Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Specific details in Eleven by Sandra Cisneros
Specific details in Eleven by Sandra Cisneros
Essay on eleven by sandra cisneros
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Specific details in Eleven by Sandra Cisneros
The story “Eleven,” shows the morning of a girl’s eleventh birthday. However, her day turns sour when she faces an unexpected problem that morning. In the story, the author, Sandra Cisneros, uses imagery, childish diction, and first person point of view to characterize Rachel, the main character. Rachel’s imagery of the red sweater on her desk shows that she still has a child's mentality. Rachel describes “the big red mountain” as “itchy and smell[ing] like cottage cheese.” The author could have choosen stronger diction, but does not. This shows that while Rachel wishes she was older, she still has a long way to go to be older. Cisneros’ childish diction reflects that Rachel is still a child. When Rachel pushes the sweater “to the tippy-tip corner of her desk,” the use of “tippy-tip” shows that Rachel is still a child. She also says the sweater is “itchy and full of germs.” The author could have choosen stronger diction, such as irritating or disgusting, but does not. The childish diction reflects that while Rachel wants to be older, she has a child's mentality. …show more content…
The author uses first person point-of-view to show that Rachel isn’t ready to grow up.
Rachel repeats that if she “was one hundred and two” she would have a response to Ms. Price, her teacher. Rachel also compares her action of crying infront of the class to a three-year old. Towards the end of the story, Rachel wishes she “was anything but eleven.” Rachel comparing herself to other ages shows that while she wishes to grow up, she still acts like a kid. In “Eleven,” Sandra Cisneros uses imagery, childish diction, and first person point-of-view to characterize Rachel as someone who wishes they were older, but still acts like a
child.
In “Eleven”, written by Sandra Cisneros, Cisneros uses literary techniques such as diction and imagery to characterize Rachel’s character during her transition from age ten to age 11. These literary techniques help to describe how Rachel feels in certain situations while also explaining her qualities and traits. Through the use of these literary techniques Cisneros also collaborated on Rachel’s feelings when she was other ages and how she felt at that time during her life.
Silver believes that Rachel will grow up just like any other child, but she will be “special.” Until the day that reproductive cloning is accepted in society, Rachel will be known for being “special.” Genetically, Jennifer isn’t Rachel’s mother. Jennifer is, in fact, Rachel’s twin sister. Rachel’s grandparents not only have the title of grandparents, but of Rachel’s genetic parents as well.
Rachel is the oldest daughter in the Price family, she is fifteen when the family first arrives. Rachel is a beautiful girl, and pretty much all she cares about is how she looks. As soon as she stepped foot in the Congo,
One can learn responsibility through experience, whether the experience is great, or if it is tragic. In The Ninth Ward by Jewell Parker Rhodes, twelve year old Lanesha demonstrates her growth by bringing her and others to safety during a deadly storm. Once nurtured and cared for by her non-biological grandmother, Lanesha learns to take care of herself and others. This significance shows her transitioning from a girl to a young woman.
“This won’t sound like an earth-shattering pronouncement, but boys get funny around really hot girls. Rachel could tell the lamest jokes and boys fall about the place in laughter.”
At the age of 9, a little girl is counting down the days until her next birthday because double digits are a big deal. Now she is 12 and is still counting the days until she can call herself a teenager. For years people cannot wait to be another year older… until they actually become older. As people grow up they accept that maturing means taking on responsibilities and adulthood. Having sleepovers and play-dates, taking naps, and climbing the monkey bars becomes taboo. The simplistic life of a child quickly changes into the dull reality of school and work. People will spend years wishing they were older; but when the time comes, they hope to go back to their innocence. In The Catcher in the Rye, J.D. Salinger writes a stream of consciousness
Rachel does not turn for direction in her soul, but turns to her body instead, leaving her to be egocentric. If something doesn’t interest Rachel, it doesn’t matter to her. For example, when Ruth May died, the rest of the family handled the death badly, compared to Rachel, who seemed upset only because she wouldn’t be able to forget the Congo, and will continue to have memories of it. This is ironic, considering that Rachel does not show any interest in the Congo, but now she will have to have it haunt her for the rest of her
At the age of ten, most children are dependent on their parents for everything in their lives needing a great deal of attention and care. However, Ellen, the main character and protagonist of the novel Ellen Foster, exemplifies a substantial amount of independence and mature, rational thought as a ten-year-old girl. The recent death of her mother sends her on a quest for the ideal family, or anywhere her father, who had shown apathy to both she and her fragile mother, was not. Kaye Gibbons’ use of simple diction, unmarked dialogue, and a unique story structure in her first novel, Ellen Foster, allows the reader to explore the emotions and thoughts of this heroic, ten-year-old girl modeled after Gibbons’ own experiences as a young girl.
Julia Corpus and Helen Dunmore explore the theme of childhood as adults in different ways. “To My Nine-Year-Old Self” by Dunmore is written in the form of a letter, with an address and recipient. The first person narration creates a more personal feel, as the narrator is an adult looking on the past as a child. This contrasts to “An Easy Passage,” which is written in the third person, and can be seen as an outsider looking in on the girl. Both take the form of a narrative poem, telling the reader a series of events in “An Easy Passage,” and describes the future in “To My Nine-Year-Old Self.”
The author of the short story titled “Eleven”, Sandra Cisneros, portrays the protagonist, Rachel, as a girl with a mind well beyond her years. However, as the story continues, Cisnero delves deeper, by employing literary techniques, revealing that Rachel’s timid nature and immature instincts inhibit her from transitioning into a mature young adult, whom she strives to become. Cisnero starts the story immediately with a commentary from Rachel. “What they don’t understand about birthdays… is that when you’re eleven, you’re also ten, and nine, and eight… you open your eyes and everything’s just like yesterday.. you feel like you’re still ten. And you are - underneath the year that makes you eleven.” This complex thought portrays Rachel as a wise
Her open mindedness helps her succeed throughout the book. She attempts to placidly explain how she feels, and does not lash out with rage every time she is misunderstood, she. simply put it another way. Rachel also progresses as a person towards the end. Although one might not notice it much, she becomes a little less timid, and tries to argue and prove things more.
Humiliation is a part of being eleven. In the short story eleven by Sandra Cisneros, she shows us Rachels attitude toward age and characterizes her through the use of several different literary devices. Eleven is about a girl who has her eleventh birthday, and finds herself in a very uncomfortable situation, in which she reacts differently.
Jenna Ryan, not a day past thirteen, was reading a large book on her living room floor. She lived on Earth, a non-ma...
Thirteen is an age of confusion, stuck between wanting to be an adult but not yet old enough to be an independent. Angela was about this age, born in 1464 in Russia. She was conniving and a liar; the latter of the two lesser known. The girl was also power hungry and had an unsettling obsession with the ability to control others. She belonged to only her mother and owned a small house cat.
Her twenty third birthday had come and gone, a small celebration between the small moving camp, but it was a celebration nevertheless. She and her mother had gone through pictures, the film only few years old seemed older in the woman’s hands… one particular photograph she saw herself, her mother and her father. She wasn’t sure of the sensation that followed, but it was all wrong. She didn’t feel that sense of change she knew. When you’re sixteen, you feel different from that of when you were thirteen, when you were eighteen, you felt different from that of when you were ...