Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The trial of god elie wiesel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Silence is not simply the absence of sound, not simply the absence of activity; rather, it is the sum of all things that can be heard, seen, or felt. Silence is not simply produced from discipline, not simply produced from anxiety; rather, it involves everything before and everything after - comprising a period of time rather than a single moment. On the other hand, what is silence’s effect? As complex as silence is itself, its effect is complex as well; generally, it serves as an amplifier to that associated with it in the first place. Silence with anger produces exacerbated anger, and silence with ignorance produces exacerbated ignorance. In Trial of God by Elie Wiesel, Berish, the tavernkeep, lashes out at God for his silence and allowance …show more content…
of those beloved to be maimed. Also, God’s silence allows Berish to create ignorant and faulty arguments that Sam continuously rebukes. In “Sunflower,” Matthew Fox describes Wiesenthal’s gift of silence to Karl, an SS man at his deathbed. Silence, in and of itself, serves the exacerbation of anger, ignorance, and additional silence. Silence is the breeding ground for anger.
Yankel and Avrémel have repeatedly inquired about the happenings on that night of the Pogrom, and now is no exception. As the Priest leaves, the room is still left with a lingering of tension; now, no one wishes to continue the trial. That is, until Mendel broaches the subject of Hannah with Berish. Consequently, Berish inadvertently reminisces, “ . . . she is silent: something in her is silent. . . . She speaks silently, she weeps silently; she remembers silently, she screams silently. At times when I look at her I am seized by a mad desire to destroy everything around me” (Wiesel 104). Undoubtedly, Berish uses a diazeugma here to invoke a sense of haste, a sense of inundation; this helps to refer back to that night where the tavern was attacked, and Hannah was overrun by savages. Even though it was one night that caused her to be silent, why does it persistently anger those around her? Clearly, she serves as a living reminder, an everlasting feeling of helplessness and violence. When Berish looks at her, he imbibes this “strange kindness” (104) that she radiates; however, he also imbibes this feeling of being wronged, hurt, and stolen from. Before the Pogrom he “was warm towards everybody, Jews and Christians” (104), but now what is he to do after having his life stolen from him? He looks for fault, he looks for something to blame: that is why the King Almighty is on trial - a dichotomy in and of itself. In addition, there is …show more content…
dichotomy everywhere: God’s assumed job was to protect the Jews, yet they were slaughtered without intervention; Sam, the embodiment of Satan, serves as God’s defendant; and they are all Christians, yet they put God on trial with Jewish Berish as persecutor. God’s silence in the face of violence is the crux of the trial, where Berish accuses “Him of hostility, cruelty and indifference” (125) and indicts him “guilty!” (125); there is an innumerable amount of times where Berish’s argument breaks down due to faulty logic, yet he continually and avidly argues his position until “the door opens, accompanied by deafening and murderous roars” (161). It is of these reasons that silence is more than just the absence of sound, the absence of thought; rather, it is the absence of reason. It speaks to human’s innate trigger for anger, violence, and bloodshed; for one’s mind one ponders “Why?” as one ignorantly searches for blame, and will travel to any end to do so. Silence is also the breeding ground for ignorance. As Berish continues to charge God with iniquity after iniquity, Sam continues to debunk his accusation every single time. Many times, Berish will base his argument on assumptions about God Himself, and Sam mentions this; yet, Berish never seems to stop his ways. After Berish claims that God is strong enough to care for himself, Sam intervenes, “What do you know of God that enables you to denounce Him? You turn your back on Him - then you describe him! . . . Born in dust, you are nothing but dust” (134). At this point, Berish is still incited by the memories of his fallen friends, family, and community - he refuses to realize the fallibility of his arguments, the fallibility of his charges. Moreover, it is as if Berish is looking at the world through a pinhole - tunnel visioned and naive, only supported by his ignorance of rhetoric: “But I’m not dust. . . . I’m human!” (134). Sam’s allusion to the Bible contrasts this idea of God’s written word and Berish, that Berish claims God is silent yet there is a whole tangible collection of his words. Earlier the Priest spoke about this category of ignorance, that some “people always think they have time. They’re on the edge of the abyss and don’t want to see; they’re singed by the flames and don’t realize that they’re already in hell” (93). Specifically, this quotation speaks to the fact that Sam, the embodiment of Satan, is included in this trial without the revealing of his identity - the source of evil and destruction remains hidden in plain sight; Berish and the others are “singed by the flames” (93) and do not realize that they are in the literal and corporeal presence of Satan. Also, this goes to an even further extent of irony where the court starts praising Sam, Satan, as some sort of “tzaddik, a Just, a Rabbi, a Master” (160) - this ignorance from silence is not only limited to Berish himself, but everyone is included due to Sam’s silence about his true identity. Silence may be the absence of reason, but it also is all that that entails thereafter - the consequences, the repercussions, the “murderous roars” (161). Just as silence breeds anger and ignorance, it also recursively breeds more silence.
One day, Simon Wiesenthal was called to the side of an SS member in his deathbed. Fully knowing that he was the reason of the death of eighty-nine of Simon’s relative, the SS man, Karl, “wanted Simon to somehow relieve him of his guilt” (Fox 144). There is a large dichotomy here: a man guilty of the most inhuman of acts is following a human algorithm for repentance; specifically, Karl, a lapsed Catholic, is only attempting to undergo penance like all Catholics. If one is to consider the savage man’s shoes, one would realize that he only received orders - he followed an algorithm, followed rules without emotion; it was this mindless following that was his soul’s downfall. When he was ordered to these “acts of hatred and sadism and antisemitism” (144), his mind and heart were at each other’s throats - there was cognitive dissonance; yet, he chose to follow his mind and keep his heart silent, his morals silent, his ethics silent. Specifically, he stayed silent for reconciliation, but now seeks another kind of reconciliation. Wiesenthal, when invited into this hospital for the man’s penance, “gave Karl the only penance available to him to bestow: Silence” (144). It was a trade: silence for silence - Karl was ignorant to expect more than that. As Berish was ignorant to expect God to reconcile for his “crimes,” Karl was ignorant to expect Wiesenthal to hand him full forgiveness. Clearly, the
greatest way to react to silence is to be silent oneself. In all of these cases, silence has served as an enabler, an amplifier. In Berish’s case, there was already the existence of anger - he became naturally aggressive accompanying the pogrom, and the assault of his daughter. Typically, this amplification can easily breed ignorance, as was the case with Berish as well. When Berish was charging God with “hostility, cruelty and indifference” (125), it was easy to defend his argument in his eyes because God would not respond back in an audible way. In addition, Shri Prashant once spoke, “How will you hear the silence of Being when your mind is full of noise?” Despite all the evidence that comes from taking the Bible and Old Testament in faith, Berish threw this out of the window as all humans do in times of anger - Berish could not see the whole picture because his “mind is full of noise.” Conclusively, Wiesenthal saw past this aggression and ignorance, being wise himself, and chose to give Karl the best gift of all in that situation: Silence.
The author of my essay is Simon Balic and he is a historian and culturologist. The title of the work is, Sunflower Symposium (109-111). Balic wrote this essay thirty years after The Sunflower was written. Balic argues that he does not forgive the sufferer, although he does feel some remorse. The author supports and develops the thesis in a chronological order in order to take the reader through exactly what was seen, heard, and thought of during this time. Both Weisenthal and Balic had a liable reason to not forgive the soldier, “There are crimes whose enormity cannot be measured. Rectifying a misdeed is a matter to be settled between the perpetrator and the victim” (Wiesenthal 54). Through this, Balic was trying to speak to his audience of fellow historians.
Simon Wiesenthal’s book The Sunflower: On the Possibilities and Limits of Forgiveness spoke to me about the question of forgiveness and repentance. Simon Wiesenthal was a Holocaust prisoner in a Nazi concentration camp during World War II. He experienced many brutal and uneasy experiences that no human being should experience in their lifetime and bear to live with it. Death, suffering, and despair were common to Simon Wiesenthal that he questioned his own religious faith because he asks why would his God allow the Holocaust happen to his people to be slaughter and not do anything to save them. During Simon Wiesenthal time as a Jewish Holocaust, Simon was invited to a military hospital where a dying Nazi SS officer wanted to have a conversation. The Nazi SS officer told Simon his story of his life and confesses to Simon of his horrific war crimes. Ultimately, the SS officer wanted forgiveness for what he done to Simon’s Jewish people. Simon Wiesenthal could not respond to his request, because he did not know what to do with a war criminal that participate in mass genocide to Simon’s people. Simon Wiesenthal lives throughout his life on asking the same crucial question, “What would I have done?” (Wiesenthal 98). If the readers would be on the exact situation as Simon was
In Simon Wiesenthal’s The Sunflower, he recounts his incidence of meeting a dying Nazi soldier who tells Simon that he was responsible for the death of his family. Upon telling Simon the details, Karl asks for his forgiveness for what he helped accomplish. Simon leaves Karl without giving him an answer. This paper will argue that, even though Karl admits to killing Simon’s family in the house, Simon is morally forbidden to forgive Karl because Karl does not seem to show genuine remorse for his committed crime and it is not up to Simon to be able to forgive Karl for his sins. This stand will be supported by the meaning of forgiveness, evidence from the memoir, quotes from the published responses to Simon’s moral question, and arguments from Thomas Brudholm, Charles Griswold, and Trudy Govier. The possibly raised objection, for this particular modified situation, of forgiveness being necessary to move on from Desmond Tutu will be countered with the logic of needing to eventually find an end somewhere.
middle of paper ... ... Works Cited “About Simon Wiesenthal.” – Simon Wiesenthal Center. N.p., n.d. Web.
In The Chosen by Chaim Potok, the main character Reuven Malter experiences silence in all forms. This phrase applies to him by the time that he never appreciated how much he and Danny Saunders has been talking and then suddenly Reb Saunders, Danny's father, separated them. This is appointed to in this passage, "I hated the silence between us and thought it unimaginable that Danny and his father never really talked. Silence was ugly, it was black, it leered, it was cancerous, it was death. I hated it, and I hated Reb Saunders for forcing it upon me and his son (Potok 235, Ch 14). Though in this passage Reuven said he hates the silence, it makes him more aware of what is happening and learns to enjoy it and make use of it. "In subsequent weeks, I was grateful for that silence" (Potok 242, Ch 14). This silence has opened his mind and has allowed him to think of more
The unimaginable actions from German authorities in the concentration camps of the Holocaust were expected to be tolerated by weak prisoners like Wiesel or death was an alternate. These constant actions from the S.S. officers crushed the identification of who Wiesel really was. When Wiesel’s physical state left, so did his mental state. If a prisoner chose to have a mind of their own and did not follow the S.S. officer’s commands they were written brutally beaten or even in severe cases sentenced to their death. After Wiesel was liberated he looked at himself in the mirror and didn’t even recognize who he was anymore. No prisoner that was a part of the Holocaust could avoid inner and outer turmoil.
11 million people were killed during the Holocaust, 6 million of which were Jews. Night is Elie Wiesel’s autobiography that takes place during the Holocaust. In his book, Elie quickly loses faith in every aspect of his life during his harsh journey. He begins to lose all faith in himself, in mankind, and in God.
In the silent era of Brockmeier’s city, individuals grew into a lethargic existence, “The drunks in the bars turned amiable and mild. The jails were unusually tranquil...The great roar of the city had stopped, [the birds in cockfights] becoming as useless as pigeons, virtually impossible to provoke to violence” (Brockmeier 53). Indeed, “The silence was beneficial for us” as suggested by modern science, but people began to remember what they lost: “the fire, the vigor, that came with a lack of ease” (Brockmeier 61). To be more concise, this fire and vigor came with the difficulty and the thrill of the chase, “Our lives seemed no less purposeful than they had during the silence, but it was as if that purpose were waiting several corners away from us now, rather than hovering in front of our eyes” (Brockmeier 62). Of course, while Brockmeier is merely describing these traits as a benefit or asset of silence or noise respectively, it could be applied with relevancy to the state of the individual. Meditation is only gaining popularity while “low-noise” becomes a commodity sought after; however, perhaps in the hunt of silence, individuals often neglect to learn the ability to thrive in dissonance. While Brockmeier reminds us of the
How does religion push people? How does it give people hope? Is there an extent to it? Elie Wiesel’s book Night he showed how through his experience on how tragedy can shape your faith in religion. While in Auschwitz his faith was beyond tested,it was stretched,lost then found. Elie uses faith in Night to show how it is key to survival whether it’s in god or other people.
The position to choose between forgiving one’s evil oppressor and letting him die in unrest is unlike any other. The Sunflower by Simon Wiesenthal explores the possibilities and limitations of forgiveness through the story of one Jew in Nazi Germany. In the book, Wiesenthal details his life in the concentration camp, and the particular circumstance in which a dying Nazi asks him for forgiveness for all the heinous acts committed against Jews while under the Nazi regime. Wiesenthal responds to this request by leaving the room without giving forgiveness. The story closes with Wiesenthal posing the question, “What would you have done?” Had I been put in the position that Wiesenthal was in, I would ultimately choose to forgive the Nazi on the basis
He rebelled against Him and “no longer accepted God’s silence” (Wiesel
In Simon Wiesenthal’s The Sunflower on the Possibilities and Limits of Forgiveness the author is asked to fulfill a dying solider last wish to forgive him because of the crimes he has committed against the Jewish people of the Holocaust. When Wiesenthal is asked for forgiveness, he simply leaves the room. Wiesenthal states that the encounter with the dying man left “a heavy burden” (Wiesenthal 55) on him. The confessions in which he admitted to have “profoundly disturbed [him]” (Wiesenthal 55). As Wiesenthal tries to make sense of what he has encountered he begins to make excuses for why the man might have done what he did. He say...
The Holocaust was a test of faith for all the Jews that were involved. There were several instances in the book Night when Elie’s faith was hindered. Not only was his faith in God tested, but also his faith in himself and his fellow man. Although the trials of the Holocaust were detrimental to Elie’s faith at the time, a number of the Jews’ strengthened by the test. Whenever the Holocaust began, Elie was very young and wasn’t sure what to believe or understand everything yet, causing him to go back and forth on how he felt and what he believed. The people around him were a tremendous impact on what he was thinking and believing. The state that people came out of the Holocaust heavily depended on who they were when they went in and what they
Eliezer Wiesel loses his faith in god, family and humanity through the experiences he has from the Nazi concentration camp.
I thought angrily. How do You compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do go on troubling these poor people’s wounded minds, their ailing bodies? … Blessed be God’s name? Why, but why would I bless Him? Every fiber in me rebelled. … But look at these men whom You have betrayed, allowing them to be tortured, slaughtered, gassed, and burned, what do they do? The pray before You! They praise Your name! … I was the accuser, God the accused. My eyes had opened and I was alone, terribly alone in a world without God, without man.” (Wiesel