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How has religion affected literature
Modern marxist theory
How has religion affected literature
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Psychological control creates the star spangled background of science fiction. Those of lesser intellect become oppressed through following spiritual leaders. Western Marxism develops in Dune in the form of people seeking answers to their endless suffering as critic Seigaj writes, “. . . pervasive Western belief in realizing ultimate goals—in an authority, object, state of mind, system, or machine that will provide the final answers . . .” (201). Essentially, every single person in the West, and by extension, in between the pages is searching for the end, the final place. This idea is seen not only in Dune’s Bene-Gessirit and Fremen religions, but in TIODM’s Beast Folk, and Foundation’s Periphery. Domination becomes blatant at the treatment …show more content…
Fremen work secretly for the purpose of revolution against the Empire and the guildsmen, who want nothing more than their desert drug. The new ruler of Arrakis, the Duke, appreciates the Fremen efforts against the Harkonnens. He realized the power of the desert nomads. The people who rule the planet, the Fremen, are in more control than the upper class, the Harkonnens, however, that upper class is allowed to believe that they have supreme control. Since the religious system and comprehensive knowledge of Arrakis the desert tribes compete on a more material level than the flimsy restrictions and rule of the so called “ruling class”. A parallel can be seen in Wells’s work. Moreau’s religious system binds the Beast Folk to him, using their “dwarfed brains” to make a “deification of himself” (73). Even the science based religion of Foundation controls all of the people in the immediate solar system around Terminus. This system allows the rulers of the planets to think they have control, similarly to the Fremen …show more content…
Power misuse from the ruling class can be vastly over shadowed by religion, nonetheless causes great impacts in the classes below. Authority taken through vast population changes stems from material deficit. A powerful scene illustrating this point from Herbert’s Dune begins with the death of the Duke and near assassination of the Baron. Angered at his previous security detail, the Baron delights in the death of his former head of security. He reaches out to the next man, Nefud, promising him a promotion. Through this, he guarantees the loyalty of his man through money that can buy him Spice. Never would he be lacking. By cementing this loyalty, the Baron can now dominate his man until either’s death. Nefud was enticed by his material wants and seduced into a position from which he could never leave. Most of the Baron’s employees are bribed in such a way. John Ower describes this theme uniquely, describing power as “. . . funneled into it through revolutionary irruptions . . .” (273). The stream of power can be seen in Asimov’s novel, as Dune and Foundation parallel each other closely. From the inception of the trades system in the Periphery, priest have been in control. Now, planetary organizations within Foundation’s reign are requesting for a free trade. Many who are not within the Foundation, wish to trade but have no part of the priesthood entirely. A revolution of this scale vastly changes the power
What is power to a human? As time has gone by, there have been many forms of control and influence in the world. Many strive to achieve total rule over a society or group of individuals. Yet the question still presents itself to the average man. Why does man desire power so greatly even though there is visible trouble that follows? Shelley’s Frankenstein, Vonnegut’s “Harrison Bergeron”, and Shakespeare’s Julius Caesar, whether through the situation or the character themselves, depict the evils and hardships due to an imbalance and poor management of power.
Such controlled environments provide examples of humanities belief that it is more sophisticated and indeed more powerful than the wild. Despite being written some fifty years apart both Brave New World By Aldous Huxley and Blade Runner Directed by Ridley Scott present the same message. Both texts argue that with advancing technology humanity feels itself more sophisticated and more powerful than the natural rhythms of the world. However, at the same time aspects represented in each text point out that Humanity can never be completely isolated from nature.
Wink, Walter, ed. “Identifying Powers.” In An Eerdmans Reader in Contemporary Political Theology. 0 ed, edited by William T. Cavanaugh, Jeffrey W. Bailey, and Craig Hovey, 354-68. Grand Rapids, MI: Wm. B. Eerdmans Publishing Company, 2012.
As told by Jim Grove, power is a “desire in all man that ceaseth only with death.” Many crave power, yet only few know how to maintain it. In the novel, The Battle of Jericho and the films, Apocalypse Now and Citizen Kane, rank or position, pride and gender inequality promote power in lives of the protagonists and significant characters. Each element indirectly correlates with advancement of power.
Many people who have power and authority have the ability to have a strong influence over the behavior of others. They show great dominance over them, and have a lot of say in their actions. And many characters demonstrate this in John Steinbeck’s novel Of Mice and Men. The novel stresses us to view the advantage power has in its characters’ actions and
... an entire community can fall apart, by doing his job the ruler ensures his success, “this can be improved only through the equitable treatment of people with property and regard for them, so that their hopes rise, and they have the incentive to start making their capitol bear fruit and grow. This, in turn, increases the ruler’s revenues in taxes” (Khaldun 1734). A ruler must know that subjects have an important role and he does as well; however, he must never confuse this role because it leads to his downfall as well as those who look up to him.
According to the 2015 National Gang Report (NGR) from the National Gang Intelligence Center (NGIC) almost half of law enforcement juristictions across the United States reported a rise in street gang membership and street gang activitiy. My communitty is no exception.
An idea such as power establishes itself in most societies throughout the world. Power sets the basis for order and civilization, but it also causes chaos and collides with other human instincts such as greed and ambition. Power presents itself in William Shakespeare’s Macbeth in a confusing manner. Macbeth yearns to gain power and has the means to gain it, but the method of his gaining of power have been questioned by critics since its inscription in 1623. Macbeth, while tyrannical in gaining his power in the murdering of Duncan, sets the premise of the story and in this murder makes a name for himself on his leadership qualities. A man’s gain of power should not determine who they are as a ruler or even
Smart, Ninian. "Blackboard, Religion 100." 6 March 2014. Seven Dimensions of Religion. Electronic Document. 6 March 2014.
The abuses of power displayed in The Lord of the Flies and “I Only Came to Use the Phone” show how power when given or assumed can change the person who has been elevated above others as well as changing the person who is being abused. When people in authority abuse this power, they can affect people’s lives and well being.
As shown in literature, corruption and the abuse of power is an ongoing discussion. When it comes down to the point where people are being used and abused physically and psychologically, it creates a hostile environment for both the subjects and the abuser. As represented in the two similar texts Lord Of the Flies and “I Only Came to use the Phone”, corrupted authority and abuse of power usually end up leading to the collapse of a society or a world of chaos and violence.
Geertz defines religion as ‘(1) a system of symbols which acts to (2) establish powerful, pervasive, and long-lasting moods and motivations in men by (3) formulating conceptions of a general order of existence and (4) clothing these conceptions with such an aura of factuality that (5) the moods and motivations seem uniquely realistic.’ In this essay, I will focus on the Geertz’s idea, and Asad’s subsequent critique, of symbols. (Geertz, Clifford, and Michael Banton. "Religion as a cultural system." (1966).)
Hull, B. (2010). A reluctant prophet: How does professor Willard propose to take over the world? Journal Of Spiritual Formation & Soul Care, 3(2), 283-295.
He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself; he inscribes in himself the power of relation in which he simultaneously plays both roles; he becomes the principle of his own subjection. By this very fact, the external power may throw off its physical weight; it tends to be non-corporal; and, the more it approaches this limit, the more constant, profound, and permanent are its effects; it is a perpetual victory that avoids any physical confrontation and which is always decided in advance.
Social Class and Power Used to Control and to Disrupt William Shakespeare was one of the first to introduce many to the distinct divide in social class and those who where in power. Some of Shakespeare's most famous literatures & playwrights tell the stories and air the dirty laundry of people associated high in power and social class. In William Shakespeare’s Hamlet, Shakespeare gives many examples of social class and power and how they both can destroy and disrupt when greed and unrighteousness gets in the way. He also proves how both social class and power can break, manipulate, and ruin individuals caught up in the dramas of social class and power.