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Analyse the mayor of casterbridge as a tragic novel by thomas hardy
Analyse the mayor of casterbridge as a tragic novel by thomas hardy
Analyse the mayor of casterbridge as a tragic novel by thomas hardy
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Setting and Symbols in The Mayor of Casterbridge
Modern critics consider Hardy a great writer and they consider The Mayor of Casterbridge one of Hardy¡¯s two great novels. Of all the Wessex¡¯s novels, however, this is the least typical. Although it makes much less use of the physical environment than do the others, we still cannot ignore the frequently use of symbols and setting in the novel. In my essay, I¡®ll analyze the function of the symbols and the setting in The Mayor of Casterbridge.
The setting place of this novel is Casterbridge (England), a fictional town based on the city of Dorchester. Unlike the other Wessex novels, the action does not revolve from place to place, but instead; everything is centered on the town, which characters leaving or entering Caseterbridge. as they are mentioned in the tale. At this extent, the town does have some features, which are important to the novel.
Definitely, it would not at all surprising us that Hardy gives a perfect description of the Wessex countryside, the detailed accounts of the daily goings in Casterbridge, even the dialects of the natives. By doing so, Hardy made us feel that ¡°we¡± ----the readers, are living in Casterbridge, we¡¯re undergoing all the events with the tragic hero ---Henchard. I think the settings here act as the symbolic reflections of impressions and get readers more involved in the novel.
For instance, in the first few chapters, Hardy goes out of his way to describe the very atmosphere of Casterbridge, its Roman ruins, its market place, its inns, its¡± grizzled church¡±, its High Street with its timber houses, its old gardens full of ¡±bloody warriors¡± and snapdragons, its disputable Mixen-Lane, its two bridges towards which¡± gravitated all failures of the town¡±. All these remind us that Casterbridge is dull and forbidden, full of age-old traditions and very much dependent upon agriculture for its subsistence. No wonder that Henchard has the stubborn, hardy, rude and instinctive sprit of the old-time country. With this kind of impression in our mind, we even can foresee the struggles between Henchard and Farfrae. With different living backgrounds, or to be more specific, the different living settings, when they clash, it is not only a disagreement between two men, but a conflict between age and youth, tradition and innovation, and emotion and reason. Henchard, for exam...
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...des it, there are such powerful, uncontrollable forces as heredity and God. Henchard rails against such forces throughout the novel, lamenting that the world seems designed to bring about his demise. In such an environment, coincidence seems less like a product of poor plot structure than an inevitable consequence of malicious universal forces.
At this extent, with the believe that ¡° both character and uncontrollable super nature force determined the fate, therefore the function of the using of setting and symbols in this novel is definitely clear, the setting present the mood and impressions of the story and the symbols reflect abstract ideas and concept. By using setting and symbols in the novel The Mayor of Casterbridge, the coincidences and the uncommon behaviors became acceptable and believable.
THE LIFE AND DEATH OF THE MAYOR OF THE CASTERBRIDGE
By Thomas Hardy
Macmillan and Co., Limited ST. Martin¡¯s Street, London 1947
REFRENCE:
Vivian, De Sola Pinto The Wessex Novels University College,
Southampton, 1947
Holloway , John The Victorian Sage: Studies in Argument, London, 1958.
Sobol, ken Thomas Hardy¡¯s The Mayor of Casterbridge,
Simon&Schuster, 1964
The novel’s use of contrast between East Egg, West Egg, and the Valley of Ashes begins to explore the differences between social classes. East Egg houses the most wealthy and aristocratic members of the nearby area. It contains many “white palaces” (Fitzgerald 10) that are quite “fashionable” (Fitzgerald 10). This description paints an image of purity and untouched standards of wealth that are translated into the book’s time period. Due to the pristineness of the village, the homes “[glitter] along the water,” (10) further supporting the idyllic qualities East Egg appears to have. West Egg, on the contrary, is home to people of near equal affluence, but of less social establishment. It is described by the narrator as “less fashionable,” (Fitzgerald
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
The setting used throughout the novel Wuthering Heights, helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. These two places, Wuthering Heights and Thrushcross Grange differ greatly in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme.
...er. The moors quickly changed to a more appealing nature compared to when Catherine and Heathcliff were separated. Wuthering Heights embodied more sorrow, strenuous feelings mainly taken from Heathcliff that poisoned the rest of the residents that stayed there. Heathcliff’s character was revengeful and deceitful which caused everyone to have little trust in him adding more tension and anger to the atmosphere of the house. Thrushcross Grange had a more positive feel to it because the residents inside had less worries and work to achieve. The Linton’s focused on their lifestyle and did what made them happy which to them meant less work and more family events. Emily evidently uses the setting of each property as well as the moors to directly relate the behavior and actions the character’s in her novel “Wuthering Heights,” portrays compared to their personalities.
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Jane Austen’s ‘Pride and Prejudice’ utilises setting to reveal Darcy’s true character and allows Elizabeth to gain a true understanding of his nature. Pemberley estate is placed at the centre of the novel both literally and figuratively. In terms of Pemberley’s literal meaning, it informs the reader that the estate belongs to Darcy, while figuratively it reflects the charm of his character. Elizabeth Bennet’s visit to Pemeberly illuminates’ Darcy’s moral fibre, she is enchanted by its beauty and good taste; she is thrown by the vivid and vastly spread nature surrounding Pemeberly. In contrast, Forster’s ‘A Room with a View’ utilises place more frequently, primarily to reveal character and act as a metaphor for a repressed society. Italy and England are used to mirror these metaphorical and differing ways of life.
The setting or settings in a novel are often an important element in the work. Many novels use contrasting places such as cities or towns, to represent opposing forces or ideas that are central to the meaning of the work. In Thomas Hardy's novel, Tess of the d'Urbervilles, the contrasting settings of Talbothays Dairy and Flintcomb-Ash represent the opposing forces of good and evil in Tess' life.
Austen’s novel focuses on the social class known as the rural landowning gentry, and the people whose education or family connections enable them to associate with the gentry. Austen uses Marianne Dashwood to represent the "sensible and clever; but eager in everything; her sorrows, her joys, could have no moderation, she was everything but prudent" counterpart to her sister Elinor Dashwood who had "strength of understanding and coolness of judgment," neither of whom belong to the land gentry any longer. Austen juxtaposes the two sisters journeys as a way to shed light on the corruptness and instability of the social class system. By surrounding Marianne and Elinor with social climbing characters such as John Willoughby, John Dashwood and Edward Ferrars, Austen illuminates the ruthlessness that surrounds the sisters. The three men are too preoccupied with either getting...
The setting used throughout the novel Wuthering Heights helps to set the mood to describe the characters. We find two households separated by the cold, muddy, and barren moors, one by the name of Wuthering Heights, and the other by the name of Thrushcross Grange. Each house stands alone, in the mist of the dreary land, and the atmosphere creates a mood of isolation. In the novel, there are two places where virtually all of the action takes place. These two places, Wuthering Heights and Thrushcross Grange, differ greatly from each other in appearance and mood. These differences reflect the universal conflict between storm and calm that Emily Bronte develops as the theme in her novel Wuthering Heights.
Setting influences character and theme with places, time of day and the atmosphere. In Nathaniel Hawthorne, Young Goodman Brown, the setting of the Salem Village at sunset, the forest and what happened in the forest influenced the character and theme of the story with temptation, testing humanity, and Browns changed views on humanity, people in the village and faith, his faith and his wife after what happened in the forest. In the first sentence in the story, gives the first setting, Salem Village at sunset.
Although the title of the novel was the most important feature that gave the characters their traits, Emily Bronte included two places to make the novel more interesting. The two families were disjointed by the cold, murky, dark and desolate moors, Wuthering Heights and of Thrushcross Grange. Both houses hold different morals and values. Wuthering Heights represents wildness. On the other hand, Thrushcross Grange and the Linton family represent culture, sophistication, settlement, and education. It did not take long for Wuthering Heights to take over Thrushcross Grange.
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...
Wuthering Heights shows the repression between social classes and gender subjection. The settings in the novel provide insight to the characters social interactions and positions from either Wuthering Heights or Thrushcross Grange, the contrasts between these places are what truly make the overall presentation of the story so enticing.
The Mayor of Casterbridge by Thomas Hardy is a novel about the rising and plummeting of a complex man named Michael Henchard. Michael Henchard does not just have one characteristic or just one personality for that matter. His personality can be described as thoughtful and strong-minded but also as ruthless, stubborn and cold. Henchard's impulsiveness, aggressive attitude, childishness and selfish nature made failure and misery inevitable in his life. The essence of his character is the root of his demise and misery.
The rural elite of Austen’s novels are members of the upper middle-class. They are not the aristocracy (although Mr Darcy belongs to the aristocracy), but their connections and education give them the right to mix with high society, as well as to marry with people of h...