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Directorial interpretation of romeo and juliet
Character and characterization of the play Romeo and Juliet
Comparing the movies of Romeo and Juliet
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Recommended: Directorial interpretation of romeo and juliet
Shakespeare's Romeo and Juliet and Baz Lurhmann's Film Version
Previously, in Act 2 Scene 6, we have seen Romeo and Juliet marrying
one another thus binding the Montagues with the Capulets together. The
marriage had to take place in secret, due to the war between the two
families. We see at the beginning of Act 3 Scene 1, the behaviour
between Romeo, Mercutio and Tybalt reflect the hatred between the
Montagues and Capulets.
Throughout this essay I shall be looking at the main characters of Act
3 Scene 1, also I will discuss the way Shakespeare presents the
characters in the play and in contrast with Baz Lurhmann's film of
Romeo and Juliet, to see if Lurhmann adds anything to how the
characters are represented in the film.
At the start of act 3 scene 1 we see Mercutio's arrogance, as when
confronted by Tybalt, he tells him that he "will not budge". Here,
Mercutio is showing confidence in that he won't back down before
Tybalt. Looking at the film, you get the sense that Lurhmann shares
the same impression, as in the film, Mercutio's arrogance can be
clearly seen especially when Romeo is seen submitting to Tybalt, so,
Mercutio goes to help his friend, and here we see Lurhmann gets
Mercutio to drop his gun in the sand, portraying that Mercutio doesn't
need firepower in order to kill Tybalt.
Following Mercutio's arrogance is his ability to be able to turn his
conversation into a fight. This proves my statement, as when he is
talking to Tybalt, Mercutio says "make it a word and a blow". Meaning
the Mercutio wants to have a conversation as well as a fight. Lurhmann
points this out, as he gets Mercutio to put emphasis on the word
...
... middle of paper ...
...ecomes afraid and finally
when it comes to it accepts his death. Romeo on the other hand, starts
off being peaceful and when Mercutio is killed, he turns into an
animal like person and flies off in a rage to go kill Tybalt, who
earlier he wanted to make peace with. The film really brings out the
characters vulnerability, when about to die or staring death in the
face. By watching the film, it brings out the characters expression,
and showing the viewer the actions and facial expressions of the
character. I feel the main point which echoes through out the play, is
the war between the Montague's and the Capulets. Also you get the
sense, that if there were no division between the two families, no one
would have been killed and maybe you may have not seen the characters
being so aggressive and arrogant towards one another.
He is often up and happy, which immediately turns to serious brooding. The best example of this comes at his death. He has been stabbed through by Tybalt’s cruel blade and the killer has flown. All his fellows gather around laughing when Mercutio yells that he is injured. After sending for a surgeon he stumbles about saying, “No, ‘tis not so deep as a well, nor so wide as a church door; but ‘tis enough, twill serve: ask for me tomorrow and you shall find me a grave man. I am peppered I warrant for this world. A plague o’ both your houses! Zounds, a dog, a rat, a mouse, a cat to scratch a man to death” (III.i.94-99). In this quote Mercutio seems to go from cracking jokes and making puns to all seriousness, screaming plague upon the quarrel between the two houses. This was very serious considering the plague was running rampant at that time, killing thousands of people. To wish plague on someone is to wish the most feared thing of their age on them and their family. This is not the only example of such emotional instability as he often ranges from very high to very low, creating quite the dramatic and loud character. Mercutio’s characteristics are wide and varied, making him into an extremely complex, extremely prominent character. Shakespeare places this persona of varying emotions who may not be thinking exactly what he seems to be into the story of Romeo and Juliet, a stage full of such
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Mercutio is a confusing character. He rarely seems to hate anybody yet he is almost always “Hot-headed;” getting into fights and losing his patience towards others.
The Major Differences Between Two Film Versions of Romeo and Juliet The major differences between the two movies Romeo and Juliet who were
Throughout the speech, he frequently adds a sort of flare to the way he speaks; for example, he uses over ten lines(in the text)to simply describe the size of Queen Mab. The manner in which he speaks is loud, confident, and stylish; therefore, he attracts attention. He also manages to subtly mock Romeo when speaking about how those who are in love dream of love; this is to add a comedic flare, even though that is what he is. Mercutio’s entertainer like personality is due to the fact that he is amusing. In this tragic and serious play, he is the obnoxious character that breaks the seriousness for a while with a witty remark.It also explains why he is the dramatic foil to Romeo. This goes along with his flamboyant attitude. Nevertheless, he is also vulgar at times, which adds to his loud personality. Now, brown represents Earth and reliability, and Mercutio, in his own way, represents
time and still can used as a modern story line in an modern film in
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
(Shakespeare 121). Romeo tried to stop the fight and therefore gave Mercutio more time before death, albeit minimal. The blame cannot be placed on Romeo since he did all that he could to stop the fight from progressing.
‘Romeo and Juliet’ is a tragic play about two star crossed lovers written by Shakespeare in 1595. The play is a timeless teenage tradgedy. “The play champions the 16th Century belief that true love always strikes at first sight,” (Lamb 1993: Introduction) and even in modern times an audience still want to believe in such a thing as love at first sight. Act II Scene II the balcony scene displays that romantic notion perfectly.
Romeo and Juliet - Movie vs. Book & nbsp; Often times people say that William Shakespeare was and still is a legend. They are correct. It is amazing how Shakespeare's play Romeo and Juliet was written. centuries ago can be better than Franco Zefferelli's movie production of Romeo. and Juliet, which had much better technology to work with only decades ago. Although the movie appeared better, it left out some major parts. The play had better mood and plot details which made it much more dramatic and by far a better presentation of the. & nbsp; One major difference between the play and the movie occurs in mood. An example of this is the marriage scene. In the marriage scene of the play, Romeo and Juliet is very serious. The reader can tell this by the way the two speak. Romeo says that the Holy Words the Friar speaks can make something without an equal (Act II, Scene 6, Line 4).
Unaware of what happened at Capulet’s party, Mercutio assumes that Romeo is still heartbroken from Rosalind. Line 15 in Act II, Scene IV provides an alternative perspective that exposes the true nature of young love. “Alas poor Romeo, he is already dead, stabbed with a white wench’s black eye, run through the ear with a love song.” Mercutio assumes that love only results in pain, with Romeo’s troubles with infatuation only supporting his belief. Mercutio’s dissatisfied tone, in addition to his perspective on the matter, reveals how others view Romeo. Moreover, it reveals how much love influences
The first reason why the play is a traditional tragedy is that the hero, Romeo, possesses a major flaw which leads him into much trouble and eventually his demise: his fiery, impetuous nature. In one of the many brawls between the Capulets and the Montagues, Romeo displays his rashness. In this encounter, Tybalt and Mercutio, Romeo’s best friend, joke around as they are dueling, but the duel takes a turn for the worse when Tybalt kills Mercutio. Romeo, devastated by the death of his best friend and hell-bent on avenging it, challenges Tybalt to a duel. Romeo kills Tybalt out of anger and is banished from Verona, separated from his love Juliet. The punishment does not fit the crime, but it cannot be denied that Romeo brought it upon himself. He acknowledges his own rash behavior by saying, “Oh, I am fortune’s fool!” (III, i, 99). If he could have controlled his temper, the whole fight would have been avoided. Not only is Romeo impulsive in battles...
“Feather of lead, bright smoke, cold fire, sick health, still-waking sleep, that is not what this is” (Shakespeare 1.1. 179-180). A string of contradictions explain the love story of Romeo and Juliet, a contradiction. Some critics consider this story a tragedy because Shakespeare once wrote; “the fault is not in our stars but in ourselves”. While others say it does not follow the standard Aristotelian form of tragedy (Krims 1). Romeo and Juliet can not be a tragedy because no flaw causes them to fall, the lovers, could not have controlled fate, and family and friends assisted them to their deaths.
...s both traits in cases of somber situations such as the moments leading up to his death, such as his decision to stay and fight Tybalt, and once defeated ending with a joke. As a character Mercutio resembled a man of foolish courage. This is a major issue for many of the characters in this play for many of the plans created follow the gist of being brash and quickly, but not thoroughly, prepared. Yet in life preparation is sometimes not always granted and having this swift impulsiveness may benefit some in certain situations. Although life may seem to always take some calculated thinking before proceeding to the next step, but sometimes it just requires a little instinct and gut feeling for the most important and hardest decisions.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love. The play Romeo and Juliet by William Shakespeare is set in the fictional city of Verona. Within the city lives two families, the Capulets and the Montegues, who have been feuding for generations.