olive colored body of Jesus Christ. Jesus’ head is dropped back and his body is limp, being held up by two men. The only article of clothing Jesus has on is small, white wrap that covers his genital area. A male figure, dressed in a mainly dark blue wrap, holds the torso of Jesus. His left arm is grabbing Jesus and his head and dark brown hair peak out behind Jesus’ shoulder. This man is standing, barefoot, on a ladder that rests sideways on the middle beam of the cross.
French painter, James Tissot, takes on this challenge of flipped perspective in his depiction of Mount Calvary from the vantage point of crucified Christ. In his painting we see all those gathered at the foot of the cross and those looking from a distance. At the sight of Jesus, who claimed to be the Messiah and the Son of Man, a man who was now hanging dead in front of them in the middle of two criminals, the onlookers are perplexed. Some have their heads tilted, others have their jaws dropped, and one soldier is simply sitting there. Tissot also includes the scribes and priests, who, too, seem not to grasp the theological significance of the event. In general, most of those depicted fail to understand and accept the identity of the man before them. Only one, the centurion, stands at full attention. Mark, in his Gospel, writes, “When the centurion who stood facing him saw how he breathed his
The Yellow Walpaper. " The Norton Introduction to Literature, Shorter Eleventh Edition. New York: W.W. Norton & Co., 2013. 478-489. Print.
Wright, N. T. Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters. New York: HarperOne, 2011. Print.
Jokinen, Anniina. "Luminarium: Anthology of English Literature." Luminarium: Anthology of English Literature. N.p., 1996. Web. 9 Nov. 2013. http://www.luminarium.org/
An ordinary person cannot relate to having superhuman abilities. Although Barton’s Jesus was portrayed to be greater than he was portrayed in the Bible, most people would be able to relate more to the Bible version of Jesus. Barton took Jesus and made him into an even greater character. The Jesus in Barton’s book is a very strong and muscular man who can use his words to influence anyone. ...
In every tale, heroes fly or destroy buildings, but how many are just human? The unknown poet of describes a Swedish Geat warrior whose extraordinary strength, will and faith lead to his rise and fall as a man who fights monsters. The poet uses symbolism and irony to show that human beings battle for the greater good, if they choose to wage war on evil for fame and country.
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
From the many religiously themed works found in the cannon of English literature, “The Dream of the Rood” stands out as one of the most interesting and unique. The author of the poem relays the moving tale of the crucifixion of Christ, but the details of the original biblical account are heavily distorted in the narrator’s dream. Given the blatant divergence from the holy text, it is tempting to question the validity of “The Dream of the Rood” as a genuine Christian work. After all, how can a poem which glorifies the cross and entirely reimagines the Christ be deemed inoffensive to faithful followers of the Bible? To answer this question, it is imperative that the differences between the two be examined. “The Dream of the Rood” tells a story
Abrams, M.H., ed. The Norton Anthology of English Literature. 6th ed. Vol. 2. New York: Norton, 1993.
Secondly, The Dream of Rood helps readers value truth concerning human and divine nature. For instance, the cross recounts gruesome details about Jesus’ crucifixion that depicts the cruel nature of unredeemed human beings, “They pierced me with dark nails: the wounds are seen on me, open gashes of hatred…They mocked us both together” (1). According to the scriptures Jesus endured abuse and public humiliation during his crucifixion; (1) the perpetrators offered Jesus a narcotic as he hung on the cross (AMP Matt. 27:34); (2) his murderers gambled for Jesus’ clothing (vs35), meaning Jesus was hanging on the cross half-naked; (3) a sign that read “This Is Jesus King Of The Jews” hung above Jesus’ head as he awaited his final breath (vs37); Jesus