Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Shakespeare's depiction of femininity and masculinity
Masculinity and femininity in Shakespeare
Masculinity and femininity in Shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Sex, Masculine Pride, and War in Henry V
Henry V, though reputed to be a crude, early item from Shakespeare's canon, provides many interesting and mature discussions on morality and psychology. Far from being, as it were, pre-written by being an "historical" work, it is a testament to the bard's skill that he can work so many ideas into a frame that has to take account of popular facts.
Interpretation of the play tends to revolve around issues of kingship, duplicity in Harry's self-presentation, or the consequences of war, but there is a glaring line of discussion present which has generally been missed: the relationship of war to sex and masculine pride. One critic writes, "War is a version of male lust. Hal never grows up but works out ways to aggrandize himself by owning more and more property. Geography as ego. And... he's a rapist too" (Landis 201). There are at least three significant relationships of pride, lust, and war which are brought out in the play and will be pointed to in the following. One is war as a response to insult and perceived or suggested (sexual) inadequacy. One is war as the occasion of massive rapine. The other is war itself as a sort of metaphorical rape. These themes will be brought to light most clearly by attention to the most traditionally ignored passages of Henry V.
Critics have often dismissed the comic scenes of the play as crowd-pleasing devices or filler, "only casually related to the main action" (Becker 74). The filler theory can be dismissed outright given the length the play already enjoys. The scenes involving Pistol, Nym, and Bardolph, or Fluellen and Gower actually fit the play perfectly. As far as the play's themes go, these...
... middle of paper ...
... of many of this play's lines.
Works Cited
Becker, George J. Shakespeare's Histories. New York: Frederick Ungar Publishing Co., 1977.
Brennan, Anthony. Henry V. New York: Twayne Publishers, 1992.
Landis, Hoan Hutton. "Another Penelope." Women's Re-Visions of Shakespeare. Ed. Marianne Novy. Chicago: Univeristy of Illinois Press, 1990. 196-211.
Shakespeare, William. Henry V. Ed. F. Marshall and Stanley Wood. London: George Gill & Sons, (year unknown; between 1892 and 1936).
Shakespeare, William. The Complete Works of William Shakespeare. Ed. John Dover Wilson. London: Cambridge University Press, 1985.
Wilcox, Lance. "Katherine of France as Victim and Bride." Shakespeare Studies 27 (1985): 61-76.
1[1] i.e. the lily, the symbol of France, featured on its coat of arms.
2[2] "Flower of the bed," i.e. the maiden Katherine.
Shakespeare’s ‘King Henry IV Part I’ centres on a core theme of the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play. Through characterization Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince.
On one hand Mr. Utterson is showed as a rather typical lawyer but at the same time he fights his temptation to drink vintage wines as it is considered immodest in Victorian morals. So, to console himself he then decides to drink gin which considered better than vintage wines, this creates a difference in society. Also, he likes to go to theatres but he hasn’t crossed the doors of one almost ‘close to a generation’. S...
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
Shakespeare, William. Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
Posing the problem of solving the foreclosure crisis first begs the question – “is there really a foreclosure crisis?”
In essence, the problem leading to the foreclosure crisis is the recent decrease in people’s ability to make their loan payments due to job loss and lower wages brought on by the economy’s weak state. Rather than throw billions of dollars at big banks in the hope that they find ways to help the homeowners’ loans, the government should attack the problem through the individual. Simply, the government aid being spent in the hopes of stimulating the economy should be funneled toward reducing the balance of home loans to make the monthly payments affordable for the owner. By funneling the government aid directly to the American home owner in need, the economy would greatly benefit as homeowners regain their footing with their budget because the economy and foreclosure are directly related. When one hurts, so does the other; when one prospers, the other does as we...
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Shakespeare, William. "Othello". The Norton Shakespeare. Ed. Stephen Greenblatt. New York: W.W. Norton & Company, 1997.
Each person in the world has heard of Cinderella, no matter what kind of version it may be. Cinderella is the one fairy tale story that has been popular and will always be the one tale that has to be told to children. Words and story lines might be twist and turn, but in the end the knowledge of the story will be learned in similar ways. As we all know when one story is told another is created, when one is at its best then another is at its worse. One version will always be better than another, but no matter what version it might be the story will be told.
Cinderella was a great show and an amazing musical. It was impressive overall. The performances were incredible. The cast and crew did phenomenon. Let’s start with the beginning of the show, the “Once upon a time” painting looked wonderful. The details of it made the set blend in well. Cinderella has multiple casts who played the same role which is never done before. This might cause a little confusing for the audiences but it was helpful that the show has a performance chart with the role and the casts.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997