As one of the most well known authors of the Elizabethan Era, Shakespeare had written numerous sonnets and plays reflecting the values of people of the time period. Shakespeare often display themes of love and death, fate and free will, and power and weaknesses throughout his works of literature. The play "The Tragedy of Julius” truly highlight the impact of fate and free will in the development of the plot, of the assassination of Caesar’s death. Some may argue that fate is actually the one responsible for the act, but they fail to recognize that it is the acts of men leading to the death. It is the free will at fault for this occurrence, that the Roman senators consciously killed Caesar and Caesar himself facing his mortality. In “The Tragedy …show more content…
of Julius Caesar,” the conspirators made up of Roman senators like Cassius and Cinna plans to kill Caesar with the justification of "for the good of Rome." As early as Act I scene 1, the play introduces the audience to the theme of fate versus free will. After witnessing the Romans celebrating the Caesar's victorious return, Flavius claims that Caesar growing power will lead to his downfall through “These growing feathers plucked from Caesar's wing Will make him fly an ordinary pitch, Who else would soar above the view of men And keep us all in servile fearfulness.” (1.1.77-80) Due to the high popularity of Caesar in the eyes of the Roman Republic, Flavius compares the public as features of bird Caesar, that they willingly become the features to elevate his status. The conversation between Cassius and Brutus in Act II scene 2 highlights another instance free will in the assassination as Cassius tries to convince Brutus to join their act of sacrifice, “The fault, dear Brutus, is not in our stars, But in ourselves, that we are underlings.” (1.2.146-148) From these two lines, Cassius condemns the senators for Caesar's high power and status in the Roman Republic. He places the blame on themselves for not taking any action to slow down or halt the popularity among the Roman public, and that they are responsible for the stars. Some may argue that fate controls much of the sacrifice that the conspirators call upon, but that is only a one-sided perspective. Othsayer's attempt to warn Caesar about his future in Act I scene 2 brings the first instance of fate, “OTHSAYER: Beware the ides of March.
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
such scene leads to her stubbornness in keeping Caesar home due to the death set in the dream, but readers do not realize that Caesar's unwillingness to listen to his wife is the contributing factor of his decease. Caesar chooses to not take in the wise words of Calpurnia, exemplifying the use of free will that shapes the outcome. It is the conscious will and actions of characters in "The Tragedy of Julius Caesar" that leads to the plot and the assassination and no fate or supernatural force. The conspirators plans to perform the murder since the beginning of the play, developing to a larger scale as they recruit Brutus into the act. It is the free will to blame, that the senators allow Caesar to become a powerful figure in the Roman Republic and plan to counter the status. Every little bits of thought and act piecing together like a puzzle, as if they are scenes in "The Tragedy of Julius Caesar," bind themselves together to form the resulting mortality. These crumbs of free will add up to a larger consciousness that moves on throughout the play, and even the world, responsible for the occurrences of all things.
Caesar’s lack of somewhat savage Machiavellian traits foreshadows his downfall a multitude of times. From the beginning, the soothsayer warns him to watch out for the Ides of March. There are also bad signs; men in fire walks up and down the streets, and a lioness gives birth on the streets. Likewise, before he heads to the Senate House to receive the crown, Calphurnia tells him that she has had a nightmare, and pleads him to stay home. However, he ignores all the premonitions and moves toward where the Senators are, with no one to protect him when he is in danger. This action of Caesar contradicts the teachings of Machiavelli, “Before all else, be armed” (The Prince). As a result of his carelessness, the conspirators see that he has no chance of circumventing, and assassinates him. Similarly, he is unsuccessful in recognizing the outrage of Cassius and a few others; he isn’t doubtful enough of their secretive deeds and eventually loses the reigns to eliminate the defiance. "The same thing occurs in affairs o...
William Shakespeare's The Tragedy of Julius Caesar is a tragic drama, set in Ancient Rome about the horrendous death of Julius Caesar. Brutus, leader of the conspiracy against Caesar, begins as Caesar’s friend. Cassius, instigator of the conspirator, manipulates Brutus into killing Caesar. Brutus agrees to this plan because of his plans for Rome. The bond between these two connects when Brutus agrees to Cassius about killing Caesar for the best of Rome. Cassius, very power hungry, comes up with a plan that will succeed in both of them killing Caesar. They both rely on each other because they want the power that Caesar has been requested to make the best of Rome. This dream of making Rome better was manipulated by Cassius to Brutus. However,
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
Making the right decisions is an ongoing struggle for man, because making decisions is never easy, and the wrong decision can lead to endless perils. Decisions must be made when dealing with power, loyalty, and trust. Yet, unlike other decisions, ones that are about these three fields are the most important, due to the risk involved, and because of the consequences that might follow.
Julius Caesar's Responsibility for His Own Death in William Shakespeare's Play. William Shakespeare's Julius Caesar is a tale of a very ambitious. Roman who is betrayed by his nearest and dearest, not to mention most. trusted, a friend of mine.
Shakespeare in The Tragedy of Romeo and Juliet depicts the conflict between fate and free will through use of his characters’ actions and beliefs. Fate is the main driving force between the demise of the two main protagonists. Because of it, superstition, the actions of others, and the idea of chance are allowed a main role in the play building up to events that lead to a tragic end.
In the play The Tragedy of Julius Caesar by William Shakespeare, I saw two main characters as tragic heroes. First, I saw Julius Caesar as a tragic hero because his will to gain power was so strong that he ended up losing his life for it. The fact that he could have been such a strong leader was destroyed when he was killed by conspirators. I saw Marcus Brutus as a second tragic hero in this play. Brutus was such a noble character that did not deserve to die. The main reason why he did die, however, was because he had led a conspiracy against Caesar and eventually killed him. These two characters were the tragic heroes of the play in my opinion.
Phillip Pullman, a British author, once wrote, “I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are”(goodreads.com). Pullman’s quotation on the actions of man being the source of good and evil closely relate to morality, principles regarding the distinction of right and wrong or a person’s values. The question of what human morality truly is has been pondered by philosophers, common folk, and writers for thousands of years. However, sometimes a person’s ethics are unclear; he or she are not wholly good or bad but, rather, morally ambiguous. William Shakespeare, an English playwrite, heavily presses the topic moral ambiguity in his play The Tragedy of Julius Caesar. The titular character, Julius Caesar, is a morally equivocal character who serves a major purpose in the play.
Shakespeare’s complex play The Tragedy of Julius Caesar contains several tragic heroes; a tragic hero holds high political or social esteem yet possesses an obvious character flaw. This discernible hubris undoubtedly causes the character’s demise or a severe forfeiture, which forces the character to undergo an unfeigned moment of enlightenment and shear reconciliation. Brutus, one of these tragic heroes, is a devout friend of the great Julius Caesar, that is, until he makes many execrable decisions he will soon regret; he becomes involved in a plot to kill the omniscient ruler of Rome during 44 B.C. After committing the crime, Mark Antony, an avid, passionate follower of Caesar, is left alive under Brutus’s orders to take his revenge on the villains who killed his beloved Caesar. After Antony turns a rioting Rome on him and wages war against him and the conspirators, Brutus falls by his own hand, turning the very sword he slaughtered Caesar with against himself. Brutus is unquestionably the tragic hero in this play because he has an innumerable amount of character flaws, he falls because of these flaws, and then comes to grips with them as he bleeds on the planes of Philippi.
Written one year apart from the other, one cannot fail to recognize the parallels between William Shakespeare's tragedies Julius Caesar and Hamlet. To begin, they are both stories of assassinations gone horribly wrong. Although the details of the plays are different, the two assassins (Brutus and Hamlet) provide interesting comparison. Through these two killers, Shakespeare reveals the different levels of justice; one’s personal sense of justice; others’ perception of justice; the justice of the monarchy that supports Shakespeare’s craft. Through this, the audience realizes that a just person is not always a humble one, a condition that may turn out to be a fatal flaw in the end. When a man decides to play God by taking justice into his own hands, the world can unravel much more quickly than he had ever imagined.
The motif of ambition runs continuously throughout Julius Caesar, written by William Shakespeare, which originates in Ancient Rome and highlights the power struggles, politics and deceit of those vying for power. Ambition leads many of the characters such as Caesar, Cassius, and Brutus to a fate different from what they expected. The play revolves around Caesar, his ascent to power and his eventual loss of everything. Although ambition may lead these public officials to power, it is the same ambition that will be their downfall, ultimately resulting in the death of Julius Caesar, Cassius, and Brutus.
There is much attention paid to omens and nightmares and how they foreshadow Caesars death. The events that lead to the death of Julius Caesar are predicted by omens from multiple characters such as Calpurnia, Caesars wife, the Soothsayer, and a teacher, Artemidorus. The omens in the play were ignored by a majority of the main characters. Even though ignored, these omens appear even after Caesars death to show the guilt-ridden nature of the conspirators. Hence, the play Julius Caesar shows that there is always a relationship between omens and nature in everyday life and this affects those who believe in them. Some people rely on omens to show them how to live their life, and what to do with it. Never less, whatever happens in society or nature is portrayed by omens supernatural beings, which is how they are related.
Shakespeare clearly explores the themes ‘Fate and Free Will’, and ‘Ambition’ within this tragedy. Shakespeare weaves these themes around the character of Macbeth, showing us the depth of his insight into human society. Macbeth fell victim to his interpretation of supernatural prophecies and the influence from his wife. His impatience for the throne led to his crimes, subsequent guilt and acknowledgement of his sins. Shakespeare presents Macbeth’s life to his audience as a moral tale, warning them how men should be careful how they regard the ideas of fortune and fate and how in the end, evil intents and actions bring with them their own punishment.
The Tragedy of Julius Caesar by William Shakespeare is an intimate portrayal of the famed assassination of Julius Caesar and the complex inner workings of the men who committed the crime. In one particularly revealing scene, two of the men closest to Caesar, one a conspirator in his murder and one his second-in command, give orations for the deceased. Despite being simple in appearance, these two speeches do much of the work in developing and exposing the two characters in question. Though both have a love for Caesar, Mark Antony's is mixed with a selfish desire for power, while Brutus' is pure in nature, brought to a screeching halt by his overpowering stoicism. These starkly-contrasted personalities influence the whole of the play, leading to its tragic-but-inevitable end.
	Shakespeare illustrated Caesar as a tragic hero by showing that he was a historical figure with a tragic flaw which lead to his death. Julius Caesar took over most of the Roman Empire and his events are very important to history. First, Julius Caesar is very historical because if he wasn’t then, we would not be talking about him today. As Cassius ironically said, "...How many ages hence /Shall this our lofty scene be acted over in states unborn..." (III,i,112-113). Secondly, Every tragic hero has a tragic flaw that leads them to their death and one of Julius Caesar’s flaw was arrogance. As Caesar himself said, "But I am constant as Northern Star.../There is no fellow in the firmament" (III,i,60-62). Finally, Caesar made a big mistake which lead him to his downfall when he didn’t take the soothsayer’s warning. Again this was the fact that Caesar was arrogant. The soothsayer said warning Caesar, "Beware of ides of March" (I,ii,23) then Caesar replied that the soothsayer was a fake, and to dismiss him.