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Gender roles of women in literature
Gender roles of women in literature
Gender roles of women in literature
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Shabanu Essay
In the novel Shabanu, by Suzanne Fisher Staples, women are portrayed in two distinct ways: obedient and rebellious. The obedient women would include Phulan, Mama, and Auntie. Rebellious women would consist of Sharma, Fatima, and, of course, Shabanu.
The protagonist Shabanu, portrays herself as a rebellious woman. Shabanu constantly disobeys her father. In the beginning of the novel, Shabanu attempts to retrieve her camel Mithoo so he will not be harmed by Tipu, another camel. Dadi tells her No several times but she insists. Dadi is furious, ?Don?t ever disobey me? (27). Dadi shakes her so hard that her head flies back and fourth. Shabanu gets home and while she is making chapaties Auntie says to her, ?Shabanu, you are wild as the wind, you must learn to obey. Otherwise?I am afraid for you? (28). Another example of Shabanu?s rebelliousness is when she throws water on the landlord. Nazir Muhammad and his men say the want to ?claim? Shabanu and her sister, Phulan. Shabanu becomes disgusted and decides to throw her head forward, causing the water jug on her head to spill over the embankment and Nazir Muhammad.
Sharma, Shabanu?s aunt, is a very rebellious woman as well. Sharma is described as bold, ?Most men don?t like her and are afraid of her? (98). Sharma cares about Shabanu and tries to look out for her. Although Sharma had no intentions of causing Shabanu danger, she gave her some very dangerous advice. ?You try to make him happy so he can?t bare to be away from you a single moment. If he treats you badly, come stay with us? (209).
Auntie, unlike Sharma and Shabanu, portrays an obedient woman, with morals. Auntie is traditional, and often criticizes Mama for having no sons in the family. ?If God had blessed you with sons, we wouldn?t have to break our fingers over wedding dresses? (3). Auntie looks down on Shabanu for being ?boy like?. ?A young lady shouldn?t go with her headdress uncovered. You?re too old to act like a boy? (33).
Mama is obedient as well. Mama slaps Shabanu as a consequence to non-traditional views. Mama accepts that Dadi takes care of the ?manly? problems such as the selling of the camels. Being the man, Dadi also takes care of the dangerous situations, like getting grandpa after the sandstorm.
Social injustice is revealed throughout the novel and Hosseini really goes in depth and indulges the reader by portraying every aspect of the life of women in Afghanistan at the time period. He also reveals most of the social injustice women still have to deal with today. This novel is based on two young women and the social injustices they face because of their gender. Gender inequality was very common in Afghanistan
She turns down the proposal of Dieng, at the time the society would have thought that she needed a man most.. She writes a letter in reply to his marriage proposal which states “Abandoned yesterday because of a woman, I cannot lightly bring myself between you and your family” (Letter 68). As I said earlier in this paper, men will treat women the way other women allow them to treat them. The spirit of sisterhood speaks to treating other women with respect by staying away from their spouses. This is one thing young Binetou and her mother seem not to understand in this novel. I interpret the events in this text qas Ba’s challenge of a tradition in which women are kept subjugated and oppressed by other
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
The theme of gender oppression is greatly shown throughout the story. Making it easier for the reader to comprehend the roles that were expect of women in Egypt. This theme is greatly shown when Abboud Bey and Samia’s father are discussing wedding arrangements. Abboud asks Samia’s father “And the beautiful little girl’s still at second school? She lowered her head modestly and her father had answered:” This shows the lack of respect males have for women in their society. Viewing women merely as a pretty face, incapable of answering simple questions. This also shows that Abboud views Samia as naïve and innocent by referring to her as “little girl”. He seems to be taken by her
As the eldest person in the Younger household, Mama is the authoritative figure and has the most traditional views. Being a part of the GI Generation, she shares the
Traditions control how one talks and interacts with others in one’s environment. In Bengali society, a strict code of conduct is upheld, with dishonor and isolation as a penalty for straying. Family honor is a central part to Bengali culture, and can determine both the financial and social standing of a family. Usha’s family poses no different, each member wearing the traditional dress of their home country, and Usha’s parents diligently imposing those values on their daughter. Those traditions, the very thing her [Usha] life revolved around, were holding her back from her new life as an American. Her mother in particular held those traditions above her. For example, when Aparna makes Usha wear the traditional attire called “shalwar kameez” to Pranab Kaku and Deborah’s Thanksgiving event. Usha feels isolated from Deborah’s family [Americans] due to this saying, “I was furious with my mother for making a scene before we left the house and forcing me to wear a shalwar kameez. I knew they [Deborah’s siblings] assumed, from my clothing, that I had more in common with the other Bengalis than with them” (Lahiri ...
... in life is her sexual being. It is presented in the novel that men were disrespecting woman and have tried to gain control over women by disrespecting them. In the novel it was the want of knowledge which caused both men and women in the Okanagan to be unaware of a woman’s self-respect. Not only did men disrespect women but women disrespected themselves and other women around them in this era. By comparing characters of the novel to the women of now days they are considered equal and are respected. There are a lot of female characters in the novel that show qualities of being poor and insecure. Women should be given the same respect they give men and they should not be abused or mistreated. Everyone in the world today should stand up for the women and protect them so they are not abused. This is a crime and should be stopped to let the women live comfortable lives.
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
...ard female sexuality. The female protagonists in the story—Sitt el-Husn, the old woman, and the third sister—are asexual, while the sexually potent older sisters and the Long-Haired Lady are all seen as dangerous. The men in the story feel that “giving in” to a woman sexually is allowing that woman control over them, and they are not ready for women to be equal to them. “The Promises of the Three Sisters” was told in a male-dominated society, and thus it begins with negative stereotypes of women: the conniving sisters, the extremely sensitive Sitt el-Husn. However, as the story progresses, Sitt el-Husn breaks the stereotype and is seen by her brother as an equal. Shattering the male-female stereotypes is necessary in order to achieve understanding between the sexes.
Ahmed’s mother is the first to fall into playing her stereotypical social construct after her husband; Hajji Ahmed beats her for not supplying him with an heir, a son. “One day he struck he struck her, because she had had refused to subject herself to a last, desperate ordeal…” This act shows Ahmed’s mothers weakness, a gender normative of women, compared to her husband. However instead of lashing back she accepts the fate she has put herself into. She punishes herself similar to the acts her husband acts onto her. “She, too, began to lose interest in her daughters…and struck her belly to punish herself.” At this point in the novel, it is evident that Ahmed’s mother is adjusting her own belief to match that of Hajji. His reoccurring distaste for his seven daughters has rubbed onto his wife. This compliance to accept her husband’s belief fits into that mold that says that women are not assertive and follow with what their husbands want. The next section femininity is seen in it’s natural essence is seen at the end of chapter three when Ahmed has been attacked and his father confronts him about his girlish ways.
At first glance, the reader sees the women shown as malicious, conniving adulterers. But, if one looks deeper into the stories, in reality, the women are rather clever and tactful. In the Prologue, a women who is the prisoner of a jinnee threaten Shahriyar and Shahzaman to do her bidding
Tayo’s aunt (Auntie) is the personification of the Pueblo culture’s staunch opposition to change. She is bound to her life and the people around her; more so because of the various “disgraces” brought upon her family by her nephew Tayo being a “half-breed”, her brother Josiah’s love af...
In the novel She and in the stories of The Arabian Nights, both Haggard and Haddawy explore the expanding gender roles of women within the nineteenth century. At a time that focused on the New Woman Question, traditional gender roles were shifted to produce greater rights and responsibilities for women. Both Ayesha, from Haggard’s novel She, and Shahrazad, from Haddawy’s translation of The Arabian Nights, transgress the traditional roles of women as they are being portrayed as strong and educated females, unwilling to yield to men’s commands. While She (Ayesha) takes her power to the extreme (i.e. embodying the femme fatale), Shahrazad offers a counterpart to She (i.e. she is strong yet selfless and concerned with the welfare of others). Thus, from the two characters emerge the idea of a woman who does not abide by the constraints of nineteenth century gender roles and, instead, symbolizes the New Woman.
The theme of clashing cultural values is brought out through the character of Arjie's father, Appa. As Arjie was growing up, he often enjoyed spending his days playing games like dress-up and wedding' with his younger girl cousins. To him, it came naturally. He felt that playing with the boys would be too boring and dull. Arjie's problems start from the day that he is caught wearing a sari by his Kanathi Aunty. At this point, his Cyril Uncle cries out: "Looks like you have a funny one here" (Selvadurai 14).
Right from the ancient epics and legends to modern fiction, the most characteristic and powerful form of literary expression in modern time, literary endeavour has been to portray this relationship along with its concomitants. Twentieth century novelists treat this subject in a different manner from those of earlier writers. They portray the relationship between man and woman as it is, whereas earlier writers concentrated on as it should be. Now-a-days this theme is developing more important due to rapid industrialization and growing awareness among women of their rights to individuality, empowerment, employment and marriage by choice etc. The contemporary Indian novelists in English like Anita Desai, Sashi Deshpande, Sashi Tharoor, Salman Rusdie, Shobha De, Manju Kapoor, Amitav Ghosh etc. deal with this theme minutely in Indian social milieu.