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Historic asian art essays
Oriental art
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Upon entering the Museum of Arts you turn right and enter a room that is titled the Asian Art. Once there you feel as though you have stepped into Asia and back in time to centuries long now gone. The artifact that I first took notice of was the Seated Buddha Sakyamuni since this has been an object we studied in class. The Seated Buddha is a statue and is representative of the 2nd – 3rd century. Devotion was given to Sakyamuni by the early Buddhist as a miraculous mortal teacher. (Buddha Head) He was not viewed as a cosmic ruler like most. You can see from the photo below (labeled photo 1) that the head is circled by a “halo”, signifying a symbol of the sun disk or magic radiance. This is where the term the “Enlighted One” comes from. (Buddha Head) The Seated Buddha’s right had is raised which indicates the universal gesture of reassurance or blessings. This gesture is also known as abhaya mudra. The tuft of hair, known as the urna, in the middle of his forehead is also significant and is another sign of a holy person. The Seated Buddha sculpture has western influences in the way he is dressed as well as his features. The idealized images of the Greek god Apollo has been suggested to be the influence for the finely pleated rode and drapery style of the Greco-Roman West Buddha is wearing. Gandhara was known as an abundant crossroads for exotic good and cultural ideas between East and West. …show more content…
This figure was from the 13th - 14th Century, known as the Sukhodayan period, and is seated in the lotus position or the padmasana. (Buddha Protected) This Buddha rests one hand in his lap and the other is on his right knee. This is known as the “earth-touching gesture”. It is believed that Buddha is summoning the Earth to be a witness to the fact that he has fought evil and triumphed with
The statue that will be the focus of this paper portrays the figure “Amida, the Buddha of Infinite Light.” Like many other statues of the Buddha, this Amida Buddha was portrayed to be deep in meditation, sitting cross-legged. A viewer could observe that the Amida Buddha is making a hand gesture while in deep meditation. These gestures, also known as “mudras,” are symbolic in the Buddhist religion, and they are used to convey certain ideas (O’Riley 70). In this case, the Amida Buddha is making the mudra of appeasement (“Amida”). More physical observations could be made by pointing out the “balanced form, divine features, and flowing drapery” (“Amida”) of the Amida Buddha. Those qualities represent the nature of the Buddha, revealing him as “transcendent, graceful, and compassionate” (“Amida”). Features common to other Buddha sculptures show up on this Amida Buddha, like the elongated earlobes, the mole on his forehead, and patterned hair. At first glance, the Am...
The two pieces of art that I have chosen to compare is the ‘Green Tara 14th century’ and ‘Tara 19th century’ which are both from the collection at the Rubin Museum of Art. The Green Tara sculpture is from central Tibet and is made of Gilt copper alloy. The Tara 19th century is from Kham province in Tibet and is painted with pigments on a piece of cloth.
Walking into the Hall of the Buddhas, there was a sense of peace and guidance lingering inside me. The seated Bodhisattva, of the Northern Wei dynasty (386-534), CA.480, from the Yungang, Cave xv, Shani Province, made of sandstone, guarded the entrance. At first, I thought it was a time to be disciplined, but the transcending smile from the statue was a delicate fixed gesture that offered a feeling of welcome. It was not a place to confess your wrongdoings; neither was it a place for me to say, “Buddha I have sinned.” It was a room to purify the mind, the mind that we take for granted without giving it harmony. There was a large mural decorating the main wall called “The Paradise of Bhaishajyaguru”(916-1125). I sat down wandering if the artist of the portrait knew that his work would one day be shared on this side of the world, in my time. Much like Jesus Christ and his followers, the mural is a painting of healers and saviors. It was a large figure of the Buddha of medicine, (Bhaishajyaquru) surrounded by followers of Bodhisattvas, Avalokiteshvara, and Mahosthamaprapta with twelve guardian generals who have pledged to disseminate the Buddha’s teaching (Tradition of Liao 916-1125, Metropolitan Museum wall plaque).
The lotus flowers surround Buddha and he also is sitting on a giant one. They are symbols that the Buddha is awakened almost as a sign of rebirth. The lotus flowers meaning in Buddhism means rising above everything and achieve enlightenment. There are lotus flowers that are not yet open representing that not all are yet enlightened and the lotuses that are fully bloomed representing full-enlightenment and self-awareness. Buddha sits in front of the Bodhi tree which literally means awakening or enlightenment. Behind the tree is a full moon and in Buddhism has a great significance. The Buddha was born on a full moon day and his enlightenment was also during a full moon. The Buddha also has earth touching mudra. Mudra is the religious hand gestures and earth touching is “calling the earth to witness”. These concepts go back to the Four Noble Truths. They are the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. The fist noble truth is represented by the temptresses and the flaming arrows sent from Mara. After the temptresses did not seduce Buddha Mara sent flaming arrows from all directions towards the Buddha representing that all of life’s sufferings. This artwork shows the second noble truth by Buddha avoiding the temptresses that Mara sent and in this way Buddha avoided having cravings or desires. By not submitting to those desires and cravings Buddha realized that this is the ending all suffering is to remove all desire, ill will and ignorance therefore completing the third noble truth. The fourth noble truth is represented by the weight of the Buddha in the artwork showing Buddha not overweight and not starving but in the middle showing him living The Middle Path. When artists get to work responding and expressing, whether or not also to urge a point,
According to Buddhists, the four sights— old man, diseased man, dead corpse and the ascetic were specific observations which made Prince Siddhartha realize about the suffering that existed in this world and separated him from all worldly pleasures in order to become “The Enlightened One”. Because of the predictions that attended prince Siddhartha’s birth – that he would either become a world leader or a great holy man – his father, king Shudhdhona tried to protect his son from the more distressing features of the world for 29 years. But dissatisfaction grew within prince Siddhartha and so he asked the king ...
Buddha Siddhartha Gautama is the historical founder of Buddhism, and naturally his name expresses numerous myths. The records from ancient times suggest that Socrates was born to a family of a sculptor during the Peloponnesian war. He was married to a shrew, and had trivial financial independence. In opposition, the historical Buddha was a splendid prince, who floundered in luxury with his wife in the genial palaces which kept ignorant of the wretchedness of the world. . Once he discovered the austere reality, he took the path of a loner and by trial-and-error method, from practicing extreme austerities to meditation; he reached enlightenment. (Socrates Biography)
JSTOR. Web. 15 May 2014. "Heilbrunn Timeline of Art History." Altarpiece Dedicated to Buddha Maitreya (Mile) [China] (38.158.1a-n).
The first art that interested me was the art of Indonesia which in this exhibit depicted the culture, history and art of Indonesian people. For instance, Bali a small island in the Indonesia valued most of its art based on the rich resources they occupied such as most art was composed of gold, diamond and sapphires which people of Bali believed that it will resemble their higher standards in the society. Art of Bali amazed me the most when it came to their “King’s crown” and “Queen’s crown” which was completely “fashioned in pure gold with diamonds, rubies, and sapphires” (Bali). The king’s crown was much simpler compare to queen’s crown which contained many varied of gold decorative that looked like gold flowers, and all of its designs such as rubies or sapphires were perfectly horizontally lined to each other that sort of depicted as a shiny necklace. The Bali’s art that I observed was very interesting know about the society they lived in those centuries with representation of their upscale society (Bali).
People admired the overall concept of the religion and how it brought peace and enlightenment not only into their life, but the people that they are surrounded by. Many different artist began to create what they thought Buddha and how he, being the face of the religion, demonstrates how one can find these qualities in their life. Author of the book History of Chinese Philosophy, Bo Mou states that “....an affectionate concern for the well-being of one 's fellows in the community, society, or a state governed by a wise and virtuous ruler”, when referring to Buddha. In Seated Buddha, it can be mistaken that this sculpture does not posses a lot of great detail, but upon further inspection, it is obvious that it holds very detailed designs. This sculpture has a halo-type structure around the head of the Buddha and he is seated on an elevated surface. I believe that by placing the Buddha on this surface it then emphasizes his holiness and his importance to and in the community. One main feature that the Seated Buddha holds is the fact that he is seated in the lotus position, which ultimately was done to support the concept of peacefulness and calmness. The man has his right-hand open resting on his knee with his palm facing up. By doing this, I believe that the artist is showing the concept of openness and the idea of the Buddha figure being welcoming to others. The Seated Buddha is depicted with his eyes shut and a smile on his face. To me, this is showing that one can be happy regardless of what they can and cannot see and that you do not have to observe something in order to be happy. This can also mean that even if there is bad happening in the world, you can not look at the bad and just help others through their pain, which can then boost the amount of happiness that you
Siddhartha Gautama is famously known as Gautama Buddha and was the founder of the idea of Buddhism. The Buddha was known to possess supernatural powers and abilities. He was born in the holy land of Nepal and his journey began in India when he decided to travel and teach himself about life. In the midst of his journey, he discovered Buddhism after he experienced a profound realization of the nature of life, death and existence. Buddhism became a religion based on the teachings of Siddhartha Gautama and since then Buddhism has been popular throughout many civilizations. Buddhism is now one of the most ancient religions in the world, where people follow Buddha, which stand for “awakened one,” and Buddhism which has gained popularity because of the teachings of the Buddha.
Buddhism had an important role in the development of Japanese art between the sixth and the sixteenth centuries. Buddhist art and religion came to Japan from China, with the arrival of a bronze Buddhist sculpture alongside the sutras. Buddhist art was encouraged by Crown Prince Taishi in the Suiko period in the sixth century and Emperor Shomu in the Nara period in the eighth century. In the early Heian period Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among the wealthy class. The Amida sect of Buddhism provided the basis for many artworks, such as the bronze Great Buddha at Kamakura in the thirteenth century. Many of the great artists during this Kamakura period were Buddhist monks, and Buddhist art became popular among the masses with scroll paintings, paintings used in worship and paintings of saints, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests became popular. However, Zen had less use for religious images and by the mid sixteenth century most painting in Japan was of landscapes and secular themes.
A man and a woman led us to a small room. The man wore jeans and a regular t-shirt and the women wore a colorful dress reaching her knees. The man later told us that he typically didn’t wear jeans, instead he is generally in a more relaxed and comfortable attire. In the small room, there were four quilts laid out on the floor with cushions to sit on. All of the small quilts faced one wall, which contained three statues and a couple of pictures. On the left side of the wall was a statue of Siddhartha Gautama Buddha. As stated in an article in World-Faiths, Buddhism was established upon Siddhartha’s teachings. He was an Indian prince who began his spiritual journey when he was 29 years old. After six years, he rea...
Gandhara had absorbed Indian and Mediterranean influence in its art as well as its culture. This fusion of civilizations had taken place during the 6th and 5th century B.C, it was during this time period that the rhythm of civilizations was maintained. It was noted for the distinctive Gandhara style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. As mentioned earlier the Gandhara artists were said to have hand of a Greek but the head and heart of an Indian . During this period the devotees had dedicated themselves to the novel task of carving stone images of Buddha and Bodhisattvas. In their version of the Buddhist legends, the Gandhara artists, heavily favored the use of classical Roman art with bounteous of Greek mythology such as the angels that had garlands, Centaurs with human heads, arms and the body, spiral and flowing lines, Tritons with the fish tails and horse’s forefoot, scrolls and stuccos. The carving of the drapery showed the Hellenic influence on Gandhara art, for example the bright disc around the head of the Buddha or the half human being with the head of trunk of a women and tail of a fish. Similarly the wavy treatment of the hair, balance and distribution of weight considering the frame of human parts certain motifs and patterns all indicated a full close knowledge of
After the visitation at the temple, I noticed that the Buddhist people did not only idolized Buddha spiritually but physically too. Buddhist their god and inspiration is Buddha, which is bald male. The temple had different statues of Buddha everywhere, such the craved in walls, shelves, posters, and statues. The interesting thing I noticed was that the Buddhist people wore robs which was very similar to the rob Buddha wears. But, there was a hierarchy difference among the Buddhist people because the monks wore orange with gold robs and the main monk wore red with gold robs, whereas, others wore brown robs. Other than, dressing up like Buddha there was another example of idolizing Buddha, which was that all the monks there had shaved their head just like how Buddha was bald. When any Buddhist entered the holy room where the ceremony was held, they would bow down to the five statues that displayed in the room. They would also sit on the ground with their legs crossed as Buddha had the same po...