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Ancient greek womens roles in stories
Ancient greece woman roles
Ancient greek womens roles in stories
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“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women. With Lampito returning to Sparta to secure the agreement of the Spartan women, Lysistrata and the other women remain with her to make plans to join the w... ... middle of paper ... ...eb. 25 Mar. 2011. . Gill, N.S. "Lysistrata by Aristophanes - Make Love, Not War." Ancient / Classical History - Ancient Greece & Rome & Classics Research Guide. Web. 24 Mar. 2011. . "Lysistrata Study Guide." Cummings Study Guides. Web. 23 Mar. 2011. . "Plot Summary of Lysistrata." Super Summary. Web. 23 Mar. 2011. . "Power and Women in Lysistrata: Character Analysis of Lysistrata." Article Myriad. Web. 25 Mar. 2011. . "SparkNotes: Lysistrata Summary." SparkNotes: Today's Most Popular Study Guides. Web. 23 Mar. 2011. .
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
Lysistrata is portrayed as a typical commander of war that gives orders and does not take part in the war. While being the mastermind behind the sex strike, she is able to separate her self from the other women in her ability to resist her attraction for men. The women are used as pawns by this cunning and powerful, Lysistrata, who is victorious in establishing peace in Greece.
In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade long war and the general population was in despair. Comedies such as these were used then to communicate instructions to the people (mbc.edu). This essay will focus on the scene where Lysistrata has gathered all the women to convinces the to withhold sex from their husbands until they sign a peace treaty.
Lysistrata, on the contrary shows women acting bravely and even aggressively against men who seem resolved on ruining the city- state by prolonging a pointless and excessively expending reserves stored in the Acropolis. The men being away at war would come home when they could, sexually relieve them selves and then leave again to precede a meaningless war. The women challenge the masculine role model to preserve traditional way of life in the community. When the women become challenged themselves they take on the masculine characteristics and defeat the men physically, mentally but primarily strategically. Proving that neither side benefits from it, just that one side loses more than the other. It gives the impression that the women are heroes and the men are ignorant, which contradicts what Euripides said but is chiefly written to entertain.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...
Saxonhouse, Arlene W. “From Tragedy to Hierarchy and Back Again: Women in Greek Political Thought.” The American Political Science Review: Vol. 80, No. 2. June 1986. JSTOR. http://links.jstor.org. 8 Dec 2004.
“Lysistrata,” written following the trouncing of Athenian forces in Sicily in 413 BC, harkens back to this time of war. As is traditional in Athenian theater, males in drag played all of the female parts. This ritual increases the play’s absurdity. The play begins with the streets empty as the men are at war. The women speak to each other of both emotional and sexual starvation. They both
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.
Aristophanes’ Greek comedy, Lysistrata has been translated many times. The key to a good translation is finding one that models what the current time frame is looking for. What would a student attending college in the year 1912, think of the translation used in our 2011 literature class? What about the choices of a literature professor, in the year 1925, when teaching this play? The tone and speech of these translations can be very different, yet mean the same thing. Lysistrata has been altered throughout time to fit the meaning and the language of the translator; however, the theme remains to be a comedy based around the main idea of antiwar. The meaning can be different for everyone. Lysistrata can support the antiwar methods of a present-day protestor or it can just be a means to entertain a person looking for a laugh. The key to making this work readable to the modern world is to pick a translation that is best suited for the present time.
Lysistrata, first produced in 411 B.C. is a play that represents the frustrations that Athenian women faced due to the Peloponnesian War. Lysistrata, an Athenian woman is the play's heroine; her name is significant in itself, as it means "she who disbands the armies" (Page 467, footnote 2). With the aide of other Athenian women, Lysistrata organizes a "sex strike" in an effort to cease further violence and bring peace between Athens and Sparta. Eventually, her campaign is adopted by the women of Greece, and the efforts of the Athenian women are successful. Lysistrata is not only a leader for Athenian women; she is also bold and does not represent the stereotype of traditional, domestic Athenian women.
Lysistrata is an original comedy written by Aristophanes and performed in 411 BCE. This was two years after the Athenian defeat against Sparta in the Sicilian expedition, after a 21-year long Peloponnesion war between Athens and Sparta. The name Lysistrata means “releaser of war” or “arm disbander.” Lysistrata is about women’s effort to end the war between Athens and Sparta, much like the one that was occurring at the time. In order to end the war, Lysistrata convinces the women of Greece to withhold sexual privileges from their husbands. Overtime, this play write has been geared to spread a message on feminism and antiwar efforts. The plays original theme can be debated, whether it was originally feminism, pacifism, or sexual stereotyping.
Aristophanes may depict these four elements in unusual ways throughout the play, however, when everyone comes to peace once again, the elements can be seen quite easily. Many of the Greek ideologies have been passed on to the world we know today. The idea of gender roles plays a major part in Lysistrata and in life as we know it. Men and women are still, in the 20th century, not treated completely equally to men, and Aristophanes critiques this throughout his writing in Lysistrata. On top of this, generals from each country come into conflict regularly, causing various wars. These major themes which Aristophanes discusses are everywhere and from his writing people can learn about these issues, connecting them with concepts from the present. Lysistrata is quite an amazing piece of work and represents numerous critiques for people to learn from. But, it’s all Greek to