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Effects of hip hop in todays culture
Impact of the hip hop movement
Effects of hip hop in todays culture
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For a major part of history hip-hop has been seen as a rugged, materialistic or degrading type of music. The impact that hip-hop possesses over young African American students has been a debate greatly augmented through time. Whether or not an individual’s opinion can really persuade a young audience is something that has been heavily toted. Through the article “Should Hip-Hop Artist Produce Music That Is Socially Uplifting” Marc Lamont Hill Introduces a commonsensical thought about the way we perceive a lot of the material we hear in hip-hop music. Hill thoroughly explains how hip-hop music has realistically impacted young students. Hill’s argument smoothly defends against his counterpart Heru Ofori Atta in an attempt to persuade readers towards …show more content…
Hill stated this in the article when saying “Although such efforts are highly valuable, it is both unfair and unrealistic to expect all artists to produce socially uplifting music”. Music is a form of expression along with other kinds of art music is used to express personal experiences and opinions. Marc Hill showed that he understood this logic. Socially uplifting music should not be vaguely subjective to only talking about political issues. Some of the propaganda in hip-hop music are just as informative towards young students. A lot of hip-hop listeners are potentially going through or have gone through some of the same trials as their favorite hip-hop artist. Hill is cosigning the fact that real life can serve as an equally inspiring message to young African American …show more content…
As a poet, a fellow writer himself Heru’s bone of contention makes a crucial point when he says “History judges people based on the cultural artifacts they have left behind”. While it is true that based on an abstract view of hip-hop music today the bulk of people would only see promiscuous women, expensive cars, foul language and other greedy aspects, that is not a problem for today’s culture. Because young students have the ability to research and analytically break down lyrics and artist it is easier than ever to obtain a clear notion of what is meant and what is really being said in major hip-hop songs. As Marc Hill stated “…we must expand our understanding of socially uplift in ways that move us beyond the explicitly political”. It is hard to determine what is uplifting for someone else. Because of this Heru’s argument is fraud in the fact that he is not concerned about the African American youth and what they need. But more so on changing the way African Americans are viewed. This is a different issue that needs to be addressed not by forcing hip-hop artist to entertain political issues but actively and physically do something to inspire a
Conversation about hip hop has contributed to its current state of crisis. Rose writes about how over-generalized criticisms in conversations about hip hop lead to ugly stereotypes and disdain for young black people. Hip hop has become a sort of scapegoat for people
The article discusses the fact that hip hop “provides a lens [through which white students and faculty at institutions] interpret Black culture” and that because of this not only is the Black female’s view of herself being manipulated, but black males expect what is being promoted by hip hop culture from them, and so does every other person (Henry, West, & Jackson 238). A professor at North Carolina Central University spoke about how he dislikes how hip-hop has influenced the way his students dress, he said “ They look like hoochie mamas, not like they’re coming to class” (as cited in Evelyn
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
For a long time, the popular genre of hip-hop has been criticized for its frequent vulgarity; whether it be its lyrical content, its possible contribution to a violent subculture, its degradation of women, or its praise for hypermasculinity. Out of all of these criticisms, the one characteristic of hip-hip music that has arguably been the most prominent and commonly discussed is its negative and sexual portrayal of women, particularly African American women. In both lyrics and music videos, African American women in much of hip-hop music are sexually objectified in that they are viewed exclusively as a thing to be used sexually by men. Other qualities such as intellect, independence, and most importantly, respect of women are made subordinate. As hip-hop music continues to degrade women in such a way, much opposition and backlash has intensified. An example of such objection was present in the well-known case that occurred at Spelman College, a historically black institution for women, in 2004 when students protested rapper Nelly’s presence on their campus for a bone marrow drive soon after his controversial music video “Tip Drill” was released.
...nt to an African American child than Roosevelt or Kennedy. Hip-hop culture began to embrace other subversive forms of expression, such as graffiti, whose popularity soared in the mid 70s throughout the South Bronx . After a decade spent trying to gain favor with a supposedly “superior” white middle class, African Americans turned to hip-hop as a direct response to this apparent white incompatibility with black culture. No longer unequal, by the end o the 70s it had become clear that there was no reason to mold the black racial identity in an easily digestible package for America’s white middle class. This method of forgetting, which resulted in yet another decade of black marginalization, was thus largely rejected, as the America’s African American urban youth turned to hip-hop to remember, preserve, and create a new telling of the black historical identity.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Music has been highly influential in bringing about social issues for many years. Aside from its intention to entertain, it is also used as a channel for people and/or groups to express their emotions, concerns and ideas to others in a more creative way. This enables listeners to interpret and understand the knowledge and experiences of those performing the music at a personal level. Of all the musical genres, I choose to focus on hip-hop, or rap music in specific. Most rap music, from the 1970s up until now, attends to multiple issues, including the expression of identity, the exposure of racial matters and bringing other contemporary problems to light. While most people think it has bestowed a negative influence in society, I personally believe that rap is a significant and powerful form of art in that it still serves as a voice
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Throughout history, rap music has been a voice for an artist to express their beliefs and address world issues. I 'm an 18-year-old African-American Male who was raised in a middle-class family. Music has always been an important way for me to express myself like many other teenagers. It is common to hear rappers take a standpoint on a controversial topic, such as racism, wealth inequality, and violence, and speak about it. With the increase of police brutality and the growth in the Black Lives Matter movement, rappers and other phenomenon’s have gravitated towards addressing this topic. Most recently, Macklemore released a single, which explained the story of being at a Black Lives Matter protest in his
The youth especially today who can’t go a day without their music are the ones who are influenced the most. In the article Hip Hop Studies in Black, the author states, “Hip hop’s thuggish, promiscuous, sexist, and violent nature gives men and boys every reason to continue gender violence” (Saucier and Woods 283). Although as an artist you want to sell albums, you have to consider the audience that you are attracting. Rapping about drugs and killing, you as an artist gives young boys the idea that it’s okay to do that because their favorite rapper does it. You can still keep it one-hundred and rap about what you know, but you’d be better beneficial if you talk about the issues of drugs and killing. Rapper Chief Keef attracts young black males especially in the city of Chicago where he’s from. The violence in Chicago is ridiculous which is because of young black males killing other black males. These young black males listen to Chief Keef all day and he has no true message behind his lyrics but about killing others. With the impact he has on Chicago kids, he should want to be more influential in their lives and encourage them to be someone in the future instead of dying before age eighteen. Over the past summer he tried to host a hologram concert in honor one year old Dillan Harris and Marvin Carr, twenty-two years old that died from a drive by shooting. The police instantly shut the concert down one because how can you host a concert in honor of someone dying when you yourself talk about killing in all your music. In the article Hip Hop Studies in Black, critics Williams and McWhorter claim that “hip hop is a culture of failure that is poisoning young people and holding back black people” (Saucier and Woods 283). The youth today is the future and the path their on right now is not headed in the right direction. Hip hop culture is poisoning young people because it’s not only teaching the
Moreover, it deemed important to acknowledge their place in history as poets, artists, writers, Dj’s, etc. The Hip Hop movement began out of protest just as the Black Arts Movement and the Civil Rights Movement. In addition, with firsthand knowledge it makes since to share that information with students and then allow them the opportunity to research about it, and then think critically, and share their own knowledge with their peers and instructor about their discoveries. Meeting 21st century knowledge participants where they are is the only way that we will be able to reach them going forward. This chapter was not written to give voice to a myriad of scholars and their assessment about Hip Hop. I wanted to share my own personal experience as a scholar with this audience in hopes of you understanding that Hip Hop is an educational incubator that has helped teach and train students to become intermediate and skilled researchers and learners. The unconference approach to designing this course was the most helpful model for Hip Hop Information Literacy to come into fruition. I am still analyzing the curriculum, readjusting the course, and believe that it will be sound and succinct in a few more
Generation after generation, music has revolutionized cultures around the globe. Each generational trend in music greatly inspires that specific era on what to wear, how to act, and what to say. We all connect with music, and as it continues to evolve, so will society. One genre has continuously stirred up conversation and sparked debate regarding the direction it is taking its listeners. Only one genre has had the gumption to speak out against the government on a regular basis. Only one genre has found a way to make every other genre cater to its style and inescapable appeal. Since the 1980’s, hip-hop has changed the way people think, but not always in a positive manner. Hip-hop has been a trend setter and guided our culture over the last