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Sonnets "My mistress' eyes are nothing like the sun
Aspects of love within Shakespeare
Sonnet 18 question
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Shakespeare’s uses imagery and symbolism throughout this sonnet, the main image is the description of his mistress. This is done not only through sights; but objects; and color. The theme displays an understanding that true love is loving someone despite their imperfections. The title “My mistresses’ eyes are nothing like the sun” suggests that Shakespeare doesn’t see brightness in the eyes of his beloved, he uses imagery to evoke a vision of dullness in the mind of readers. Shakespeare uses symbolism while mocking the perception of beauty typically used by Elizabethan poets of the time. The Sun in reality, is a huge ball of fiery gas, which is not what Shakespeare and other poets are referencing when using the sun to describe something. This is where symbolism comes in, the sun rising represents living, the sun setting represents dying. The sun is also the most recurrent and predictable occurrence in the world, like clockwork the sun rises every day, makes it way from east to west until sunset. Further, there is a mystery about the sun we see it every day, all living things are affected by it, yet it is totally out of our reach. …show more content…
Traditionally the rose is symbolic of love and beauty. The color of a rose can also be symbolic, red roses can symbolize romance or heat, while white roses can symbolize cleanliness or peace etc. Shakespeare writes “I have seen roses damasked, red and white, But no such roses see I in her cheeks.” Saying that her cheeks lack the rosy hue the traditional beauty of the time would have. Another object Shakespeare references is coral. When Shakespeare references the lips of his mistress “Coral is far more red than her lips’” He is using imagery through the use of the coral to say that lips are not red at all, being that coral is a soft tone of pale pink this displays another stereotypical characteristic of beauty Shakespeare’s mistress
Hermia , Lysander , Helena and Demetrius represent young love in Shakespeare’s A Midsummer Night’s Dream . They are potrayed as foolish and fickle , acting like children and requiring a parental figure to guide them . The parental figures are Hermia’s father , Egeus , and figuratively Theseus , the mortal ruler , and Oberon , the mystical ruler.
Closely related to subversive comparisons, Shakespeare also makes use of exaggerated similes. Unlike his contemporaries, Shakespeare introduces his Mistress in negative conventional terms. “My mistress’ eyes are nothing like the sun / cor...
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
Compared to the first few lines in the second sonnet: "My mistress eyes are nothing like the sun coral is far more red than her lips red" And this shocking feeling of offense and harshness continues through to line twelve in the second sonnet. However, there are some dark points in the first sonnet as well, as death is mentioned in line eleven "Nor shall death brag thou wandr'st in his shade" And "rough winds" in line three. However, how harsh and sincere these sonnets may be, both have the conclusions with the similar idea that Shakespeare loves his woman so much that he doesn't need to give her false comparisons to do with beautiful items or beautiful things that don't last forever - his love lasts for eternity in the sonnet: "So long as men can breath, and eyes can see So long lives this, and this gives life to thee."
The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.
Shakespeare wrote his acclaimed comedy A Midsummer Night’s Dream more than a thousand years after Apuleius’ Roman novel, The Golden Ass. Although separated by thousands of years and different in terms of plot and setting, these works share the common theme of a confused and vulnerable man finding direction by relying on a supernatural female. One of A Midsummer Night’s Dream’s many subplots is the story of Bottom, a comical figure determined to be taken seriously in his production of a Pyramus and Thisbe. As Bottom becomes caught up in a quarrel between the king and queen of the fairies, the commanders of the enchanted forest where Bottom and his players practice, the “shrewd and knavish sprite” Puck transforms his head into an ass’ s and leads him to be enthralled in a one night stand with the queen, Titania. (2.1.33) Apuleius’s protagonist Lucius endures a similar transformation, after his mistress’s slave girl accidentally bewitches him into a donkey, leaving him even without the ability to speak. Although Lucius’ transformation lasts longer and is more severe, he and Bottom both undergo similar experiences resulting from their animal forms. Lucius’ suffering ultimately leads him to salvation through devotion the cult of Isis, and Bottom’s affair with Titania grants him clarity and a glimpse into similar divine beauty. Ultimately, both asinine characters are saved through their surrender to the goddesses.
Being that A Midsummer Night’s Dream is a Shakespearian comedy where passion is a significant theme. It is perceived in a variety of ways such as passion for revenge, recognition, and for love, which have the potential to blur the lines between the levels of social hierarchy. Shakespeare uses a variety of characters such as Helena, Nick Bottom, and Oberon to express the theme of passion and its significance in the play.
"My Mistress' Eyes Are Nothing Like the Sun" uses comparisons to express Shakespeare's idea of love as opposed to lust. A lustful man would focus on a woman's pleasing physical characteristics, such as white breasts, beautiful hair, red lips, and fragrant breath; however, Shakespeare's mistress possesses none of these great characteristics. Shakespeare, instead, uses metaphors to express her physical shortcomings. "Coral is far more red than her lips' red" (line 2) describes his mistress' faded lips. "If hairs be wires, black wires grow on her head" (line 4) shows the coarse, unkempt and dark color of her hair. "
Throughout history literature has changed into many different forms and styles, it has also stayed the same in many different ways, literary techniques and elements are key to a good piece of writing, a perfect example that shows us just this is in, A Midsummer Nights Dream, where we will further explore the different literary elements that were used most notably the plot. The plot of a story lays out the foundation and the background for the entire play to come, we'll compare and contrast this element and look at the different sub elements which are produced. We will define similarities and difference in these elements form both the play o the film. Taking a look at things such as climax, play incidents, and the conflict will all give us a better understanding of how it affects the similarities and difference of the film versus the play.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
This also shows which kind of approach he decided to take when writing the poem, therefore throughout the poem he is criticizing her. In addition to the title, Shakespeare uses figurative language to compare his mistress to other women and how she doesn’t stand up to their image of beauty, “And in some perfumes there is more delight / Than in the breath that from my mistress reeks” (7-8). Despite this fact, at the end of the poem, Shakespeare writes he loves her regardless of her appearances or traits falling short to others.
With the use of personification, diction, tone, and theme, Shakespeare was able to construct a poem where the narrator was admirable of his significant others’ beauty. This interpretation of Shakespeare’s poem “Shall I Compare Thee to A Summer’s Day” was supported with the analysis of the tone, theme, and diction. In addition, Moss’s poem, “Shall I Compare Thee to A Summer’s Day” helped reinforce some of the conclusions made about the interpretation of the poem because of Moss’s use of simple language. Through this poem, Shakespeare has created the idea that beauty can live forever despite nature.
In “My Mistress’ Eyes Are Nothing Like the Sun” by William Shakespeare, the most important poetic feature is the situation created in the poem because it is the feature that makes the reader begin to question what is happening, which ultimately leads to a better understanding of the theme that women are overly compared to clichés they cannot live up to in the era of Petrarch Sonnets. Petrarch’s famous sonnet sequence is a collection of love poems to a certain woman idolizing her beauty and perfection through extravagant metaphors and similes. The metaphors soon became clichés but they continued to be used to make comparisons about a poet’s lover. Shakespeare uses a satirical approach in this poem to mock the cheesy Petrarchan metaphors by taking the common clichés to describe his mistress, known as the “Dark
A Midsummer Night’s Dream is one of Shakespeare’s shortest, but one of the most influential comedies. Once produced, his play influenced many forms of media. It was motivation for musicians from Berlin to the United States. A Midsummer Night’s Dream is composed of dreamlike fantasies, mistakes, and a twisted form of humor in comedy. Written in 1595 and early 1596, Shakespeare transforms this play into an unrealistic approach on love and society, promising surprise and wonder for the audience.
He revolves around her cheeks and mouth, as he has not “seen roses damasked, red and white, / but no such see I in her cheeks” (Shakespeare 5-6). The picture the speaker is painting is one of his mistress having a dull complexion with an undesirable texture. His vivid use of imagery further aids in his satirical mocking of the conventional sonnets falsely comparing women to grand things, which in this case to a soft red rose. In the second quatrain, the speakers tone starts to change as the langue he uses to describe his mistress differs. His language in the second and third quatrain’s is more euphonious when he describes his mistress, indicating that he feels for her, and the flaws that he lists are only skin deep. Following the depiction of her cheeks the speaker goes on listing her flaws, one after the other; he comments how the “breath” (Shakespeare 8) of his “mistress reeks,” (Shakespeare 8) to her her “dun” (Shakespeare 3) breast and her displeasing “damasked” (Shakespeare 5) skin. It seems that the speaker is doing the exact opposite of a conventional love poem as he’s not placing the beauty of a mistress on a pedestal, rather he lowers her in beauty in the eye of reader by describing, in detail, her lack of beauty, aiding in his ridiculing of the conventional love