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Oriental art
Essay on indian art
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The Asian continent gave way to many to numerous types of art that predate anything seen in the west. Asian art is most widely known for ancient pottery, large scale bronze sculptures, jade carving, and calligraphy among many other things. Asian art is important to overall art history because many of the techniques founded in this region spread to other regions and evolved many other art forms with it. The Chinese culture had a significant impact on the arts and crafts of other East Asian cultures, such as the Koreans and Japanese. Asian art shares many characteristics with the Oceanic art of the South Pacific. The similarities between the two cultures rely heavily on Neolithic technology. Neolithic technology began in 8000 BCE when the potential …show more content…
This early form of art is the Sulawesi Cave art in Indonesia. After this recording of art, another form of Asian art does not occur until 18,000 BCE. This next form of art is the beginning of Chinese Pottery. This form of clay pottery is the most ancient art in China. From 11,000 BCE to 300 BCE, the Jomon Period was the main focus of Japanese art. This period was named after the rope(Jo) patterns(Mon) that they would create on their earthenware pots. In 7500 BCE, Neolithic art started its reign in China. The Neolithic art in this region included ceramic art, silk-making, and turquoise/jade/ivory carving.
In 4000 BCE, Chinese watercolour painting is discovered, primarily as a medium for decorative art. The use of watercolours came about when they were discovered to dry faster than oil painting and permit for finer, more precise works of art. Watercolours are also a highly versatile medium, meaning they can be used on many surfaces ranging from paper to canvas to wood, stones and fabrics. It is important to note that while water-based painting is one of the most distinctive Chinese arts, neither sketching nor preparatory drawing are part of the traditions of Chinese
Long before Christopher Columbus crossed the Atlantic to the ‘New World’, the Western Hemisphere had already divided and developed civilizations. Some of these civilizations were extremely advanced for the time. As people settled in the Americas and developed cultures, so did differences in the life styles, religions, and art of these peoples. The cultures of Mesoamerica, South America, and North America all developed many different types of art, most notably ceramics and larger scale items that still baffle historians today.
I learned about many significant artwork and artist in this class. This class provided me with a better understanding of the history of the world Art, but also helped me understand the development of art style. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
Two main devices used in Egyptian art from the fourth dynasty, that also help classify it, are a strive for naturalism and the use of sculpture in the round. In addition to the large burial monuments being built, portraiture became quite popular at this time in history. Paintings featuring humans used their own form of "sculpture in the round" by painting in ...
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
China emergence as a civilization is accomplished with little no contact with other empires due to its geographical isolation. This is evident by the lack of new people and languages. The term China during this period does not refer to the same geographical entity as commonly believed. China during this period is approximately one thousand miles north to South and East to West, occupying much of the temperate zone of East Asia. The land to the North is well suited for crops like Grain due to Loess: a fine wind-driven soil that is fertile and easy to toil with primitive tools. The region to the South is warmer, wetter and more suited to rice cultivation and double cropping. China is isolated from other civilizations by mountains, deserts and grasslands. The Bronze Age is marked by the Shang dynasty in their capitol of Anyang. Shang kings ruled for over two centuries. The royal tomb at Anyang was sixty feet deep and three hundred feet long. A tomb this size would have taken thousands of laborers and the advanced technology was evident as t...
Considering the ancient art of Korea, unfortunately, not much is known. The country of Korea has been constantly shaped and reshaped by existing civilizations, namely, China. Korea's vulnerability geographically, has made Korea constantly throughout history open to many influences- namely China. Despite this overwhelming influx of alien influence from China, Korea's art forms indeed had maintained it's individuality. The Chinese and Korean peoples are very different; ethnically, and culturally. Therefore, even though Korea did attempt to mimic styles from the Chinese, it still maintained it's overall individualistic forms. In my paper I would like to emphasize the marked individuality of Korea. That throughout Korea's art history, Korea was not just another, "Chinese province."
According to Art in China by Craig Clunas, the Wei Dynasty, which started in 386 and ended in 535, was an era in which Buddhism was central to the culture of both the noble and common people. For much of the Wei dynasty the artists and sculptors were slaves to the state. Different styles of Buddhist art were popular during this period. At first, the artists copied some elements from Indian Buddhist sculpture, but then they developed their own style. During the Wei most of the art produced had a connection to Buddhism, and the emperors spent a great amount of resources to have the Buddhist art pieces produced (Clunas 92-97).
African Art has played a significant role in shaping the culture and history of the world around us. Stokstad describes the belief that Africa is the cradle of history of mankind and how that belief is quite unshakeable. Origins of African art date back long before recorded history, and is many centuries old. The basic subject within African art is the human figure. The art aspect of this culture deals with strong formal qualities which were exhibited with the strong design features that create balance and harmony, as seen in almost all pieces of work from this time. There are quite a few subgenres to African Art, which Stokstad demonstrates as the chapter progresses, and the earliest art form in Africa goes by the title of Rock Art1. Africa contains the oldest and greatest amount of Rock Art on Earth. The Saharan Rock art is located in central Sahara contains images that span a period of thousands of years. The earliest
Traditional Chinese art is deeply rooted in its philosophy, encompassing Daoist, Buddhist and Confucian schools of thought. The goal of many traditional Chinese landscape artists, as described by Professor To Cho Yee of Michigan-Ann Arbor, is to “reveal the highest harmony between man and nature” through a balance of likeness and unlikeness (Ho). This metaphysical philosophy borrowed art as a vehicle to search for the truth or the “dao”, which is the path to enlightenment. As early as the 5th century, scholar artists such as Su Shi (1037-1101) of the Song dynasty realized that to create likeness, one must understand the object beyond its superficial state and instead capture the spirit of nature; only then can a point of harmony with nature
Stepping into a museum, large or small, locating in east or west countries, as long as it exhibits ancient Asian artworks, one can hardly not find bronzes placed in the most prominent spot, shone by a beam of cold white light. Bronze Age is not as lackluster or icy-cold as this dark metallic alloy shown to us ostensibly; instead, it was full of creativity and innovation. It is amazing but not surprising that ancient Chinese are considered one of the most intelligent group of human-being, produced such remarkable amount of artifacts to either use in their daily life as necessities or decorations, or sacrifice their ancestors, or record important events. This paper will provide a specific description of two bronze vessels respectively from Shang and Zhou dynasties, giving interpretations of their production process and their roles in ritual performance.
There are many different definitions for stone age but these two you can learn more off of . I say that because it give you more examples and describe it so you can understand it better than the others: 1) Stone age is a stone age art illustrates early human creativity through small portable objects, cave paintings, and early sculpture and architecture.2) a period in human culture identified by the use of tone implements and usually divided into three kinds such as Paleolithic , Mesolithic, and Neolithic stages. “The Stone age lasted 30,000-3,000bc and it was named after the main technological tool developed at the time. It ended with the advent of the bronze age and also iron age.”(www.boundless.com). This art looked like a craved painted art that was a human figured that look most in common with and African art work.
Buddhism had an important role in the development of Japanese art between the sixth and the sixteenth centuries. Buddhist art and religion came to Japan from China, with the arrival of a bronze Buddhist sculpture alongside the sutras. Buddhist art was encouraged by Crown Prince Taishi in the Suiko period in the sixth century and Emperor Shomu in the Nara period in the eighth century. In the early Heian period Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among the wealthy class. The Amida sect of Buddhism provided the basis for many artworks, such as the bronze Great Buddha at Kamakura in the thirteenth century. Many of the great artists during this Kamakura period were Buddhist monks, and Buddhist art became popular among the masses with scroll paintings, paintings used in worship and paintings of saints, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests became popular. However, Zen had less use for religious images and by the mid sixteenth century most painting in Japan was of landscapes and secular themes.
The second distinct period which originated in Corinth in 700 BCE and spanned one hundred years is now known as the Orientalizing period. This period gets its name from the introduction of Egyptian and Eastern influences on Greek pottery during this time. The impact of foreign styles lead to the introduction of the black-figure technique that has come to epitomize the era. In Black-figure painting, figures and ornaments were drawn in silhouette on the natural clay surface of the vase ...
Did you know that the Ancient Greeks made pottery over 3,000 years ago (1,000 BCE) in Ancient Greece? The Greeks stopped doing pottery around 350 BCE when wall-painting became popular, but before wall-painting pottery was a good way for us to discover things about Ancient Greece. Pottery allowed us to be able to learn about the Ancients Greeks’ cultural beliefs.
Gandhara art, which is more popularly known as the Greco-Buddhist art, refers to an ancient district and culture or civilization that in one form or another existed from the 1st millennium BC till the 11th century AD. Although Gandhara went though a change in its geographical footprint over the period, its heart still lay in the valley of Peshawar. The Gandhara School of art is an art form dissimilar from the aniconic tradition of the early Indian sculptures and the tradition of Greco-Roman art; it absorbed the Indian and Mediterranean influences in art and culture.