Arnold Schoenberg’s celebrated monodrama of 1912, Pierrot lunaire, op. 21, offers a compellingly personal perspective on Pierrot’s allegorical relationship to the artists of fin-di-siécle Europe. So too, in his fusion of music and poetry, does Schoenberg provide what may be the most powerfully illustrative example of the character Pierrot’s appeal to artists of the era.
Schoenberg’s libretto is drawn from Otto Hartleben’s German translation of the Belgian poet Albert Giraud’s Pierrot lunaire. In its original form, the work consists of fifty rondels (an antiquated poetic form structurally reliant on textural repetition) describing various commedia scenes and happenings. The poems vary widely in content, some depicting country idylls, others monstrous hallucinations or images of grotesque violence. Hartleben’s translation, by all accounts a significant improvement on the original, applies Expressionistic imagery and techniques to Giraud’s poems, heightening the already latent sensation of frenzied autobiographical narrative.
Albertine Zehme, who commissioned the monodrama and was the reciter at its first performance, had been performing twenty-two of Hartleben’s Pierrot poems in her own three-part arrangement – the first part dealing with relatively happy poems, the second with a dark series of “lurid and erotic nightmares,” and the third with images of death. Schoenberg, in crafting his own Pierrot lunaire, “…retained some elements of Zehme’s narrative progression from lightness, to darkness, to death, but he transformed them into a personalized narrative of the plight of the artist in society.” In selecting his twenty-one poems, the composer carefully omitted any that dealt with daylight (except, significantly, the fi...
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...spiration and the dictums of his past, was Schoenberg covertly commenting on the new musical vistas he saw before him? Always a composer keenly aware of his place in the history of musical development, did Schoenberg recognize that “Nacht” provided the groundwork for him to inherit the mantle of German developmental composition?
In all likelihood, it did not. While such speculation is entertaining, and even possibly illuminating, it amounts to little more than pseudo-musicological grandstanding. That Schoenberg viewed Pierrot as a metaphorical surrogate for artists is clear, and he says as much in a 1916 letter to Alexander Zemlinsky. That the more autobiographical interpretation of the song-cycle Schoenberg created can even be entertained is powerful testimony to the power of the character Pierrot and the sway he held over artists at the turn of the century.
How would you like to keep track of your personal health information record in your computer at home? The electronic data exchange was one of the goals of the government to improve the delivery and competence of the U.S. healthcare system. To achieve this plan, the U.S. Congress passed a regulation that will direct its implementation. The Department of Health and Human Services is the branch of the government that was assigned to oversee the HIPAA rules. The Health Insurance Portability and Accountability Act (HIPAA) of 1996 is a national public law in the United States that was created to improve health insurability, prevent insurance abuse and to protect the privacy and security of a person’s health information.
The Health Insurance Portability and Accountability Act of 1996, or HIPAA, is a law designed “to improve portability and continuity of health insurance coverage in the group and individual markets, to combat waste, fraud, and abuse in health insurance and health care delivery, to promote the use of medical savings accounts, to improve access to long-term care services and coverage, to simplify the administration of health insurance, and for other purposes.”1 HIPAA mandates that covered entities must employ technological means to ensure the privacy of sensitive information. This white paper intends to study the requirements put forth by HIPAA by examining what is technically necessary for them to be implemented, the technological feasibility of this, and what commercial, off-the-shelf systems are currently available to implement these requirements.
In the essay “Naturalism and the Venetian ‘Poesia’: Grafting, Metaphor, and Embodiment in Giorgione, Titian, and the Campagnolas,” Campbell explains the role of poetic painting, poesia, in Venetian artwork during the 1500s. Titian personally used the term poesia when he “[referred] to paintings he was making for [King Philip II] with subject matter derived from the ancient poets.” Poesia now refers to a type of sixteenth century Venetian painting, which Giorgione and Titian initiated and used within their works. Campbell’s main argument is that poesia is not simply aesthetic or reflective of poetry, but rather “grounded in the process of making – and in making meaning – rather than in an aesthetics of self-sufficiency or self-referentiality.” Like poetry, it is not self-contained; meaning lies outside of the work, within the interpretations of the viewers. He discusses the idea of grafting in poetry and how the same grafting model is utilized in the visual arts. Different images, such as pagan figures and contemporary figures and settings, are juxtaposed to create visual discordance and give an intrinsic meaning to the viewer. Campbell then uses many examples of writing, poetry, engravings, and paintings to explore his argument and the connections between artists during the 1500s.
Health Insurance Portability and Accountability Act or HIPAA is a statute endorsed by the U.S. Congress in 1996. It offers protections for many American workers which improves portability and continuity of health insurance coverage. The seven titles of the final law are Title I - Health care Access , Portability, Title II - Preventing Health Care Fraud and Abuse; administrative simplification; Medical Liability Reform; Title III – Tax-related Health Provisions; Title IV – Application and Enforcement of Group Health Plan Requirements; Title V – Revenue Offsets; Title XI – General Provisions, Peer Review, Administrative Simplification; Title XXVII – Assuring Portability, Availability and Renewability of Health Insurance Coverage. (Krager & Krager, 2008)
Unlike Schönberg, his student Anton von Webern did not make many comments about the relationship between text and music in his works. His George-settings appear rather different to Schönberg’s in their relationship to the text. He was guided much more by declamatory and rhythmical aspects of the poetry than Schönberg.
Abstract: Electronic medical databases and the ability to store medical files in them have made our lives easier in many ways and riskier in others. The main risk they pose is the safety of our personal data if put on an insecure an insecure medium. What if someone gets their hands on your information and uses it in ways you don't approve of? Can you stop them? To keep your information safe and to preserve faith in this invaluable technology, the issue of access must be addressed. Guidelines are needed to establish who has access and how they may get it. This is necessary for the security of the information a, to preserve privacy, and to maintain existing benefits.
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
Congress addressed growing public concern about privacy and security of personal health data, and in 1996 passed “The Health Insurance Portability and Accountability Act” (HIPAA). HIPAA sets the national standard for electronic transfers of health data. Before HIPAA, each state set their own standards. Now states must abide by the minimum standards set by HIPAA. States can enact laws to incorporate and/or strengthen the basic rights given by HIPAA.
His life was a very tragic which was displayed through many of his works. Some of his poetry for example, could be construed as horrid accounts of death. "The Rave...
HIPAA is the federal Health Insurance Portability and Accountability Act of 1996. The primary goal of the law is to make it easier for people to keep health insurance, protect the confidentiality and security of healthcare information ad help the healthcare industry control administrative costs. HIPAA stands for the Health Insurance Portability and Accountability Act of 1996. HIPAA was first introduced in 1996. It was made a law by the United States Congress and signed by President Bill Clinton. The HIPAA Privacy Rule protects an individual’s medical records and other personal health information.
HIPPA (Health Insurance Portability and Accountability Act) was put in place by the Federal Government for several reasons; better portability of health insurance for employees, to prevent fraud and abuse within the healthcare delivery system, and simplification of administrative functions associated with healthcare delivery (McGonigle & Mastrian, 2012). Due to sensitive healthcare information being shared federal regulations were also put into place, resulting in the “Privacy Rule” and “Security Rule”. The Privacy Rule limits the use and disclosure of patient information. The Security Rule protects the patients’ healthcare information from improper use or disclosure, to maintain information integrity, and ensure its availability (McGonigle & Mastrian, 2012). Both regulations apply to protected health information (PHI) which is any form of health information that can be used to identify an individual patient. Practitioners who refer to HIPPA are not referring to the act itself but the “Privacy Rule” and “Security Rule” (McGonigle & Mastrian, 2012). It is extremely important to understand these concepts as a student in the clinical setting and how each hospital enforces these concepts. Before starting at any clinical site there is an extensive orientation about HIPPA regarding what is appropriate and not appropriate when it comes to patient information and the repercussions of violating HIPPA. In this paper I will discuss Akron General’s rules and policies regarding their EHR, PHI, EPHI, and social media.
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
...the information. “The Health Information Technology for Economic and Clinical Health” or (HITECH) Act, was decreed as part of the “American Recovery and Reinvestment Act” of 2009 (ARRA). ARRA provided incentives intended for providers to accelerate their adoption of electronic health record systems. Government expects an influx in the exchange of the electronic protected health information. (ePHI) HITECH Act expands the scope of privacy and security protection available under HIPAA. HITECH Act imposed stiff fines and penalties on those providers that are noncompliant with protecting electronic documents. Civil penalties that are levied against providers can received a maximum penalty of 1,5 million dollars. Even though many opponents complain, HIPAA has provided security protection and benefits for consumers through better access to value care.
The speaker from the first stanza is the observer, someone who pays closer attention to the entire piece of work, noticing all the details and able to understand the painting as a fluid story and not a snapshot. He is a man with fishing experience. He knows violent the seas and the power nature holds, strong and unforgiving to any individual. The second speaker in the poem is the observer, his voice is heard in the second stanza. He describes the individual looking at the painting as an innocent bystander embracing the art in a museum. The man views the painting, not fully immersing oneself in the complete story of the painting. Instead, he just looks on as a spectator, not fully appreciating the intensity of what he is looking at. Breaking the poem into two stanzas not only allows Finkel to voice two speakers, but also allows him to alternate the tone. The tone of the first stanza with the observer is dark, the speaker describes the events in the painting with a terror, making the painting more realistic with hints of personal experiences. The second stanza is divided into two parts: the first is calm, the onlooker is innocent, gazing at the still image on the canvas, describing the painting at face-value. The latter half of the stanza brings the painting to life. Similar to the first stanza, it transitions back into darkness, a contrast of what the observer views on the
Franz Joseph Haydn is widely imitated because of his excellent technique that makes his music, so rich in quality and quantity by having one of the most fertile musical minds. Haydn is one of the most prolific and prominent composers of the Classical period. He is also known as one of the pivotal figures in all western musical history. Here I will try to showcase and highlight some of Haydn’s brilliance by talking about the life he lead growing up, his work and career, a little introduction to his music, touching on some of his compositions, his contributions to music, and finally Haydn’s influence.