Pierrot Lunaire Essays

  • Who Is Shoenberg's Pierrot Lunaire

    864 Words  | 2 Pages

    Tonight I attended the premiere of Schoenberg’s Pierrot Lunaire, op. 25. This piece was well- received by most of the audience. Schoenberg is able to mix traditional forms with more modern harmonies, such as atonality and extreme chromaticism. Due to its lack of tonality, Schoenberg’s music can be disorientating at first, but after analyzing the scores, it becomes easier to understand. In order to give the listeners something familiar to grasp on to, he uses ideas and motives from past composers

  • Schoenberg and Pierrot

    1818 Words  | 4 Pages

    celebrated monodrama of 1912, Pierrot lunaire, op. 21, offers a compellingly personal perspective on Pierrot’s allegorical relationship to the artists of fin-di-siécle Europe. So too, in his fusion of music and poetry, does Schoenberg provide what may be the most powerfully illustrative example of the character Pierrot’s appeal to artists of the era. Schoenberg’s libretto is drawn from Otto Hartleben’s German translation of the Belgian poet Albert Giraud’s Pierrot lunaire. In its original form, the

  • Pierrot Lunaire Dance Concert Report

    692 Words  | 2 Pages

    The stage and the crowd were always filled with commotion, always having the ability to bring enthusiasm into the night. There was no time to let our attention go from the performance on the stage. The third movement, called the Dandy, was a frightening movement, filled with intense fluctuations of registers and volume. The Dandy began with loud, high-pitched vocal singing with flute playing on the background. Moreover, this third movement was filled with fast tempo of both vocal singing and instruments

  • Neoclassicism Vs. Modernism

    1187 Words  | 3 Pages

    Igor Stravinsky makes for a first-class example of differences and similarities between neoclassicism and modernism. Modernism is defined as “A term used in music to denote a multi-faceted but distinct and continuous tradition within 20th-century composition”1, while neoclassicism may be defined as “A movement of style in the works of certain 20th-century composers, who, particularly during the period between the two world wars, revived the balanced forms and clearly perceptible thematic processes

  • The New Musical Language of The Rite of Spring by Igor Stravinsky

    911 Words  | 2 Pages

    meter is the most influential part of The Right of Spring. He opened a new lane for western music to be able to explore outside of the regular traditional and metric regular use within western music. 3. Describe Schoenberg’s music and how Pierrot Lunaire reflects Exp... ... middle of paper ... ...rend in music, citing composers and musical examples. The minimalist trend in music began in the New York downtown scene in 1960. It was viewed as experimental music. Minimalistic music includes

  • Arnold Schoenberg

    753 Words  | 2 Pages

    painting teacher, who committed suicide after she returned to Schoenberg. In 1911, the year in which Schoenberg published his book Theory of Harmony, he accepted a teaching position in Berlin. There he composed one of his most influential works, Pierrot Lunaire (1912). He returned to Vienna in 1915. The interruptions occasioned by World War I, combined with Schoenberg's search for a way to ensure logic and unity in atonal music, prevented him from producing many works between 1914 and 1923. By 1923,

  • What Are The Four Basic Properties Of Music

    824 Words  | 2 Pages

    to communicate and to entertain. Animals and birds are also believed to use music in their daily activities for purposes of entertainment and search for food and prey. Some of the famous musical tones include John Cage’s 4’33, Schoenberg’s parrot Lunaire and Os Mustantes musical rock band. John Cage’s 4’33 is a musical composition comprising of a pianist who goes to a Piano and refrains from hitting any of its keys for four minutes and thirty three seconds. The entire piece was comprised of silences

  • quiz 3

    609 Words  | 2 Pages

    1. The new classical vocal form was created at the end of the 19th century that included the orchestra is etude (french word for study). Etude was written in the early 20th century and oversaw numerous collections of etudes. Major composers such as Claude Debussy and Franz Liszt achieve this form in the concert repertoires that features didactic pieces from earlies times like vocal solfeggi and keyboard. 2. The aspect of Claude Debussy's music were different from the music that preceded it were melodic

  • Twentieth Century Classical Music

    770 Words  | 2 Pages

    The Twentieth Century saw many rapid changes in society with the industrial revolution, rise of capitalism, women’s suffrage, challenging of religious concepts and World Wars. These changes led to people questioning everything they had known, including music. The questions asked led many composers into developing experimental ideas that were radical and unusual which gave rise to the Modernism era of music. The earliest modernist movement is referred to as Impressionism. Closer to symbolism, impressionism

  • Characteristics in Music

    1241 Words  | 3 Pages

    Music has distinct elements that audience members should learn to identify and recognize in music. This knowledge will help improve the listeners experience and improve communication between patrons. The basic building blocks of music composition will help the listener develop a greater appreciation for and interest in new music. Music is an abstract art that defies complete explanations, but learning to communicate with the appropriate terminology allows you to more accurately express your opinions

  • Arnold Schoenberg's Musical Influence

    1211 Words  | 3 Pages

    Arnold Schoenberg's Musical Influence Arnold Schoenberg was one of the greatest musical influences of the mid 20th Century. He was born on September 13, 1874, to a Jewish family in Vienna, Austria (Schoenberg 1). Schoenberg was a young Jewish man during World War I (WWI) living in Berlin. He was directly affected by the invasion of the Nazis. In 1933, he had to leave Berlin and desert his faith for Lutheranism later on taking on the faith of Judaism. At the early age of eight, he began violin

  • Robert Joffrey's Influence On The Ballet Industry

    1749 Words  | 4 Pages

    “The company has had its moment of greatness. Unique in its exuberance of style, a repository of masterpieces rescued from oblivion, and for many, an introduction to ballet, the Joffrey has played a vital role in the development of dance in the United States,” says Kisselgoff in an article announcing Joffrey’s return (Anawalt 321). Though his life was a few pas de chats, Robert Joffrey did everything he could to keep his dream going. Due to his prominence in the ballet industry, influence on modern

  • Biography of Christopher Bruce

    2011 Words  | 5 Pages

    Rambert. In 1963 Bruce became a member of Ballet Rambert and he soon became acknowledged as one of the most gifted performers of his time. Moreover, he acquired the position as the leading male dancer of the ballet company. His performances in Pierrot Lunaire and Coppelia are particularly remembered by the wider dance community to this day. At the time that Bruce had joined Ballet Rambert, the company strictly performed classical repertoire only. However by 1966, the company had undergone a daring

  • The 20th Century

    1855 Words  | 4 Pages

    In the twentieth century, musicians were very open to change. Many new styles and genres were made. In a way, they got rid of all of the rules and created new ones. Composers, trying new things, created ragtime, jazz. Some of the new approaches towards tonality were atonality, polytonality, neotonality and the twelve-tonal methods. Different styles were impressionism, expressionism, neoclassicism, primitivism and minimalism. Composers trying to create completely new sounds produced experimental