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Feminism in lysistrata
Gender roles ancient greece
Feminism theory in Lysistrata
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Women have been seen as sexual creatures since the dawn of man. The woman has the role of reproduction, and this job alone makes her a vulnerable creature. Throughout history, males have placed themselves in higher positions than their female counterparts. The typical role of the woman has always been to produce children and tend to the home. Aristophanes’ Lysistrata portrays women that have taken control of their sexuality in order to use it against men of power. The real Ancient Greek woman had no power whatsoever over her own sexuality, since she was inferior to men in all aspects. Aristophanes presents a false depiction of how women commanded their own sexuality in the public eye in order to create a comedic effect. The play focuses …show more content…
She requests that all of the women refrain from sexual intercourse with their husbands. In reality, women had no choice in the matter; if the husband wanted sexual interaction then it was to be had. Man had total control over his wife, as marriage declared her as his property. The responsible wife was to be faithful at all times. If a woman refused to comply with her husband then he was allowed to punish her. This included physical violence, as commonly practiced by the gods. For example, the god Zeus was commonly known to strike his wife Hera. He also punished his wife by chaining her up and hanging weights from her feet. (Fant 31) Lysistrata tells the women that they must fight all sexual advances that their husbands make, even if they are forced into intercourse. She says, “Men don’t enjoy [sex] when they have to force you.” (Henderson 1.1. 163) There is no evidence as to whether or not this is true. In modern society, forcing one into sexual interaction would be classified as rape. Though rape is commonly seen throughout Ancient Grecian history, there is no Greek word that directly translates into the modern definition of rape. (Harris) A man can do what he pleased with his woman, especially if the gods could do as they sexually pleased. A man at the time often had multiple sexual partners other than his wife. Relations with concubines were common, and if a man was …show more content…
The young girl is stripped down and presented nude before the two leaders. Lysistrata uses the young girl’s body in place of a map of Greece. The men cannot control themselves and are visibly aroused. The young girl has no shame standing naked before these men. A woman’s body was something religious at that time, especially that of a virgin. The play depicts a bold girl who can proudly stand nude amongst men. In actuality, women were expected to be modest creatures. Ancient Grecian men have often been depicted in the nude through art, especially athletes of the time. Women were typically depicted clothed. Aphrodite, the goddess of beauty, was typically clothed in her depictions. In mid-fourth century B.C., Praxiteles depicted a nude version of the goddess. Though she was nude, the goddess presented modest behavior; “the position of the goddess ' hands may be meant to show modesty or desire to shield the viewer from too full a view of her godhead” (Sorabella) There was also a large emphasis on the value of virginity in women. A virgin wife was valued much higher than non-virgins. A women of the time would not be so willing to present herself nude in front of people so easily. By including the full naked form of a woman, Aristophanes continues to make a mockery of the sexuality of women. Giving the woman control of who she
...e of Knidos, created by Praxiteles, can only be found in copies today, but at the time was the first sculpture of a goddess nude. He had transformed marble into the soft and radiant flesh of the goddess of love and taking on a worldly sensuousness. Originally located in a rotunda where it could be seen from all angles. Female nudity was very rare to the Greeks, especially that of a goddess. The sculptor made it look like Aphrodite’s nudity was nonchalant, which made it more sensuous with a welcoming look on her face. With several copies, all being found to be slightly different, all still capture the goddess’s womanly beauty that is not too sexually aggressive. With he hourglass torso, sloped shoulders, large hips and thighs, slim calves and ankles, and small feet and hands, this statue is the polar opposite of any manly figure, which is why it is known to be luring.
nature, and women's legal rights. & nbsp; Albeit in Lysistrata the women were shown as revolutionaries rising up against the men, women in classical Greece were never like that. Aristophanes created the play as a comedy, showing how the world might be in the times of the Peloponnesian war if women tried to do something. It was the women's job to stay home and tend to the house, and never leave, unlike they did in the play. women were shown as revolutionaries rising up against the men, women in classical Greece was never like that. & nbsp; The activities of women in Classical Athens were confined to "bearing children, spinning and weaving, and managing the domestic arrangements. No wandering in the beautiful streets of them. " The suppression of women went so far as to divide the house into separate areas for males and females. While the women stayed home, the men were usually out fighting, and when they weren't. fighting, they were entertaining their friends and having sexual favors.
Recently in my class, we have been discussing different civilizations and how women were treated during that time. While reading the books, I was able to read things and relate them to notes that I had recently taken. Something in particular that I found that correlated was in chapter four of the book. This chapter talked about women’s role in Athens, which was motherhood. We had just talked about this in class, and how men were able to divorce women with no public humiliation, if the wife was not able to conceive a
In Ancient Greece, women had little to no freedom in their lives. For instance, they had no role in politics, leaving that completely to men, were expected to stay indoors for the majority of their lives doing household work because they were under the control of a male relative, usually being their father or husband, and they were not allowed to study medicine. These standards were set by great writers such as Aristotle who wrote of women being inferior to men. He believed women were more emotional, which is why they would be useless in politics, and they were more deceptive and mischievous. Because only men were doctors, many women were dying during childbirth due to the fact that they felt uncomfortable about having a man handle their pregnancy.
women were also treated as some what of sex symbols. In The Odyssey, Calypso, the sea nymph Odysseus (whom is the protagonist) lives with on her island for seven year, provides a near perfect example of this. Aside from being referred to as the “lusterous goddess” through out the work, Calypso and Odysseus have a few suggestive moments. For example, after Odysseus is told he will return (to his wife, I might add) him and Calypso almost immediately make love. “And now, withdrawing into the cavern’s deep recesses, long in each other’s arms they lost themselves in love. When young Dawn with her rose-red fingers shone once more Odysseus quickly dressed himself in a cloak and shirt while the nymph slipped on a loose, glistening, rope, filmy, a joy to the eye…” (159).
Aristophanes thinks that a human’s love is clearly “a lack” – a lack of one’s other half- and having no meant to satisfy themselves they begin to die. Zeus, having failed to foresee this difficulty repairs the damage by inventing sexual reproduction (191 b-c). Any “embracements” of men with men or of women with women would of course be sterile – though the participants would at least “have some satiety of their union and a relief,” (191 c) and therefore would be able to carry on the work of the world. Sex, therefore, is at this stage a drive, and the object is defined only as human. Sexual preferences are to emerge only as the human gains experience, enabling them to discover what their “original form” had been.
She tempted many, even Zeus: “she beguiles even his wise heart . . . mates him with mortal women, unknown to Hera” (Hesiod). The goddess of love, “she was a particular favourite with the city’s many prostitutes but also supervised the sexual life of married women” (Blundell, 1998). To curb her promiscuity, Aphrodite was married to Hephaistos (god of the forge), who cared deeply for her, and made he...
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
According to research, the role of women in classical Greece was extremely limited. Men and women were segregated all over in the Greek society, even in the home (Source 9). Women were secluded in their homes to the point of not being able to leave their own quarters except on special religious occasions or as necessity dictated (Source 10). All women were tightly controlled and confined to the home to insure that their husbands were provided legitimate male heirs. Beyond this, women had no true value (Source 6). Clearly, male domination in Greek society was like enslavement to women. A marriage contract dated 92 B.C. can be located in Women's Life in Greece & Rome by Mary R. Lefkowitz and Maureen B. Fant which defines unacceptable behavior within the union of marriage. The document requires that both husband and wife be chaste within the context of the household, but although nothing prevents ...
She places in people the desire to have sexual relations and causes fear in men of the power of seduction by women. Her marriage to her husband was ignored as she had affairs with immortal and mortal men. Her infidelity in her marriage places her on the side with Greek men, rather than Greek women because only Greek men were able to cheat on their wives; not the other way around. In conclusion, the three important rules discussed in this paper that Greek women were required to obey, can be seen in the myths of the goddesses Hera, Athena, and Aphrodite. Whether or not the Greek goddesses obeyed or did not obey these rules, their importance to the Greek culture is ever strong.
...herself as a man and has misogynistic tendencies. Fortunately, the role of women in society today has changed very much from the roles that they played in classical mythology. Women are now seen as being able to play any role they desire, whether it is the role of a housewife or the role of a workingwoman with a successful career. It is no surprise that achieving the roles that women play today took such a long time when for so long even in mythology women’s roles in society were constantly pushed in the direction of domestics and when for so long women were portrayed as less then pleasant creatures. The fact that these sorts of roles were pushed on women in the Greco-Roman society was proof enough that it was a patriarchal society. It is astoundingly wonderful that the roles that women play in modern society have evolved so much since the times of classical myths.
Aristophanes’ significant contributions in the development of the theater arts and his standing in the Athenian community are well documented. His hilarious comedy, Lysistrata, reflects the disgust with war prevalent at Athens after the disastrous expedition to Sicily. It is ripe with sexual innuendo and provides much insight into the timeliness of human sexuality, desire, and the war of the sexes, yet it was intended to make a political statement regarding the folly of Athenian military aggression. Aristophanes was not suggesting that a sex strike might be an effective means of ending the Peloponnesian War, more likely that the reasons for the war itself were suspect. Lysistrata’s scheme to force the men of Greece to the peace table could never have been successful. Property concerns, gender roles, and the sexuality of Athenian men prevented Athenian women from exerting the necessary political influence.
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...
In Greek classics, it is common knowledge that in that era women and men were considered unequal. Men were superior, and in most cases women were not even fit for citizenship. It is in this atmosphere and time period that Aristophanes wrote Lysistrata. The play itself is supposed to be a comedy, although the actions of the women do not seem amusing. Instead, the women’s actions, especially the main character Lysistrata, seem incredibly brave. Lysistrata rounds up her “troop” of all the women in Athens and a Spartan woman. They take charge of the acropolis and refuse to settle for anything less than a peace treaty to end the war. The only problem with this is, in ending the war, they will be bringing back the men from their duty and end up in the same social caste system as they were from the beginning. Aristophanes seems to make the point that – the only power women hold is their sexuality (Rex Par. 7). The Athenian women can withdraw from their husbands for however long they like, they still end up givi...
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.