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Symbolism of the actual storm in chopins storm
Pressures of society
Gender perception
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author · Suzanne Fisher Staples type of work · Novel genre · Young adult novel, problem novel language · English time and place written · Mid-1980s;Washington, D.C. date of first publication · 1989 publisher · Knopf narrator · Shabanu point of view · Shabanu, the protagonist, narrates the story. She objectively reports only what she observes, but she shares her insights, ideas, and inferences about events and characters. tone · Shabanu speaks in a clear and simple voice. Her point of view reflects that she is a teenager, struggling to make sense out of the world around her and her changing role in it. She presents her story sequentially, filling in details of the past where needed. tense · Shabanu speaks in the simple present, lapsing into the past only to explain events to the audience. setting (time) · 1970s or 1980s setting (place) · Cholistan Desert, in Pakistan, near the border with India protagonist · Shabanu major conflict · Shabanu struggles to reconcile herself with the marriage her parents have arranged for her. rising action · In anticipation of Phulan's wedding, the family travels to the town where the two brothers live. During the preparations, however, a greedy landowner, who has a great deal of power in the region, attempts to kidnap and rape Phulan. In the ensuing scuffle, Phulan's fiancé is killed. climax · Shabanu's parents decide that Phulan will marry Shabanu's fiancé. The landowner's wealthy and respected older brother has fallen in love with Shabanu, and, in order to ensure peace between the families, Shabanu's parents agree to let him marry her. falling action · One night, Shabanu decides that she will run away to live with her aunt in the desert. She begins her treacherous journey, but her camel breaks his leg. Her father finds her and beats her mercilessly. She resigns herself to her fate. themes · The roots of gender; the individual's struggle against society; the unpredictability of nature motifs · Storms; the rebellious woman; fights symbols · The chadr; jewelry; camels foreshadowing · At the fair where the herders sell their camels, Dadi sells the family's favorite camel, despite promising he would not do so. This foreshadows how the family "sells" Shabanu in order to preserve the peace. Shabanu knows of a young woman who eloped with her lover.
The rising action of the story was when he would find friends and they would help him to realize certain things about himself. The biker that he met helped him get started on stars. One of the maids that he met on his trip had shown him kindness and through this, she taught him that u can always have a fresh start or second chance at life as long as you try hard enough. And the artist that he met at the ocean helped him learn that u shouldn’t always judge a book by its cover, there might be more to someone than you think.
Rising action: Overlooking the grandmother's warning, the family decides to pursue their trip as planned. When the day arrives for the family to depart on their road trip, instead of arguing, the grandmother climbs in the car before anyone else, just as June Star predicts. "She wouldn't stay at home for a million bucks," June Star said. "Afraid she'd miss something. She has to go everywhere we go." She dresses in a manner so that if anyone finds her dead on the highway, they shall characterize her as a lady. She wore a navy blue sailor hat with white violets on the brim, to match her navy blue dress covered with tiny white polka-dots. Her white organdy, lacy collars and cuffs completed the outfit. But although she agrees to follow through with the excursion, she refuses to go with out her cat Pitty Sing. Afraid that the cat will accidentally asphyxiate himself on the gas stove if left behind, she secretly hides Pitty Sing in her basket. After driving down the road a while, the family passes a cotton field with five or six graves right in the middle of it. Coincidentally, five or six family members sit in the car: the grandmother, Bailey, the mother, the baby, June Starr, and John Wesley.
...ventures on a dangerous journey to mollify some of the regret Amir has inside of him. Thusly he finally gains his courage and stands up for what is just. After thirty-eight years of disappointment and regret, he finally made his father proud.
climax// falling action--- working class that loves napoleon is seen as nothing to him (can just be sold off with no remorse, napoleon with complete control and no one to overtake
In the rising action the child is born, a boy who Re-nefer names Re-mose and raises as her own. He becomes a superior Egyptian scribe, and is eventually assigned to the king's right-hand-man.
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
The salient ideas in the novel are religion, culture, and materialism. This three are the major struggles through which the protagonist encounters throughout his existence. The auxiliary points are sin, gender inequality, and communication. These ones play a less outstanding, but a substantial part in the protagonist’s life.
Another example of rising action is on page 119, when it says, ”The house in the picture was Fowl Manor. Therefore Artemis was the target of this kidnapping.” Mulch, a dwarf on the shady side of the law, is hired to kidnap Artemis, to get him to open up t...
The theme of this story is actually stated in the story if it is read carefully and Crane reinforces it innumerable times. The theme of the story is man’s role in nature and is related to the reader through the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The story presents the idea that every human faces a voyage throughout life and must transition from ignorance to comprehension of mankind’s place in the universe and among other humans.
Against the backdrop of a brand-new liberalized world, Kapur sketches out Shagun’s boredom, Raman’s hurt and the confusion of their children, Roohi and Arjun, who are batted back and forth between parents and across chapters. The two new partners in the equation, boss man Ashok and divorcee Ishita, struggle to woo their step kids while supporting
During the commencing chapters of the novel, Amir's life is fortunate. He lives in an extravagant home, has servants and does not lack prerequisites. However, it becomes apparent that these luxuries do not make his life easier, but only function to make the early years of his life more complex. Amir’s mother deceases of a maternal death, and he appears to have the characteristics of his mother than his father. His father is dismissive and ashamed of Amir. Amir develops a series of relationships with a young servant Hazara named Hassan, Hassan's father Ali and his father's business partner Rahim Khan to make up for his lack of connection to his parent. Nonetheless these interactions fill the void in his life. He becomes somewhat acrimonious and trials his most significant relationship, that with Hassan, often.
He earns a future, and in his final stage of transformation becomes a man equal to all. This happens after he marries Pretty Calf and understands their customs and traditions. The captive was like a horse all summer, “...docile bearer of burdens, careful and patient..” Until he earned trust that is.
The rising action is simply understood as the tense and complicated action or event leading up to the climax. The rising action in “Popular Mechanics” is when the woman takes away the baby’s picture from the man. The woman emotionally does the wrong thing which is taking the only thing of the baby the man could leave with. By doing that, she both raises the man’s temper and destroys his patient which make him loses his mind and isn’t thinking right. Therefore, he goes after the woman to get the actual baby rather than just a picture, and that is when the thing gets to the climax. The climax is the action or event where the conflict explodes; it’s the turning point between the rising action and the falling action. The climax of this story is when the man tries to take the baby from the woman. They then have a tug of war fight where the baby is the string. They pull back and forth which is intensely hurting the baby. Carver successfully uses the elements rising action and climax to develop the plot and the conflict between the characters. He logically applies the cause and effect rule to portray the events in the story where one thing leads to another. He emphasizes that because the woman takes one thing from the man, the man wants to take one thing from her which is the baby. Carver doesn’t use the element falling action in this story when he just ends it right after the
To start of, the awkward relationship betwixt the protagonist, Amir, and Baba,his father as well as the circumstances
... men in the story are portrayed, exhibits the degradation of the value of the self-expression of a woman.