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An essay about the Merchant of Venice
The plot of Merchant of Venice
Shakespeare and anti semitism
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In Shakespeare’s The Merchant of Venice there is a palpable hatred between the Jewish moneylender Shylock and the privileged prodigal Christians Bassanio, Lorenzo, Antonio, Gratiano and Portia. History shows that Jews have long been persecuted and despised for not accepting Christianity, Islam or other religions of the majority as their own. Yet choice of religion is not the cause for the two cultures abhorrence. Their detestation is much more deep-rooted; it stems from their antithetical cultural beliefs. Shakespeare depicts lifestyles; morals and values that completely oppose each other, the very natures of his Christian characters cancel Shylock’s defining characteristics. The closed-off, cautious, restrained, simple, lonely man is thrust into the social, extravagant, spendthrift world of Christianity. Disliked as much for his skinflint profession and bare life style as he is for his religion, he is a stranger in a society that contradicts everything he feels and believes.
As the play progresses towards the end it becomes clear that Shylock’s selfish, narrow and mechanical values are unfit and unworthy to live by. Eventually Shakespeare has Portia destroy Shylock, thus indicating Christianity as the superior lifestyle. Yet it is not out of anti-Semitism that Shakespeare strips Shylock of his principles, rather it is a conclusion on how life should be lived. Although the Christians in The Merchant of Venice are far from perfect, with their hypocrisy of mercy and extreme materialism, their life is still preferable to the stingy, antisocial, void of emotional connection alternative.
Before Shylock even enters the play, Shakespeare hints at the intolerance of the Christian society through his protagonist Portia. As Por...
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...s. Portia expounds extensively on the Christian ideal of mercy, saying, “It is an attribute to God himself,” but ironically exercises none in dolling out Shylock’s punishment; forcing him to convert to Christianity and seizing half his wealth, the Christians show him no pity. True to form, Shakespeare depicts his characters with all their human flaws; they make mistakes. Nevertheless it is the Christians whom he places hope for the future in. Their values and ideals are good and they strive to achieve them. Belmont’s paradise, both unattainable and perfect, represents the harmony and order that they endeavor to. Shylock’s ideals leave one with nothing to live for, while the Christians celebrate and appreciate life and are content.
Works Cited
Shakespeare, William. The Merchant of Venice. Ed. Lawrence Danson. New York: Pearson Education, 2005. Print.
Crawford, Alexander W. Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear. Boston R.G. Badger, 1916. Shakespeare Online. 20 Aug. 2009. (April 30 2014) < http://www.shakespeare-online.com/plays/othello/othelloessay2.html >.
Since middle school, I have believed that all of Shakespeare’s works, similar to A Mid Summer Night’s Dream, were plays that one would read to hear a happy, entertaining story; but, it was not until this year, after reading The Merchant of Venice, that I recognized the darker, more sinister, side of Shakespeare’s plays. The Merchant of Venice supports the Jewish, anti-Semitic stereotype as the wicked character of Shylock is developed. Many individuals fear that it is improper to teach and discuss The Merchant of Venice in high school classrooms because of the negative way it presents Jews; however, I believe that it is important to read this controversial play in high schools because it enables students to learn anti-Semitic history and because reading Shakespeare’s works, due to their complexity, expands the literary mind of those who read it.
Through out the 1920’s many inventions were created that altered human civilization. Transportation was successfully mastered. Radio communication was becoming more common and medicine was saving more and more lives every day.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
Some of the audiences in the 16th century, believed that Jews were at a lower stage than them, and they only believed this because the Jews were a different (“different” referred to as “wrong “for Christians who lived in the 16th century), religion they believed they were not people, like them. The play Merchant of Venice shows the evil side of the Jews. The character’s name is “Shylock”. He is the character of evil doing; he is also the character that Shakespeare chose to represent a Jewish character. As a Jew, he represents the race as being wicked, evil etc.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is clearly evidenced in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impeccably of that distinction.
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
Shylock has the reader's sympathy. Still, their desire for revenge ruins them in the end. Works Cited Shakespeare, William. The. The Merchant of Venice. 1967.
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.
...ived a corrupt life and society which went against their Christian values. In a This I Believe Essay, by Kevin, he writes, “I believe that others have already defined much of who I am supposed to be, and I have spent a great deal of time running from that definition. I believe that there comes a time in everyone’s life when he or she must speak up and address stereotypes and assumptions because they are easier to believe that the work it takes to discover the uniqueness of the individual.” In the case of this subject at hand, the Christians define the Jews as evil and in a much more separated society from them despite both being human beings. The prejudice they produce, the nefarious lifestyle, all come into the factor displaying Christians as the true villain in The Merchant of Venice.
Being a Jew in Christian dominated Venice, Shylock is persecuted by society. He is the victim of popular Christian prejudice, which scorns his religion and restricts his means of employment. He is left with no choice but to be a moneylender and earn his money from collecting interest. To the Christians, collecting interest was against their teaching. This is one of the reasons for the Christians hatred.
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
William Shakespeare’s The Merchant of Venice presents a battle between love and hate, influenced by money. Written during the 16th Century, Shakespeare depicts an anti-Semitic era through the eyes of both Jews and Christians. Each perspective has it’s struggles, but what stays consistent between them is what makes this play so historical. Throughout this play, it becomes clear that culture affected by love and hatred, under the influence of money, can deliver a powerful message that still speaks to readers today.
The first theme is that religious intolerance and prejudice play destructive roles in the book. Even to this day, there is racism and prejudice in schools about race and religion. Antonio, as a true Christian, has often condemned moneylenders. He knows that since the early twelfth century, Christians are forbidden by the Church to lend money for profit. Shylock, as a Jew, does not consider his money-lending and overwhelming interest to be a sin in any manner. In fact, he considers his earnings through money lending as the gift of God. He appeals to and quotes the Scriptures in defense of his profession. Shylock and the other Jewish moneylenders are essential to the prosperity of the merchant community, but they are also outcasts as human beings and as Jews. Shylock often shows his dislike to the Christians; “I hate him for he is a Christian”, (Act I, Sc. III, L. 38). The Christians ridicule and hate the Jewish moneylende...
Shylock, in Shakespeare's The Merchant of Venice, epitomizes emotion unrestricted by moral character or intellectual rationality. Shylocks' conversation at the beginning of act four, scene one clearly demonstrates this as the Duke and Antonio urge Shylock to use both his empathetic and rational abilities. Shylock’s humanity, a trait which would normally allow him to feel empathy, is doubted by Antonio who describes Shylock as. By calling him "stony" and "inhuman" and "empty," Antonio draws attention to Shylock’s clear lack of empathy and humanity, and furthermore, suggests that Shylock is deeply and inherently evil, describing him as something monstrous or animalistic.