Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How does Shakespeare present ideas of love
Shakespeare's life
Comparing texts romeo and juliet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How does Shakespeare present ideas of love
It’s important for those studying English literature to study the classics and classic authors such as Shakespeare. Even today Shakespeare’s work remains relevant and influences many new upcoming writers today. Shakespeare’s works will always be important because they depict a wide variety/range of human emotion accurately, tells what are often relatable and universal stories, and he formed the basis our modern day English language. For us to understand Shakespeare’s work we must first know more about his background. Not much actually is known about Shakespeare’s early life such as his birth. But According to the Folger Shakespeare Library, Shakespeare’s birthday was likely April 23, 1564 because he was baptized on April 26, 1564. His father …show more content…
It’s regarded as the most famous love story in English literature. Love is the story’s dominant theme and most important emotion. Shakespeare depicts and focusses mainly on the passion that comes from love at first sight. He depicts love as a force that can overpower loyalties and many other feelings/emotions. Juliet states that Romeo should “deny thy father and refuse thy name” to show his loyalty to their love over anything else. Shakespeare then presents the chaos and effects their passion causes such Romeo’s best friend Mercutio dying as a result of the feuding families. He may or may not be foreshadowing this when Mercutio and Romeo are discussing the nature and burden of love. According to Romeo love “is too rough, too rude, too [boisterous], and it pricks like thorn. (1.4.25-26) While Romeo’s bet friend Mercutio says it’s “too great oppression for a tender thing. (1.4.24) The two friends describe love in violent, painful terms. Gang related warfare is depicted as a feud between the Capulets and the Montagues. Romeo and Mercutio’s bond resembles ideal friendships people can relate to. Shakespeare’s Romeo and Juliet consists of a multitude of emotions and relatable concepts. Popular movies such as Romeo Must Die, West Side Story, Step Up, China Girl, and Underworld are all inspired by concepts introduced in Romeo and …show more content…
The story has themes such as fate vs free will and misinterpretations. In The Tragedy of Julius Caesar questions of fate and mankind’s free will. Cassius, one of the anti-Caesar conspirators, believes accepting Caesar’s rule as fate is nothing short of cowardice. Cassius confides in Brutus, a close friend of Caesar and co-conspirator, and says: “Men at some time were masters of their fate. The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings”. (1.2.140-142) Cassius doesn’t believe in fate and seems to see it as a coward’s excuse to not fight for themselves. Julius Caesar on the other hand seems to believe fate and free will coexist as does the story itself. Caesar demonstrates this belief saying: “it seems to me most strange that men should fear, seeing that death, a necessary end, will come when it will come”. (2.2.35-37) Caesar believe that there are things beyond human control and to fear the inevitable is worse than death. In the story characters often fail to interpret omens they come against correctly. Cicero says, “Men may construe things after their fashion, clean from the purpose of the things themselves”. (1.3.34-35). The omens presented the night before Caesar appears at the Senate are read inaccurately. Cassius believes the omen
In “The Tragedy of Romeo and Juliet” by William Shakespeare, two very young people fall in love but cannot be with each other because of the feud in between their families. The feud ends when Romeo and Juliet both kill themselves because of heartbreak over the other. The minor characters Mercutio, Tybalt, and Friar Lawrence serve as foils to Romeo, to help support the theme of patience.
Romeo and Juliet is arguably the most famous story about love in literature. This is in part because of the tension caused by the look the different characters have towards what love means and its role in life. These views were very important for the progression of the story. Their different views collided and caused much grief and sorrow for the characters throughout play. Many important events that propelled the story forward would not have happened without the various feelings towards love the characters have and how they felt of and reacted to the other characters’ view on love.
Mercutio: Menî–¸ eyes were made to look, and let them gaze. I will not budge for no manî–¸ pleasure, I. This is just a small sampling of crime and violence versus peace and law. Later in this scene, Mercutio challenges Tybalt in a duel, then when Mercutio is slain, Romeo goes on to challenge Tybalt, killing him. If Mercutio, Tybalt and Romeo would have listened to Benvolio, the fights would have not occurred, and the outcome of the play would be changed. An example of love versus hate occurs through the relationship Romeo and Juliet and the hate between their families.
The idea of ignorance, and the belief of a false faith, turns this noble man into a vulgar grave, with virtuous notions. Brutus’ ignorance creates an expectation that develops a path that leads him awry. When Brutus mentions, “I would not love Cassius; yet I love him well” (1.2.81-88 ), he portrays his internal conflict. Brutus depicts the struggle between Cassius’ acquisitions and Caesar’s actions.
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
Cassius and one of the other conspirators discuss the plan on getting people to turn against Caesar. As Cassius is talking to Cinna he says, “Three parts of him is ours already, and the man entire upon the next encounter yields him ours” (I.iii). Cassius is trying to write fake letters to people turning against Caesar that Brutus will believe. Brutus decides the best thing to do is kill Caesar because of the letters and the convincing of Cassius. When Brutus and Cassius first meet, Cassius is already acting as a mirror for Brutus. When Brutus thinks Cassius is leading him to danger Cassius says, “So well as by reflection, I your glass will modestly discover to yourself that of yourself which you yet know not of” (I.ii). Cassius believes he could be the conscious of Brutus and lead him in the path of killing Caesar. Brutus and a conspirator finally get ready for the death of Caesar. As Brutus draws near the final moment of Caesar’s death he says, “Since Cassius first did whet me against Caesar I have not slept” (II.i). In the beginning of the story Brutus was said to be one of Caesar’s closest friends. Cassius turned it all around and then made Brutus suspicious of Caesar. Brutus admits that the planning of Caesar’s death has brought a nightmare upon him. Cassius was a shadow that Brutus followed which resulted in the death of
Caesar's death was a most tragic event indeed, for he would have made a great Roman monarch. However, there were many unheeded warnings. caveats which might have averted his death. In the first act itself we see that Caesar comes across a soothsayer. who fore tells that the future holds terrible things for Caesar.
In Ancient Rome, a man by the name of Julius Caesar is rising to power. Cassius, a conspirator against Ceasar, does not believe that this shall happen. In the story “Julius Caesar” written by William Shakespeare, Cassius in act one, scene two, Cassius is attempting to persuade Brutus that Caesar is a weak man who is no better than Brutus. Cassius describes Caesar using ethos and dark ethos so that he can access Brutus’s pride and cause Brutus to feel that he is a great man and that Caesar does not deserve this power.
Of the three men, Caesar’s fate seemed most obvious to him and to the reader. However, Caesar used his free will in many instances to in large part ignore his destiny, which fate has presented. On one occasion in the beginning of the play, a soothsayer warns Caesar to “Beware the ides of March” (I. i. 23). Caesar pays more attention to the appearance of the soothsayer then to the warning; and, finding the appearance not to his liking, Caesar ignores the warning and passes him off as a dreamer. Later, on the Ides of March, he confronts the soothsayer, and says that “the ides of March have come” (III. i. 1). Caesar was confident that the soothsayer was wrong that he did not even consider what the rest of the day had in store for him. Earlier that day, Caesar had almost made a choice to heed the omen of his fate presented to Calphurnia in her dream. However, his pride presented itself a...
Much of Rome perceives Caesar as a superior being and immortal, but Cassius holds a contrasting perspective of Caesar. There is a point in his story where Caesar is crying for help, “Help me, Cassius, or I sink!” (111). Cassius also reveals a time when Caesar fell ill in Spain and how Caesar was completely taken over by this sudden sickness, “And when the fit was on him, I did mark/ How he did shake-’tis true, this god did shake,” (120-121). Cassius tells of Caesar’s weakest points, exposing moments in which Caesar does not seem godly at all. By illustrating the time in which Caesar fell ill Cassius proves that Caesar is not a celestial because become gods do not become ill, only normal citizens do. Cassius diminishes Caesar’s godly nature by illustrating how this great immortal being, cannot swim or can become terribly ill, just as any other commoner. Cassius, by exposing these moments in Caesar’s life, demonstrates to Brutus that Caesar is not fit to be a leader and is not the god Romans perceive him to be; his actions create a different person than his words. This supports Cassius’ point that Caesar is not fit to be a leader because Caesar is deceiving the people of Rome. Cassius continues to elaborate on his episode when he informs Brutus that he was crying for others to bring him water, “Ay, and that tongue of his that bade the Romans/Mark him, and write his speeches in their books,/Alas it cried, ‘Give me some drink, Titinius” (125-127). The great Caesar, whom others admire and document his words, is now begging for a drink to help him recover from the sudden illness. Cassius emphasizes how Caesar is not divine since he cannot manage sudden, challenging events. He reveals how Caesar whose words can persuade the citizens of Rome is now begging for someone to help him. This diminishes his godly nature because it demonstrates how weak Caesar can become in an instant.
He says to Brutus, "The fault, dear Brutus, is not in our stars but in ourselves. " This phrase means that it is not fate, but weakness of the character that forces a person to act against his will. The play is full of omens and prophesies that come true, undermining the sense that characters shape the outcomes of their lives. An example of this is when a soothsayer warns Caesar to be, "beware the Ides of March," the eventually date of his death. Machiavelli talks about how foresight is an important attribute in any prince, something Caesar lacks in this instance.
For every sin committed there is an unavoidable consequence, as is the case when the conspirators try to harness the future. Even though Brutus’ actions are noble, no one can ever hope to control history, those who try suffer a terrible fate. “Caesar, Brutus, and Cassius are all guilty of arrogance in believing they can control history; as a consequence, Caesar precipitates his own death and the other two merit the retribution that overtakes them.
The Aeneid, Julius Caesar, and Fate The concept of “fate” is an important aspect in The Aeneid as well as a strong theme throughout Virgil’s work – Aeneas is fated to found Rome, and he is not permitted to rest until he fulfils his fate. Shakespeare’s Julius Caesar leans far less on the idea of fate, and often examines it where The Aeneid does not. The Aeneid takes the idea of fate wholeheartedly and it is a guiding factor of the epic. Our introduction to the hero Aeneas comes largely from a discussion of him between Jupiter and Venus (the mother of Aeneas).
The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings (1.2.139-141).” Through careful and strategic planning is Cassius able to persuade Brutus, a man who “for his virtue and valiantness, was well-beloved of the people (“Sources” 120),” into conspiring and acting upon the death of Caesar. Caesar also believes that men control their own fate by stating, in response to the omens and portents, “Danger knows full well / That Caesar is more dangerous than he (2.2.44-45).” Through this quote, Caesar presents his belief that he has the ability to overcome a superstitious fate. Therefore, he ignores all the signs and omens and thus determines his fate through an action that would seal his death.
Throughout the play The Tragedy of Julius Caesar by William Shakespeare both fate and free will is demonstrated. Cassius argued that everyone has the power to change their future in what they do when Casca came to him frightened by omens. Though, omens have seemed to prove correct throughout the play, therefore it dominates the argument of Fate versus Free Will. All major events had an omen foreshadowing it. The first five were seen by Casca throughout the day.