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Short film analysis
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FA1- Thriller Genre Analysis The short film Min Min (Tropfest 2012) shows many codes and conventions throughout it. These codes and conventions are used many ways throughout this short film to build suspense and also to create mystery. The short film uses the codes and conventions in many ways including through the camera angles, the expressions of the characters, the music and sound, as well as through the lighting. Throughout this short film there are also many emotions expressed by the character including fear, confusion and sadness which ultimately shape the way the audience watching the short film will feel. Firstly, throughout this short film it contains many codes and conventions, with the main one probably being the music and the sound. Most of the music throughout this film is quite deep and intense music, as if to lead up to something bad happening to the character. As well as the deep and intense music there are also some unsettling and mysterious sounds that occur throughout the film. One of these sounds includes the flickering of both a moths’ wings fluttering outside the tent and also the flickering of the lantern inside of the tent. As well as those sounds there are also faint sounds of whispering in the background which is something that can be seen in many other thrillers films as well. There are also quite sharp …show more content…
Throughout this film there was barely any light at all. It was pretty much pitch black dark all throughout this film, with the main light coming from the flickering lantern inside of the tent. The darkness of the night was making it quite difficult to see what was going on sometimes which was making the film more mysterious in some ways. Apart from the flickering lantern there was only one other light amongst the darkness which also seemed to be what the characters were trying to escape from, which brought both mystery and confusion to the
A Simple Plan is a very suspenseful film that is layered with many scenes that impact the viewer. This movie is about three men who live in Rural Minnesota who come across an abandoned plane. After searching the plane they find 4.4 million dollars in lost cash. They plan on keeping the cash if no one claims it for a long time. Along the way, there is a lot of mistrust, secrets, betrayal, and deaths. This movie is definitely a heart-
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer grow a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation.
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
The crime thriller genre is known for devices such as heists, kidnappings, interrogations, captivities, and ransoms. Famous crime thrill...
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
Though the majority of the film remains well-lit as the characters remain in the generator-powered bunker, the scenes begin to darken with low-key lighting as the film nears its ending, reflecting the more sinister and suspenseful aspects of the plot. In the chase to escape from Howard, Michelle is flooded with shadows and darkness as she crawls through the air ducts to reach an air filtration system room with a door leading to the outside world. The unpredictability of Howard catching up to her already triggers a thrilling sensation within the audience, causing their hearts to race with adrenaline. Along with the action, Trachtenberg enhances these emotions of fear by dimly lighting the film sequence in order to generate apprehension towards the uncertainties held within the shadows. As Michelle frantically manages to break open the door, low-key lighting continues to add intensity to the still shot of her standing in the darkness of the night outside the bunker. This holds the viewer in their seats and encourages them to glance around at the corners of the screen, anticipating a jump scare to come out of the shadows. Though previous scenes have been flooded with light, Trachtenberg’s use of darkly lit scenes presents a stark contrast, creating suspenseful tones that impose feelings of fear and adrenaline on viewers and making the film out to be incredibly
Barry, , Keith, and Grant, ed. Film Genre Reader III. Austin, TX: University of Texas Press,
There are also loud percussion noises too. represent the thunder of the earth. This is because in Shakespeare's play the opening. scene has stage directions for a storm and the first lines spoken by The witches also support this idea: "When shall we three meet again in thunder, lighting, or rain. As the camera goes in for a close up.
throughout the novel, and the story. As in the third chapter, the bunkhouse is. completely dark but when George and Slim enter, the electric light over the card table is switched on and the focus is then on the conversation at the card table as there is darkness all around. And even though there are voices from the darkness the reader’s attention. remains with Slim and George.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
destruction seen in the film into their own lives, by using familiar, mundane sounds that make a
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
Enhancing the sustained fright of this film are an excellent cast, from which the director coaxes extraordinary performances, and Bernard Herrmann's chilling score. Especially effective is the composer's so-called "murder music," high-pitched screeching sounds that flash across the viewer's consciousness as quickly as the killer's deadly knife. Bernard Herrmann achieved this effect by having a group of violinists frantically saw the same notes over and over again.
People flock to horror movies each year. Usually to be scared. Another is to solve the question of Who done it? Unfortunately, a lot of these horror movies fail to scare people or make the killer so obvious the audience gets bored. Occasionally, there are a few horror movies that stick out. Scream, directed by Wes Craven, is one of them. Wes Craven is always toying with the viewer's fears. Always finding ways to scare the audience at every turn. He also plays with the viewer's head, and has them second guessing themselves. How does he do it? Well, as one of the characters in the movie exclaims, "There's a formula to it. A very simple formula. Everybody's a suspect!" This paper will discuss how Craven uses sound, camera shots, and mise en scene