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The rise of anti-semitism
Shylock's character analysis
The rise of anti-semitism
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Shylock in William Shakespeare's The Merchant of Venice
In the "Merchant of Venice", Shylock’s character undergoes a
metamorphosis from victim to villain. Christians looked down on him,
and he suffered humiliation and prejudice because of his job as a
usurer and because of his race. However, he is also vengeful and
cunning, and jumps at every chance to take revenge for himself. During
the time that the play was set there were not many Jews in Venice as
the Christians were Anti – Semitism. Christians thought of Jews as
hard hearted and made separate rules for them, for example, Jews were
not allowed to retaliate if a Christian hit them or called them names,
they also had too wear only Jewish clothes so that they stood out.
Christians hated and feared the Jews and they blamed them for the
death of Jesus. Antonio, Bassanio and their friends mocked Shylock, as
he is a Jew and his job was a money lender.
We are first introduced to Shylock in Act I Scene 3, where we learn
about his job as a usurer. In this scene, Bassanio seeks Shylock out
and asks for a loan in Antonio's name. Antonio needs the money to win
Portia’s hand in marriage. Shylock hates Antonio because of all the
things he has called him and for all the many times he has spat on him
‘ You call me misbeliever, cut – throat dog, and spit on my Jewish
gaberdine’ We feel sorry for Shylock During this speech as he reveals
to the audience and readers what he has to cope with and what Antonio
calls him. Shylock displays his hatred for Antonio, and agrees to
lend Antonio the sum of 3,000 ducats only if Antonio is bound by law
to pay it back. We see Shylock as a Villain in this scene as he plans
his revenge on Antonio by instead of charging interest shylock tells
Antonio that he will take a pound of flesh if the money is not repaid
in 3 months, Shylock here does not know whether he will get his pound
While engendering the bond in the inciting force of the play, Antonio says to Shylock – the antagonist – “Content in faith. I’ll seal to such a bond, / And say there is much kindness in the Jew” (1.3.149-150) which reveals how Antonio sees such positive terms in the deal. Although the terms may seem simples to follow, Antonio will still face the consequences of putting his life on the line for his dear friend, Bassanio. This bond portion of the play establishes relationships through the rivals and also gives background information about characters, which show the elements of dramatic significance. Subsequently, Shylock’s possessions are at stake during their trial after Antonio fails to pay him back because his argosies were abolished. Shylock’s punishment for attempting to
We frequently see the intent of greed and selfishness covered up by the words and face of virtue. Such exploit is displayed by the exceptionally stingy Shylock, an unpopular Jew who makes his living through the practice of usury. When confronted about his unsympathetic trade, he resorts to citing scripture, thus comparing his selfish trade with the actions of holy men (I, iii, 73-87). Antonio, a well respected and honorable merchant, sees right through the falsehood of the justification and asks Shylock, "Was this inserted to make interest good? Or is your gold and silver ewes and rams?" (I, iii, 91-92). The response from Shylock to the question reveals a glimpse of his true meaning. "I cannot tell; I make it breed as fast" (I, iii, 93-94) is a rather boastful reply of his wealth than a righteous rationalization. To which Antonio can only turn to his friend and say "The devil can site Scripture for his purpose. An evil soul producing holy witness is like a villain with a smiling cheek" (I, iii, 95-97).
Shylock in William Shakespeare's The Merchant of Venice An ogre is according to the Collins Dictionary “a monstrous or cruel being” but more significantly as “something or someone who eats human flesh.” Is this how Shylock is portrayed in the play or is he a simple human being, a species capable of showing emotions and feelings such as vulnerability and love. Certainly, Shylock is presented to the audience in so powerful a way that even though he only appears in five scenes, many consider him the central character. Throughout the play Shylock appears to be the butt of all the jokes and many critics see his status in the play as the tragic hero.
‘villain’; he is a complex mix of both. In the first part of the play,
Venice is a busy place where all the characters are constantly worried about their income, they give loans and they borrow money to maintain their business. Here we see the first clash of love and money. Bassanio needs to impress a rich heiress from Belmont, but unfortunately, he does not have the money to win a lady from a rich family as a wife, “O my Antonio, had I but the means to hold ...
Should Antonio break this promise he will lose his flesh, and it will be the weight of a pound.
However, Antonio promises to pay Shylock the money borrowed, or else will allow Shylock to take a pound of his flesh should the loan not be repaid. Antonio disapproves morally of lending money for interest and it is a mark of his affection for his friend Bassanio that he now breaks his own rule. Bassanio has already spent his own fortune and would like to restore this by marrying the woman he claims to love. Shylock justifies Antonio’s decision by reciting the story of Jacob from the Old Testament to him; however in doing this he twists the words of the bible to coincide with his ideas. Antonio replies,
In Act 1 Scene 3, we are first introduced to Shylock, we see him as
Response to Shakespeare's The Merchant of Venice by a Modern Audience Since the time of Shakespeare, The play “Merchant of Venice” has had a dramatic effect on the modern audience today. In the 16th century, Jews were completely disliked, & Jews were not allowed to live in England unless they had converted to Christianity. = == ==
and sees him as an outsider as this play is set on Venice. It is not
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
which tells us that Shylock is being referred to as a dog, not like a
desires. On the other hand, Shylock is a character that is driven by revenge to gain what he thinks
Venice is the setting of the play; a nation that was not ruled by a