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Coming of age in popular literature
How media influence adolescence image
Significant in young adult literature
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Recommended: Coming of age in popular literature
Security in Ferris Beach As Kate Burns goes through adolescence she slowly begins to realize that change can never be avoided, and change truly scares Kate. Naturally, Kate attempts to hold on to moments of security, where everything exists as she would like it. Kate desires permanency; Kate's constant longing to stop time and freeze certain periods of time shows this desire. Kate takes mental snapshots of certain times, and just cherishes and savors these moments. As Kate matures she begins to understand that life's little surprises always bring the unexpected, whether it be good or bad, and she must treasure the brief moments of security: I stepped into the middle of the road and just stood there, the lights stretching in either direction, glowing in the deep chilly air. I could see my own breath, could feel my own warmth as it formed right there in front of me. Behind me, our house looked dark, faint lingering of I'd walk a million miles, and I wasn't even sure if it was really playing or if I was imagining the familiar, the same way a bright light remain when you close your eyelids, the way I imagine that the sight of an eclipse would burn its image into your eyes forever(pg.75). Kate speaks of "the familiar," that is what this scene represents for Kate. The comfort of home is her familiar. Kate has the security that almost everyone desperately seeks as they grow old. Security that often eludes Kate. The image of Kate seeing her own breath and feeling her own warmth symbolize her health and her youthfulness. Kate has everything as she would like it. She lets the perfect image burn into her eyes. Everything that Kate dearly loves is set out before her in peacefulness: her friends, her family, and her health.
I had only to close my eyes to hear the rumbling of the wagons in the dark, and to be again overcome by that obliterating strangeness. The feelings of that night were so near that I could reach out and touch them with my hand… Whatever we had missed, we possessed together the precious, the incommunicable past. (170)
It is often said that the setting of the story can change the character’s mentality and personality. In the classic vignette, A Summer Life, Gary Soto addresses his childhood to adulthood in Fresno in the course of a short vivid chapters. Born on April 12, 1952, a year before the Korean War ended, Gary experiences his life in Fresno of what he describes “what I knew best was at ground level,” and learns what is going on around the neighborhood with his religious background behind him. Later, when he realizes his father passes away, he undergoes hardships which cause his family to be miserable. Growing up in the heart of Fresno, Gary Soto, the author, explains his journey as a young man to adolescence through his use of figurative language and other adventures. The settings of this book revise Gary’s action and feelings around his surroundings.
This is an example of Jeannette’s parents trying to keep their children as optimistic as possible.They knew that their life would be rough and tough based on what they had gone through however if they always kept the positive mindset it would make things a lot easier for
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Per Hansa is a very optimistic person who always sees the good in situations. He seems to always be in a good mood and has a great work ethic and never seems to sit down. He is a very able-bodied man who always thinks things are possible. He tries to avoid all problems that he and his wife have. He was the one that wanted to leave his homeland of Norway in order to come and make a life in America. Per will do anything for the better of his people and his family. He becomes sort of like a business man which included selling potatoes and furs to other groups of people. He is very much a person who cherishes material goods.
Sadker, Myra, David Sadker, and Susan Klein. "The Issue of Gender in Elementary and Secondary Education." Review of Research in Education 17 (1991): 269. JSTOR. Web. 14 Mar. 2012.
As Kate Burns goes through adolescence she slowly begins to realize that change can never be avoided, and change truly scares Kate. Naturally, Kate attempts to hold on to moments of security, where everything exists as she would like it. Kate desires permanency; Kate's constant longing to stop time and freeze certain periods of time shows this desire. Kate takes mental snapshots of certain times, and just cherishes and savors these moments. As Kate matures she begins to understand that life's little surprises always bring the unexpected, whether it be good or bad, and she must treasure the brief moments of security:
“A stronger light pressed upon my nerves, so that I was obliged to shut my eyes. Darkness then came over me,
The first major instance that is shown in the show is the altercation between Kelly and Yorkie in the bathroom. Yorkie accuses Kelly of running away from her and Kelly dismisses the idea saying that she owes nothing to her. Yorkie then responds by saying “Maybe you should feel bad. Or at least feel something.” Both Kelly and Yorkie have had terrible experiences in the past that made them both want to look to the past for comfort. While seeking comfort in the past, they found each other, allowing them to move together towards the future. Boym states that “nostalgia is paradoxical in the sense that longing can make us more empathetic toward fellow humans” (XV), and especially for Kelly and Yorkie, it was true. Yorkie, trying to get the life that was stolen from her turned nostalgic. Kelly on the other hand went through the heartbreak of experiencing the death of both her daughter and her husband and aimed to enjoy the last few months of her life by being nostalgic. They both felt a sense of loss and by coming to San Junipero and finding each other, they completed each other. This is when the paradoxical portion kicks in. Boym states “the moment we try to repair longing with belonging, the apprehension of loss with a rediscovery of identity, we often part ways and put an end to mutual understanding” (XV). These experiences brought them together but it is also these experiences that tear
The wife could see Gary’s truck lights return in the dim light as his truck crawled up the hill. The wife wondered if she should run or stand. She wondered if her husband always drove so slowly or if the luminous beings slowed him down. An eerie fog was creeping in. The fog seemed unnatural for the time of year. It was too dry to have a fog. The wife wondered if she was loosing her mind. Gary finally was turning into the meadow. The luminous shapes were between her and the truck. The wife stood still.
One example is after she comes up with the plane to go back in time to collect and destroy all of the Chronos time trialing medallion. In the book kate says ” I don’t really remember going back to the car. Trey helped me inside and pulled the seat belt over me, snapping it into place. “I’m sorry Katie. I’m sorry.” There were tears in his eyes. He gave me a soft kiss on the forehead and drew me into his arms. At that point, I broke down, sobbing against his shoulder. I held on to him tightly. As much as I hated to seem needy or weak, after a day in which I had lost my mother, my father, and in every way that mattered, my own existence, I desperately needed the human contact. He held me for several minutes and then I pulled away. I was still crying, but I said, “I’m okay. We need to go.” “You don’t sound okay, but yeah...let’s get out of here.” He rummaged around in the console and found some napkins from a fast-food place. “Sorry, I don’t have any Kleenex,” he said. I took the napkins, dabbing at my eyes and nose. I glanced back at the picnic table. The youngest boy was in Dad’s lap trying to get his attention, but Dad continued to stare at the car as we drove away. He looked miserable and I felt a surge of
…Light came out of this river since- you say Knights? Yes; but it was like a running blaze on a plain, like a flash of lightning in the clouds. We live in a flicker-may it last as long as the old earth keeps rolling! But darkness was here yesterday.
In a foreign land, in a foreign era, an extinct sound resides in the atmosphere. It's the sound of a world that has never experienced or conceived of anything like an automobile or a jet, a television or a radio, a microwave or even an alarm clock. It's the sound of a small population, people that live on the amusement they find in polite conversation, art, theatre, and primarily literature. When night falls, the only illumination casting a glow on this world comes from the flickering of a lantern or a small bedside candle.
In present day architecture, regionalist architects have committed a serious understanding of their surrounding in which they design in. They have achieved this by responding with an appropriate architecture that reflects site, climate, culture and tradition. Le corbusier, Tadao Ando, Alvar Alto, Louis Khan, Enric Miralles and many others take on this term ‘regionalist architects’ because of their attention to represent culture, identity and the environment in which the building is situated. They also design simplified structures that capture the symbolic values of the people whom that architecture serves. Applying critical regionalism to the proposed Pan-African Centre will be of significance to the everyday users as the building will add symbolic cultural and traditional value.
My physical development was not so difficult for me. I experienced the growth spurt when I was10 to 15-years old. I didn’t think it was difficult time for me because my range of growth spurt was not so large. Additionally, I did not belong to sports club, so I did not feel uncomfortable when I move my body. I think I am a late bloomer because I have never had boyfriend. But I think it is advantage for me because I am not a “boy-crazy”. I know some friends who are early bloomer and being “boy-crazy”, I do not want to be like them. I have my own interest and I have something what I want to do besides dating with boys. My physical developments have some effects on my character of today. I think it is because I was taller than others since very young, my friends often said to me “you are like my elder sister.” This phrase makes me think that I need to be like elder sister when I was child. It is related to more about psychological development, but this way of thinking came from my height. One of other physical development related issue that makes me struggle is my period. Every time I am in period, I have pain in stomach and back; I feel sleepy, hungry, and irritating; and I have skin problems. I think there are more people who have more heavy symptoms of period, however, sometimes I cannot endure these. My physical developments have some effects on me, but it was not so difficult for me to pass through.