Marriages during the Renaissance shared common customs such as “crying of the banns” ceremonies, a dowry or gift for the husband’s family, special clothes, and a wedding feast. Commonly, marriages were arranged although Shakespeare’s was not. William Shakespeare and Anne Hathaway followed some traditional wedding customs and disregarded others. There were many customs common to all marriages in the Shakespearean era. If a couple intended to be married, they had to partake in a “crying of the banns” ceremony for three consecutive Sundays or holy days (“Elizabethan Wedding Customs”). A “crying of the banns” ceremony involved the couple announcing their intention to marry at their local parish or the church where they were to be married. A couple …show more content…
could receive a special marriage bond and only have one “crying of the banns” ceremony if they needed to be married quickly (Alchin). Couples were also expected to marry at the home parish, and upper class people usually had marriages arranged by their fathers that insured that “both families involved would benefit” (“Elizabethan Wedding Customs”). Men arranged marriages because they held the positions of power in Renaissance society, and women were considered secondary to them. Like today, couples often exchanged rings. Isaac and Alchin point out that unlike today, women were expected to bring a dowry that contained money, goods, and property into the marriage to further the wealth of her husband’s family and that marriages were based on realism, not romanticism (Britannica). On their wedding day, brides wore not white but their best dress or a new dress if they could afford it. The groom wore his best clothes as well. If the couple were nobility, they would wear satin, corduroy, or velvet, and if they were common people, they would wear cotton, wool, or flax. Sometimes, the bride was “decked with ears of corn” which symbolized Demeter, the goddess of fertility and the harvest (“The Marriage Ceremony”). Before and after the wedding, the families of the bride and groom would process through the streets to the Church and back to their homes. The wedding procession was “the most public part of the marriage” and involved the entire community coming together to accept a marriage (Krohn). Once at home, there was a wedding feast. The wedding feast was an important part of the wedding ceremony and was thoroughly planned. Bread and sweetmeats were served at the wedding feast and sometimes more exotic dishes like peacock and sugar sculptures made appearances (Alchin). Ale and sometimes wine were drunk at the feasts, and the food was often “highly flavored” (Alchin). Despite the prevalence and importance of customs, not all Renaissance weddings followed the old ways. In his work Shakespeare, Michael Wood discusses the somewhat unusual marriage of William Shakespeare and Anne Hathaway in detail.
William Shakespeare married Anne Hathaway in late November or early December 1582 when Shakespeare was 18 and Hathaway was 26 at the Temple Grafton Church. The two did not conform to certain customs such as three “crying of the banns” ceremonies, having an arranged marriage, or marrying at their home parish. According to Wood, Hathaway became pregnant before she married Shakespeare and had to marry Shakespeare before she was visibly pregnant (Wood 89-90). The church banned marriage between Advent Sunday and the middle of January, so the two only had time for one “crying of the banns” ceremony on November 30th, 1582 (Wood 90). The two also married at Temple Grafton Church even though their home parish was Stratford-upon-Avon. After their marriage, Shakespeare and Hathaway had three children, Susanna, and twins Judith and Hamnet. After the birth of the twins, Shakespeare and Hathaway lived apart, and William Shakespeare moved to London. Even after William Shakespeare moved back to Stratford-Upon-Avon, the two lived apart (Bevington, Brown, Spencer). Despite their separation, Anne Hathaway requested to be buried next to William Shakespeare following their deaths. Through their special marriage bond, marrying outside of their home parish, and not having an arranged marriage, William Shakespeare and Anne Hathaway’s marriage defied some of the
traditions common to Renaissance Era weddings. Thus, many Renaissance Era marriages shared customs such as three “crying of the banns” ceremonies, a dowry, special clothes, and a wedding feast. William Shakespeare and Anne Hathaway’s marriage shows that despite the prevalence of traditions, not all marriages were the same and that the old ways were not law.
William Shakespeare, an English actor and play write, was born in Stratford upon Avon on April 23, 1564. When he was 18 he married Anne Hathaway, a Stratford woman, who was 26 years old. Shakespeare and Hathaway had three children. The first was Susanna and the twins were Hamnet and Judith. Another of Shakespeare's great works of art, Hamnet, was named after Hamnet. Juliet, in Shakespeare's famous play Romeo and Juliet, was named after Judith. Shakespeare died on April 23, 1601. There are many events that contributed to Romeo and Juliet's deaths. These events are either fate or coincidence.
Weddings were always a religious ceremony, conducted by a minister. The religions varied but the legal process prior to the wedding was always the same. There were no Registry Office marriages or marriages conducted by a Justice of the Peace. The first stage was Crying the Banns, announcing a couple's intention to marry. The same procedure still applies to Church marriages in England today. The Elizabethan Wedding custom dictated that the couple's intention to marry had to be announced in the church three times on three consecutive Sundays or Holy days. This allowed time for any objections to be raised or pre-contracts to be discovered. Any marriage not published beforehand was considered clandestine and illegal. Wedding invitations were not issued. People lived in small communities
---. "'O, let him marry her!': Matrimony and Recompense in Measure for Measure." Shakespeare Quarterly. 46 (1995): 454-464.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
Marriage in William Shakespeare's The Taming of the Shrew At the time Shakespeare wrote The Taming of the Shrew the idealistics
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
Marriage and love played a critical role in human society. Societies consider marriage as a social institution that ensures continuity of values, beliefs, practices, and behaviors of individuals in the society. However, values, beliefs, practices, and behaviors attributed to marriage are subject to change. Evidence shows that marriage changes with time, the same way cultural values and beliefs of human beings do. For instance, Tavares (289) asserts that marriage practices, values, and customs of the past century vary significantly from the marriage value of the present time. The play Tragedy of Othello, the Moor of Venice by Shakespeare shows a different perspective of marriage than how it is depicted in the Elizabethan England period (1158-1603 A.D.).
During Shakespeare's time, the wedding and engagement rings indicated commitment. The rings Portia and Nerissa gave to Bassanio and Gratiano, that they were never to remove, were just that. "I give them with this ring, Which when you part from, lose, or give away, Let it presage the ruin of your love And be my vantage to exclaim on you" (3.2.171-4). The rings stood for the man's commitment to his wife just as rings Bassanio and Gratiano would give to Portia and Nerissa at their weddings would stand for the wives' commitment.
During the Regency Era, marriage was held to a different standard that it is today. The majority of the time, women married for stability or monetary benefits, but it was a rare occasion for a women to marry for love. It was seem as not normal and made the couple stand out from the crowd. Most of the times, the couples that did marry for alternative reasons were not happy and usually one person in the marriage controlled the other in some way, shape, or form. In Pride and Prejudice, these types of relationships are displayed, but 2 of the Bennet sisters were fortunate enough to find someone that they truly loved and got married for the purpose that it should be.
While reading Romeo and Juliet many people have noticed that how a marriage works is very distant than how they work today. In this play the marriages are very different because of the proposal, the ceremony, and the reception. These are only some of the many things from Shakespeare’s era that have changed over time.
To give a little background on the play; the pursuit of marriage is the driving force behind the play. “I now pronounce you, man and wife.” This traditional saying, commonly used to announce a newlywed couple during a wedding ceremony, marks the happily ever after that many dream of today. In today’s society, marriage is an expression of love between two individuals. Marriage has not, however, always been an act of love. In the Victorian era, marriage was almost a chore. Most people married out of need rather than want. In the Play this is evident when Lady Bracknell objects to Gwendolen and Ernest’s engagement on the basis of his lack of legitimate background. On the other hand, Jack objects to the marriage of Cecily and Algernon’s
Nearly every character in Shakespeare’s “As You Like It” has a marked opinion on love and marriage which ranges from the romantic Orlando to Ganymede who is quite skeptical of love and endeavors to “rid” Orlando of his petty infatuation for Rosalind.
Shakespeare writes for a public who views marriage unsentimentally. At all levels of society, from king to commoner, marriage is entered into for commercial and dynastic reasons. People marry to increase their property and to secure its inheritance. Wise parents, who may dispose of their children in marriage, will of course try to avoid matches which the contracting parties find intolerable, but there are limits to this. On the other hand, children have a duty of obedience. And the husband Egeus proposes for Hermia is by no means unattractive; his chief defect is that he is not Lysander, whom Hermia loves, perhaps intemperately.
Three of his siblings died during childhood. There were no records found of William Shakespeare's education as a child, because of this it raises many questions about him. William Shakespeare married Anne Hathaway on November 28, 1582 at the age of 18, Hathaway was 26. Their wedding was arranged quickly since Hathaway was pregnant. She gave birth to a daughter named Susana and less than two years later they had twins.
In November 1582 he married Anne Hathaway. He was 18 and she was 26. They had 3 children. May 1583 they had Susanna then two years later had twins, Hamnet and Judith. Hamnet died at the age of 11. Susanna married a physician in 1607, and Shakespeare's other daughter married to a vintner in 1616.