Shaping African-American Identity In Alice Walker's The Color Purple

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One of the aims of this essay is to offer an analysis of the intersectionality of oppressions as part of a power discourse in Alice Walker’s seminal novel, The Color Purple, by trying to argue how the political categories of race, gender and sexuality converge throughout the novel. Furthermore, I will delve into the politicized aesthetics of message or philosophical rap artists such as KRS-One and Sister Souljah and establish connections with Alice Walker’s novel in terms of resistance and systems of power. I will discuss these issues and argue that both the novel and the rap songs I will focus on represent highly politicized forms of art, which stand at the core of shaping African American identity. I will place this discussion in the context …show more content…

If we take a look at the issue of sexuality and how it develops throughout the novel, sexuality represents a site where the notions of racism, sexism and heterosexism intersect: “African-American women’s experiences with pornography, prostitution, and rape demonstrate how erotic power becomes commodified and exploited by social institutions” (Collins 167). If we consider the history of rape of slave women, as “rape has been one fundamental tool of sexual violence directed against African-American women” (146) and if we accept Patricia Collins’ claim according to which “all systems of oppression rely on harnessing the power of the erotic” (128), then we may conclude here that sexuality is a crucial element in Celie’s path to survival and personal growth: if the power of the erotic plays a distinct role in establishing relations of domination, then “reclaiming and self-defining that same eroticism may constitute one path toward Black women’s empowerment” (128) and this is exactly the case of Celie and her sexual and romantic relationship with Shug. Thus, sexuality comes to represent the main tool in fighting against these oppressions. If in the beginning of the novel, Celie is the victim of oppression and domination through the act of rape (“First he put his thing up gainst my hip and sort of wiggle it around. …show more content…

She learns to love herself, as a black woman, by loving another black woman, an act which politicized love and transforms it in a site for resistance. The problem this relationship poses is of crucial significance for the issue of intersecting oppressions because it simultaneously threatens racism, sexism and heterosexism. According to black feminist thought, black lesbian relationships represent relationships among the “ultimate Other” (Collins 167) and because they “challenge the mythical norm that the best people are White, male, rich, heterosexual [they] generate anxiety” and pose a threat to the dominant group and the structure of power (168). Thus, the sexual and emotional love that Celie and Shug experience reveals the enormous power that love has, even facing an intersectionality of oppressions. It is the force that transforms Celie from a disempowered victim of rape, violence, and of the whole system of white patriarchy into a powerful black woman who learns to love herself and thus resist the perpetuated harm that has been inflicted on generations of black women. As Patricia Collins eloquently

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