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War and conflict causes
War and conflict theory
War and conflict theory
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Thesis: Hany Abu-Assad has experienced the oppression of the Israeli occupation first hand, and in Paradise Now, he uses long shots to show the overall injustice of the situation and close-up shots to show how single people are trapped by unique circumstances.
1) What are Close-Up and Long Shots:
Close-up: “A shot in which the subject is larger than the frame, revealing much detail” (IMDB).
Close-ups were made really famous by Alfred Hitchcock (Rear Window and Psycho). For example, in Rear Window, the main character (Jimmy Stewart) is bedridden and many close-up shots of him are used to show how he is trapped in his apartment room. In Psycho, close-ups are used to create suspense and portray the character’s emotions.
Long Shot: “A camera shot from a great distance, usually showing the characters as very small in comparison to their surroundings” (IMDB).
For example, in The Searchers, long shots are used to show the typical western setting of the film. Long shots typically set the scene and display a theme of the film.
2) Interviews with director Hany Abu-Assad: http://www.movieweb.com/news/paradise-now-director-hany-abu-assad-speaks “you first have to define the place. You give a definition to the place. If you don't do that, you can't go with the correctors.” http://www.adc.org/index.php?id=2637 “Among the obstacles faced during the shooting of the film were the military siege, curfews, bombings, shootings and we survived.”
“we screened it in Palestine many times. As you know the Palestinian society is not a homogenous one, it is a very diverse. But generally, they found it to be a very honest movie. Even if Palestinians live in that context, the film is also an opportunity to raise some important questions.” http://www.pope... ... middle of paper ...
...d to she mission. The only way to escape the bomb is by pulling the string, thus activating the bomb and killing himself.
After the failed mission, Said is sitting in a small bed in a dirty room. The camera slowly zooms in on him until only Said’s face can be seen. In a room that resembles a jail cell, the close-up shows how Said is trapped by what he talks about in the scene (his father and family history and the occupation as a whole).
In the final scene, there are close-ups of most of the major characters in the movie, including Suha, Said's mother, Jamal, Khaled, and Said. Said's is particularly important because it starts far away, showing Israeli citizens on a bus, and then zooms in until his eyes are the only things in the frame. Again, this shows how the characters are trapped by the oppression of the occupation, as Said is trapped by the camera frame.
long shots. high-angle shots, and a lot of fun. spherical camera lens. These particular devices provide a glimpse at the realities of the oppression, poverty and despair of many of the American people during this time. From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors.
In conclusion in “Rear Window” Hitchcock is shown off as an auteur and realist though his modification and implementation of his own creative mind and as a realist by conveying reality and occurrences of everyday life respectively. He also used methods such as eye line matching, cinema as window and frame, and potentially character specific lighting to connect the audience with the characters and to give the main characters more individualized
Elias Chocour’s novel, Blood Brothers, represents his point of view on the contemporary Palestinian position regarding the holy land of Israel. The book traces the transformation of Chocour’s life, from a Melkite Christian Palestinian boy into a powerful spiritual leader and innovative agent in facilitating better race relations in the region. He shows how Palestinian’ needs were left out during the formation of the State of Israel, and how their plight is highly misunderstood, and often grossly distorted because of ignorance. Chocour’s depiction of the problem facing non-Jews is highly illuminating, and Blood Brothers will dispel many illusions and fallacies that cloud the facts surrounding the status of Israel’s inhabitants.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
Most people think Israel always belonged to the Jews but it wasn’t always a safe, holy place where Jews could roam freely. Along with Palestine, it was actually forcefully taken from the Arabs who originated there. The main purpose of this novel is to inform an audience about the conflicts that Arabs and Jews faced. Tolan’s sources are mainly from interviews, documentations and observations. He uses all this information to get his point across, and all the quotes he uses is relevant to his points. The author uses both sides to create a non-biased look at the facts at hand. The novel starts in the year 1967 when Bashir Al-Khairi and his cousins venture to their childhood home in Ramallah. After being forced out of their homes by Jewish Zionists and sent to refuge for twenty years. Bashir arrives at his home to find a Jewish woman named Dalia Eshkenazi. She invites them into her home and later the...
The first element is Camera distance; it is used in every scene and in every shot. It refers to how far away the camera is to the characters in the scene. Camera distance was developed in order to provide more to the mise-en-scene of a certain scene. “Mise-en-scene encompasses of variety of categories related to the staging of an action”(Belton 47). Camera distance is one of these important factors in making the scene and giving a sense of what you are supposed to be experiencing during the film. Without using camera distance to its fullest the scene or shot may not come across to the viewer as what the director or writer intended. An example of camera distance being used to its potential is in the opening sequence at ricks café. The first shot that we see at ricks is of ricks sign on the ca...
...sed as the medium close-ups in this show, but are used when someone is entering a scene or used to see a scene from a different view. These types of shots are best suited for this type of television show as it is a drama, there are lots of conversations between two people where wide angled shots would not be needed. The camera angle most of the time in this shot are at eye level, I think they use this to help us feel like we are involved with the scenes, to get us to be more apart of it.
This marked the beginning of the Palestine armed conflict, one of its kinds to be witnessed in centuries since the fall of the Ottoman Empire and World War 1. Characterized by a chronology of endless confrontations, this conflict has since affected not only the Middle East relations, but also the gl...
Camera work assists with establishing Nolan's style by giving the audience a deeper understanding of the films. Nolan's close up shots show emotion on faces, which shows the audience conflicted characters, such as Borden when Angier is drowning. Close ups also help with Nolan's tendency to place the audience directly in the mindset of characters, especially using point of view shots.
out of the ordinary. The camera is on a wide-angled shot so as we can
...high angle shots, two or three shots, and close ups establish the mood and relationship between the characters. Whether the sound was orchestral or pop music, it had a significant value to the plot, sequences, and shots of the story. In the case of movie shots, editing had a significant value to the film in order to help identify characters importance to the plot of a story.
The opening shot looks like it was taken with a handheld camera, as it is somewhat shaky and we can hear a background noise. We are introduced to the character right away. We see a reflection of him at first, and then the camera proceeds to pan up until we can see his whole body. His head is turned away, so we can only see his profile. He is wearing casual clothing and a red headband. We know he is in New York City because we can see Queensboro subway station behind him. He looks to the side of the camera as it makes a few quick cuts. He crosses the street and the camera is behind him, a safe distance away. It zooms in and out and makes another series of quick cuts as it observes him reading a newspaper. He is never really in the centre of the shot and does not appear to be the main focus of the camera. We see people pass by and block our view and we even see him from the back. The next shot, at 1:50, shows his back as he’s having a conversation with somebody, whose face we also cannot see. The next shot is him sitting on a car, smoking a cigarette. Another man approaches him and they proceed to talk briefly. We cannot hear what they are saying. After another series of cuts, w...
Since the story was written in the third person objective, it is easier for the reader to remain objective while analyzing the story. If we one were to hear the story from on of the character’s point of view, the retelling of the story would be clouded with various em...
The graphic novel Palestine written by Joe Sacco is a trustworthy description of different stories in the heart of the century-long conflict between Arabs and Israeli. Sacco produced the graphic novel after spending two months with the Palestinians in the Occupied Territories in late 1991 and early 1992. Things certainly have changed since thenThe story is all about what happened in that part of the Middle East at the beginning of the 1990s. In this respect, a critical viewpoint should be applied in order to discuss the main topics in detail. Thus, Palestine is actually a guide for a Westerner willing to know what occurs in the Middle East each time the conflict between Israeli and Palestinians takes place.Excellent contemporary graphic novel. The characters convincingly portrayed. Sacco has a journalist eye and a storyteller’s heart.