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The elements of love in shakespeare sonnets
An essay on love theme in shakespeares sonnets
The elements of love in shakespeare sonnets
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Isabel Aguayo
Professor Lourence
English 2313
March 25, 2014
Self-Love
In the Sonnets, William Shakespeare expresses the different types of love between a young man and a dark lady. His sonnets briefly describe the importance of love, beauty, and the ravages of time. There are different figures of speech used throughout the sonnets such as, metaphor (an implicit or implied comparison between two things that have common characteristics between one another). In the introductory sonnets, Shakespeare portrays beauty to the young man and urges him to have children, so his beauty can be immortal. This leads to carrying on one’s beauty to leave a memory of an image. However, Shakespeare’s main focus was on the three themes: beauty, love, and the passing time; this demonstrates the importance of beauty from one person to another, by not letting beauty burn itself out through the passing time comes.
In sonnet one, Shakespeare urges a young man to start a family, so his child could preserve his beauty. This sonnet however, is based on the importance to share beauty because it never dies; it only develops. “From fairest creatures we desire increase,” all living things that are beautiful, give an offspring, so it can be desired like all creations (1171). Therefore, the beauty of a rose is perfection, whereas natural beauty is also defined and compared as a rose. In line two, “That thereby beauty’s rose might never die,” the epithet (an adjective or phrase used to distinguish the language of poetry from modern language), “ beauty’s rose” may be an attraction to someone by being in a committed relationship. If there is a connect or attraction, their beauty and love should never die, but reproduce to an offspring (1171). Shakespeare uses “...
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...‘Tis thee, my self, that for myself I praise,
Painting my age with beauty of thy days.
Shakespeare asserts the word “painting” to express the youth’s age. The ‘metaphor’ of the end of the sonnet, is compared to beauty and age. Therefore, one’s beauty does not vanish away by the ravages of time. And, beauty will not matter through the “beated and chapped with tanned antiquity”.
In conclusion, Shakespeare’s theme of each sonnet is divided in different ways. His expression of love is somewhat similar to both the young man’s relationship and the dark lady’s. The relationship alternates between the force of love, beauty, jealousy, time, and obligation. The youth shows his affection, but it seems to be false. Shakespeare uses figure of speech to compare ‘nature’ for the love he has for the “dark lady”. His initial feelings; lust and attraction is processed throughout.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
He states that the subject of the poem is in fact lovelier and “more temperate” (Shakespeare 2). In lines 3-6, he illustrates the subject’s perfection by saying that he is not affected by the flaws of summer, such as its brevity and uneven temperatures. In the following few lines, Shakespeare remarks that although everything beautiful will at some point fade away, the beauty of the subject will last forever. The beauty, and Shakespeare’s love of it, will exist forever in the lines of the sonnet. Shakespeare effectively communicates the message of the sonnet through elaborate use of literary devices, mainly metaphors.
All five sonnets analyzed, including sonnets from Lady Mary Wroth, Petrarch, and Shakespeare, revolve around romance and sexuality. For example, Wroth’s sonnet 22 revolves around her devotion and focus on love. In lines 1-3, Wroth uses a simile comparing Indians accustomed to the sun’s heat to her abstract idea that she is accustomed to being in love (Wroth 1-3). Petrarch’s sonnet 90, on the other hand, focuses on unrequited love, a love that, while the narrator metaphorically had “love’s tinder in [their] breast unburned,” the narrator later realizes that the love interest doesn’t feel the same way (Petrarch 7-14). The remaining three sonnets by Shakespeare present three different perspectives on love.
When he writes "And yet, by heaven, I think my love as rare as any she, belied with false compare." (lines 13-14) in the final couplet, one responds with an enlightened appreciation, making them understand Shakespeare's message that true love consists of something deeper than physical beauty. Shakespeare expresses his ideas in a wonderful fashion. Not only does he express himself through direct interpretation of his sonnet, but also through the levels at which he styled and produced it. One cannot help but appreciate his message of true love over lust, along with his creative criticism of Petrarchan sonnets.
Shakespeare's scathing attack upon the morality of his mistress exemplifies their tumultuous and perplexing relationship. The three quatrains outline the poet's inner struggle to cope with both his lover's infidelity and the embarrassing self-admission that he still desires her to gratify him sexually, even though she has been with other men. The poet yearns to understand why, in spite of the judgment of reason (5), he still is enslaved by her charms. Confused by his own inexplicable urges, the poet's whole being is at odds with his insatiable "sickly appetite" (4) for the dark lady. He deduces in the final quatrain that he surely must be insane, for he calls his mistress just and moral when she obviously is neither. Not until later sonnets (150-1) do we see a change of tone and a cool-headed acknowledgment of the recklessness of the whole affair. In Sonnet 151, the poet admits that he cannot continue the relationship because it betrays his "nobler part" (6) i.
At the time of its writing, Shakespeare's one hundred thirtieth sonnet, a highly candid, simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early 1600s, in which poets highly praised their loved ones with sweet words. Instead, Shakespeare satirizes the tradition of comparing one's beloved to the beauties of the sun. From its opening phrase "My mistress' eyes are nothing like the sun", shocks the audience because it does not portray a soft, beautiful woman. Despite the negative connotations of his mistress, Shakespeare speaks a true woman and true love. The sonnet is a "how-to" guide to love.
William Shakespeare’s sonnets are renowned as some of the greatest poetry ever written. He wrote a total of 154 sonnets that were published in 1609. Shakespearean sonnets consider similar themes including love, beauty, and the passing of time. In particular, William Shakespeare’s Sonnet 75 and Sonnet 116 portray the theme of love through aspects of their form and their display of metaphors and similes. While both of these sonnets depict the theme of love, they have significantly contrasting ideas about the same theme.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
From the works of William Shakespeare and Edmund Spenser it is clear that some similarities are apparent, however the two poets encompass different writing styles, as well as different topics that relate to each other in their own unique ways. In Shakespeare’s “Sonnet 18” and Spenser’s “Sonnet 75”, both poets speak of love in terms of feelings and actions by using different expressive views, allowing the similar topics to contain clear distinctions. Although Edmund Spenser’s “Sonnet 75” and William Shakespeare’s “Sonnet 18” relate in the sense that love is genuine and everlasting, Spenser suggests love more optimistically, whereas Shakespeare focuses on expressing the beauty and stability of love.
William Shakespeare's sonnets deal with two very distinct individuals: the blond young man and the mysterious dark-haired woman. The young man is the focus of the earlier numbered sonnets while the latter ones deal primarily with the dark-haired woman. The character of the young man and a seductive mistress are brought together under passionate circumstances in Shakespeare's "Sonnet 42." The sexual prowess of the mistress entangles both Shakespeare and the young man in her web of flesh. This triangular sonnet brings out Shakespeare's affection for both individuals. His narcissistic ideal of delusional love for the young man is shown through diction and imagery, metrical variation and voice, contained in three quatrains and one couplet.
Shakespeare's Exploration in Sonnet 2 of the Themes of Age and Beauty. Look closely at the effects of language, imagery and handling of the sonnet form. Comment on ways in which the poem’s methods and concerns are characteristics of other Shakespeare sonnets you have studied. The second of Shakespeare’s sonnets conveys an argument the poet is. making somewhat implicitly to a subject whose identity is hazy and unknown to the reader, even in retrospect.
Shakespeare’s sonnets include love, the danger of lust and love, difference between real beauty and clichéd beauty, the significance of time, life and death and other natural symbols such as, star, weather and so on. Among the sonnets, I found two sonnets are more interesting that show Shakespeare’s love for his addressee. The first sonnet is about the handsome young man, where William Shakespeare elucidated about his boundless love for him and that is sonnet 116. The poem explains about the lovers who have come to each other freely and entered into a relationship based on trust and understanding. The first four lines reveal the poet’s love towards his lover that is constant and strong and will not change if there any alternation comes. Next four lines explain about his love which is not breakable or shaken by the storm and that love can guide others as an example of true love but that extent of love cannot be measured or calculated. The remaining lines of the third quatrain refer the natural love which can’t be affected by anything throughout the time (it can also mean to death). In the last couplet, if
Shakespeare’s uses imagery and symbolism throughout this sonnet, the main image is the description of his mistress. This is done not only through sights; but objects; and color. The theme displays an understanding that true love is loving someone despite their imperfections. The title “My mistresses’ eyes are nothing like the sun” suggests that Shakespeare doesn’t see brightness in the eyes of his beloved, he uses imagery to evoke a vision of dullness in the mind of readers. Shakespeare uses symbolism while mocking the perception of beauty typically used by Elizabethan poets of the time.
In Shakespeare’s fist sonnet Shakespeare kind of sets the tone and theme of time, immortality, selfishness, and of breeding. He