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Analysis of shrek
Shrek movie review essay
Shrek movie review essay
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Shrek as a Parody of Traditional Fairy Tales
Shrek is a computer animated film which parodies traditional fairy
tales, this means it is an amusing imitation of something original, in
this case the film, another way to explain what I mean is Shrek
satirises traditional fairy tales, by copying elements from them and
changing them to make them humorous.
In traditional fairy tales, there are certain ingredients, which make
them into what they are.
Firstly, there would be a tall, dark, handsome prince, who will slay
the dragon or forces of evil, on his way to rescuing the princess.
Then they would fall in love with each other (the prince and
princess), leave together, get married, and then the most important
line at the end of any traditional fairy tale they would "live happily
ever after."
Then the bad, evil, character, who would be hideously ugly, and would
take away (kidnap) the princess and take her to his dark, misty
fortress. In some cases, he wants to marry her. Usually this character
would be slightly crazy.
Also the evil beast, which would be male, battle the prince to the
death, it would do this because it would be guarding the princess for
the evil character (the bad guy). Then the prince would slay the
beast.
Not forgetting the princess. Who would be as exquisite as a rose, have
long hair, and especially bepure. What I mean when I say be pure, is
that the book/film would suggest that the princess is a virgin. She
would wait in the fortress after being kidnapped by the evil
character, then wait for the prince to save her.
Going back now to when I said that the princess would be pure. These
traditional...
... middle of paper ...
...rtrayed as being
weaker, and so the dragon would be a male.
Dragon though before we find out that it is a female, is completely
like its stereotype. It breaths fire, tries to kill Shrek, and kidnaps
donkey. A dragon would usually do this in traditional fairy tales.
The things in Shrek, which are different to traditional fairy tales,
are:
The music that plays through the film. Each piece of music that plays
reflects a modern idea of love. One of the pieces of music in the film
is "dance to the music." This occurs at the end of the film after
Shrek and Fiona have got married.
How people at the end of the film see the message of true love
differently. Three quarters of the way through the film true love
looked like it usually is supposed to. The princess, and prince get
married and live happily ever after.
The Reversal of Traditions in Shrek In traditional fairy tales ogres are man-eating beast. The prince usually rescues the princess; they marry and live happily ever after. How do the makers of 'shrek' use presentational devices to reverse this tradition to reveal the ogre as good and the prince as evil?
In the essay i am going to focus on the characters of Shrek and lord Farrquaad, the fairytale genre is subverted from the usual ogre being a man eater and the prince saving the princess to the ogre becoming the rescuer and the prince being evil person who sends the ogre to do his dirty work and rescue the princess.
A lovable, heartwarming story of love is one of “ Seven Brides for Seven Brothers”. A story of seven men who have no guidance find themselves in love. The two main characters in the play are Adam and Millie. By being husband and wife they help the story out with their own love and romance. The seven brothers fall in love with seven beautiful woman and through out the play we see al the ways they try to get their gals. The singing in this play helps us figure out the songs: “Bless Your Beautiful Hide”, “Goin Courtin”, and “Sobbin Woman”. The style of music they use to get this point across is old fashion, traditional music.
This film also shows that people of different backgrounds can too be in love. This movie illustrates that even though there are differences between two people, doesn’t mean they cannot be together. In the world today, people of all different types are falling in love. This used to be unheard of, but is now becoming a way of life. I feel that this movie did a wonderful job of showing many aspects of love and the difficulties that people may come upon.
...ley’s admiration towards ‘Drover’ with their desirable love developing over time. Luhrmann contrasts the audience with the emotional expressions and differing body language, which is significantly visually depicted The non-diegetic music tempo speeds up, creating a dramatic tension and signifying the importance of the couple’s connection and emphasises on their emotional intensity.
in the play. The theme of love is a young man (Romeo) from one family
Throughout time, love has been a steady theme in music, literature, and film. Love is perhaps one of the most obvious emotions to portray and it can often be described as be sensual, sexual, spiritual or mystic, and divine. The tradition of courtly love began in the twelfth- century with the traveling songs of the performing troubadours and trouvères throughout Europe. Their songs of love were the source of all Western vernacular poetry and through the evolution of time developed into the popular chanson of the fifteenth and sixteenth- centuries. Perhaps the most common themes in Burgundian, Parisian and international chansons is that of fine amour or refined love. Due to the influence of culture and the progression of time, the subject matter and compositional style of the chanson changed as it moved through Burgundy, Paris and eventually spread internationally.
Social Psychology is the scientific study of how we influence, affect, and relate to one another. Social psychology is studied to see how the influence of others can impact how we act. This can be seen in many aspects in life. Most specifically, social psychology can be seen in movies. Recently, I have viewed the movie Shrek which was released in 2001. Shrek is a kid’s movie about an ogre named Shrek who rescues a princess from a castle for Lord Farquaad in order to regain his swamp and privacy. During this process, however, Shrek falls in love with the princess and discovers a secret about her. While watching Shrek, I have noticed that many theories and concepts from social psychology were apparent in the film.
As Tartar notes, fairy tales “adap[t] to a culture and [are] shaped by its social practices” (xiv). As American culture began to change, the fairy tales produced by Disney studios began to change and adapt to changing American sensibilities. The main focus of this shift is the role that women play in the fairy tales. While many of Disney’s early fairy tale movies have female characters, they are fairly passive. They achieve their happily-ever-after as a reward for good behavior in the face of adversity. The prevalence of this in the early tales occurs for two reasons. First, the women’s behavior serves as a guide to the American people who, too, are facing the adversity of the Great Depression and then war. Second, the women’s behavior mirrors the expected behavior of women in society at that time. As women fight for and achieve what they want out of life, the female protagonists in the Disney fairy tales mirror that action. As a result, the female protagonists’ behavior serves a different purpose in these later fairy tale films. The behavioral shifts serve to “endow us with the power to reconstruct our lives” (Tartar xii). They are “fictional stories that provide a truth applicable in the real world as a moral” by embracing the growing importance of equality for women found in modern American (Zipes, “The Cultural Evolution of Storytelling 10).
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
He is handsome (like how no other forty year old can be), selfish, secretive and a scoundrel—for lack of a better description, he’s a quieter Han Solo but sporting much more unpredictable elements. You know that his love with Ingrid Bergman’s Ilsa is forbidden, yet you root for them. Their chemistry as both enemies and lovers whose past goes back for years feels so real and unique, probably due to their lack of interaction on set. But while Bogart and Bergman obviously control the screen, it is the memorable “As Time Goes By” song that makes the film. When the song is introduced as the once-lovers’ theme, Curtiz chooses to focus on Bergman’s bittersweet gaze, and that’s more than enough to make it feel like it is our song as
According to Giroux (1996), animated movies are a part of children’s culture. Children’s culture consists of entertainment, artifacts, myths, etc. that are based around the notion of what it means to be a child. Animated movies, particularly Disney films, encourages the child’s imagination and fantasy to be enhanced, creates a drive within them to go on adventures and helps them develop an aura of innocence. Animated films are “teaching machines” (Giroux, 1996, p. 66). Disney films teach children about specific roles, values and ideals and also take them through the world of enchantment. It helps them to understand who they are and what it means to be a part of the society and an adult environment (Giroux, 1996). Disney characters are a reflection
The animated film Shrek is a Dreamworks fairy tale that teaches us to look beyond what we expect to see, by completely subverting the traditional fairy tale concepts of gender, appearance and beauty. The characters in Shrek are vastly different from what we would expect to see in their appearance and behaviour. With unexpected plot twists, the directors of Shrek create important messages and morals that would not usually be conveyed, using techniques such as humour. The techniques have been placed strategically to result in an entertaining and educational film.
Kathleen, the length is only one of the reasons I “declassified” The Hobbit as a fairy tale not the only reason. Fairy tales are often always short stories and The Hobbit is not. I am familiar with myths and their lengths, and many myths are usually considered epic poems. Paradise Lost, Iliad, and Odyssey are all epic poems, but are Greek myths. Therefore, making them shorter than The Hobbit but longer than a fairy tale. Let me be clear length is a small aspect on why I no longer consider it a fairy tale. Star Wars as in George Lucas? Star Wars has elements of mythology just like The Hobbit has elements of a fairy tale the characters, a moral lesson, and the happy ending to be exact. One of the most important elements of myths is the hero's
This immediate contradiction highlights the difference between the peaceful Romeo and the insanity that is surrounding the gunfight between Tybalt and Benvolio. Even as the trailer transitions to the wedding, Romeo and Juliet meeting for the first time, and the Capulet party, the song repeats these words, showing the duality of Romeo and Juliet’s love. The lyrics punctuate the idea that their love is both beautiful and— because it goes against their family rivalry—psychotic. As the characters engage in violent, aggressive action, the song still speaks more about the story of Romeo and Juliet saying, “I think I fell in love again/Maybe I just took too much cough medicine”. This verse is significant to Shakespeare’s play, as well as Lurhmann’s film. The line “I think I fell in love again” speaks to the point that Romeo quickly fell out of love with Rosaline and in love with Juliet, as seen in both the play and the film. The fickle and short lived love of Rosaline alludes to the lack of permanence in the lives and in the love of the teenagers. The second line pertains more to the film as Mercutio refers to Queen Mab as a drug having power over the minds of men, including their perceptions of love. In the scene before Romeo meets Juliet, seen in Lurhmann’s film and in the