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Importance of editing a film
Analysis of Sherlock Holmes
Analysis of Sherlock Holmes
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Revealing Experiences and Emotions Imagine all of the film’s that an individual has seen such as action, horror, and romantic movies. Each film prevails a dissimilar diegesis to produce a unique story, but this is not the only factor that directors take into consideration. In order to develop an effective and sequential film, a lot of editing occurs such as continuity and discontinuity editing. Continuity editing consists of cross cutting and shot reverse shot, whereas discontinuity editing demonstrates an obscured version of time and space. In the films “Bad Liar” and Sherlock Jr, the purpose of editing is attained through the aspects of shot reverse shot, cross cutting and ambiguous presentations to comprehend the imbalance in temporal …show more content…
For example, “Bad Liar” expresses Selena Gomez walking down the school’s hallway, while students are displaying disgusted looks, but the directors does not capture the students and Gomez at the same time. They go back and forth to focused more on each of the individuals emotions. This allocates the audience to acknowledge the separation of each character’s experiences and feelings. Also, the loathing looks that the students present to Gomez inferences the hidden internal feelings she has for someone. In Sherlock Jr, the same factor is applied towards the end of the film. The camera goes back and forth to the couple and the movie playing during that scene to guide the detective to make moves on the women he likes. This scene conducts a message to the audience to reveal the uncertainty of the detectives experiences with women. The switches between conversations of the characters are done in a precise and smooth matter, so the audience does not get …show more content…
Discontinuity is when the time and space of a film is jumbled, which is demonstrated in the music video. At the end of the film, Gomez pulls out a picture of her coach, which throws off the audience in thinking what symbol is uncovered. The temporal aspects of this scene exhibits the imbalance of sequencing, but it entitles the audience to actually evaluate the reason behind her true personality. In Sherlock Jr, discontinuity is represented when the unequal transitions of the captions and scenes were joined together. The captions interrupted the story and occasionally left the audience confused. Even though, the captions were to form an understanding of the plot, it delayed the significance of the
During the beginning of the film “Sherlock Jr”, there are multiple cut shots when he is trying to buy a portrait from the store lady.This scene shows continuity due to the fact that this is an eyeline match shot between Sherlock and the portrait. This scene establishes the setting Sherlock and the other characters occupy. The portrait also indicates that there is a graphic match towards the store lady and the portrait in the next upcoming shots. This also contributes to continuity because they both share the same pose, facial expression indicating the resemblance and establish that there is not a change between time and space.This scene also presents rhythmic relation that connects the shots together. This is to link the shots together in a format that relates to Sherlock’s hopes and coordinates with the music tempo. The shots decrease in time in order to represent the anticipation of the outcome, still contributing to the continuity.
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
Katy Perry’s Rise is also seen to show discontinuity in the similar aspect that the audience is unclear on how much time has passed. The audience has no clear understanding of how long she was at the building before it cuts to her in the desert, as well as they have no idea how long she was in the desert. Since the weather changes as well as her locations, it’s clear that it’s more than a few hours, but the audience doesn’t have complete knowledge of the time
Parallel editing, or cross cutting, aligns multiple storylines that are happening at the same time in order to sustain the actions of each characters. In Suspense, this technique is used continuously to follow the paths of the tramp, wife, husband, and police. However, the
...ing message and provide an emotional punch to equal the book's resonance, which would have probably made a longer film, but added to the continuity if the film.
For example, in the few minutes of the previous scene before Andy begins to escape we have a narration from Red telling the audience that he believes that Andy is going to kill himself from his recent behaviour when he left solitary after two months of being with his own thoughts. Red says “I’ve had some long nights… alone in the dark with nothing but your thoughts, time can draw out like a blade. That was the longest night of my life.” because of these specific wording of Red’s narration we as the audience automatically expect the worst. This narration and the character of Red is one of the most significant and influential elements of the film to manipulate the audiences emotions towards the one particular scene. The scene following Red’s narration is of the aftermath of Andy Dufresne’s disappearance from the Shawshank prison, we see the Warden unbox what he expects to be his black dress shoes, that he made Andy polish the previous night, yet opens the box to find a set of brown prisoner shoes. The audience then begin to see a flashback of what happened the previous night, and we see Andy switching the corrupt account books as well as dress himself in the Warden’s dry cleaned suit. This scene that follows Red’s night in his cell worrying about Andy is one of the best for
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
The purpose with this paper is to study and compare two different directors, and to compare and contrast the two different works. How are they working with their movies and how do they use mise-en-scene? By studying two different directors that uses different techniques when making movies, we are going to find out how important mise en scene really is, and how it affects the movie.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
Berliner, Todd and Cohen, Dale J. "The Illusion of Continuity: Active Perception and the Classical Editing System." Journal of Film and Video 63.1 (2011): 44-63. Project MUSE. Web. 14 Feb. 2011. .
Although this gave away the plot of the film it did not make the film
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
When the selected films are analyzed, the researcher has found out that the director uses a nonlinear narrative, disjointed narrative or disrupted narrative to communicate the theme, where events are portrayed, out of chronological order, or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions, hallucination or narrating another story inside the main plot-line. When a film is told in a nonlinear fashion, it is generally a choice by the director to emphasize a certain meaning. While analyzing the movies of TV Chandran, the researcher has observed that he used this method because overarching theme ‘human alienation’ is bigger than any single character and wanted to include multiple story lines that intersect at different times. In all his films, filmic narrations are disrupted with dreams, hallucinations, and flashbacks, and bring a multi perspective approach in his movies, and also make the viewer an active
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].